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Foreign Directors

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    VIFF '11: 'Elena' Is A Dramatic Masterwork From Russian Director Andrey Zvyagintsev

    For this writer, there are fewer things in cinema more satisfying than a filmmaker in total control of their story. Sure, we love the visceral thrill of a well-choreographed, impeccably staged action sequence as much as the next red-blooded human being. And there’s the perfect combination of song/score over moving images, blissful moments heightened through all the tools available in the medium. But then there are those rare moments when a film has just begun, and the feeling sets in immediately that you’re in good hands; that no matter what happens in this film, you can trust the filmmaker has thought everything through and knows what he or ...

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    NYFF '11: 'Kid With A Bike' Directors The Dardennes Say They Originally Planned A Different Ending

    Reveal That Holly Hunter Is One Of The Hollywood Stars Who Has Expressed Interest In Working With Them What can be said about the Dardenne brothers that five Cannes awards don't already say much more definitively? Even a mediocre splotch in their oeuvre is twelve notches above most oth...

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    NYFF '11 Review: 'Policeman' A Strong, Haneke-Inspired Rumination On Israeli Society

    While it's absolutely an important issue that deserves coverage, we've already heard nearly every angle of the Israel-Palestine conflict seventy times over -- so much so that we barely have a clue about their other dilemmas. One of these issues starting to come to light is the large economic dispari...

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    NYFF '11: Pedro Almodóvar Talks The Identity And Gender Themes Of ‘The Skin I Live In’

    Director Discusses Finding Humor In Tragedy, Differences Between Men And Women, And MoreWhen we first laid our eyes upon Pedro Almodóvar's "The Skin I Live In" at Cannes, we called it a film that "snaps between bright glittering glamour and dark, doomed horror," and emerges largely triumphant, "uniquely beautiful and distinctively imperfect." The reception for Almodóvar's latest in the Big Apple has been similarly apprehensive and appreciative; the audience's reaction at last Tuesday's press screening was a testament to the polarizing nature of the film. Almodóvar and stars Antonio Banderas and Elena Anaya were present with a translator in to...

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    NYFF: Pedro Almodóvar Told Antonio Banderas To Watch Cary Grant Movies To Prep For 'Skin I Live In'

    The Director Reveals He's Not Doing A Biopic On Mina; Tension, Twists & More From The Team Behind The FilmPedro Almodóvar crafts a creepy Frankenstein-esque tale of rape, revenge, and survival in "The Skin I Live In" – a polarizing film which is one of his most ambitious yet. Because the movie features an unexpected twist halfway through the film, discussing it becomes difficult – how do you debate the themes, the issues and the meaning without giving it all away? We leave that task to the esteemed director and his cast that includes Antonio Banderas and Elena Anaya, who hit NYFF this week to present this latest concoction, a tale unlike anyt...

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    Bong Joon-ho's 'The Host' Gets Converted Into 3D, Sequel Still In The Works

    While it's never been a better time for the crossover of Asian cinema to audiences on this side of the ocean, none have been quite as big as Bong Joon-ho's "The Host." The 2006 film became a sensation, not only smashing box office records at home in South Korea, but becoming a must see film stateside, breaking out of its genre niche and finding a larger audience than this kind of flick normally would. It seems that producers around the world all share the common trait of milking a hit movie for all it's worth, as not only is there a long gestating sequel to the movie still on the table, until that arrives, "The Host" has gotten a brand new 3D...

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    Béla Tarr Confirms At NYFF That He's Retired From Filmmaking

    We can't claim to be massive fans of everything that Béla Tarr's made; his work can be fascinating, but somewhat trying. But when he's firing on all cylinders, as in "Werckmeister Harmonies," the Hungarian director is an incredibly vital voice in cinema, and even when he's not, his films find a way ...

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    NYFF ’11 Review: ‘Pina’ Is A Gorgeously Photographed, Three-Dimensional Sleeping Pill

    It’s strange to be truly startled and taken aback by the powerful effects of properly utilized 3D not in some Hollywood blockbuster where half of a major Midwestern American city is blown to smithereens by giant transforming robots, but during a quiet, understated, impressionistic documentary/tribute to influential German choreographer and dancer Pina Bausch (directed by Wim Wenders, no less). In fact, this might be the most amazingly you-are-there use of the technology since James Cameron landed us on Pandora. It’s just that, along with the fantastical visas and bounding, leaping, protruding dancers, you wish that the movie were more than ju...

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    NYFF '11 Review: Bela Tarr's Swan Song 'The Turin Horse' Is Despairing But Unforgettable

    If the name Béla Tarr rings any sort of bell in your head, chances are you've already formed an unwavering opinion of his work. He hasn't exactly shaken up his approach since 1988's "Damnation" (that said, this writer -- probably like most -- isn't familiar with his crop of '90s short films), and if...

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