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Foreign Films

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    Review: 'Policeman' A Strong, Haneke-Inspired Rumination On Israeli Society

    While it's absolutely an important issue that deserves coverage, we've already heard nearly every angle of the Israel-Palestine conflict seventy times over—so much so that we barely have a clue about their other dilemmas. One of these issues starting to come to light is the large economic disparity ...

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    Brazilian Drama 'The Way He Looks' Acquired by Strand Releasing

    Strand Releasing, the company that most recently brought the controversial French drama "Stranger by the Lake" to American audiences, has now acquired all North American rights to the Brazilian drama "The Way He Looks" from Films Boutique.

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    Review: 'Oslo, August 31st' A Tender, Bleak Search For Hope

    A reprint of of our review from the 2011 Cannes Film Festival.

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    'The Artist' Duo Jean Dujardin & Michel Hazanavicius Work Together Again On Omnibus 'The Players'

    "The Artist" actor Jean Dujardin is to director Michel Hazanavicius what Ryan Gosling is to Nicolas Winding Refn. With the former's silent movie sensation winning over audiences and poised to become a Best Picture nominee at the Oscars, it marks their third film together following the two very popul...

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    'Festen' Director Thomas Vinterberg Teams With Mads Mikkelsen For Drama 'The Hunt'

    Considering that he co-founded the Dogme movement, and made the best of its films, in "Festen" (or "The Celebration"), a picture that's proved highly influential across the last decade-and-a-half or so (David Fincher seems to be a fan, as there are certainly echoes of the film in the trailer for "The Girl With The Dragon Tattoo"), it's disappointing that Thomas Vinterberg's career has proceeded in fits and starts ever since. It took him five years to follow-up "Festen," and that sophomore picture, the ambitious, but misshapen "It's All About Love," with Joaquin Phoenix, Claire Danes and Sean Penn, was critically slaughtered, while the Lars Vo...

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    Quelle Horreur! 10 Foreign-Language Horrors To Freak You Out This Halloween

    There's a reason so many American horror films in the last couple of decades have largely been remakes of foreign language movies – because those films are really, really scary. The fact that the remakes are, by and large, completely awful, has to do with the specificity – there are details in culture and location that, when displaced, shuffled, or wholly removed, greatly impact the narrative and the power of the storytelling. Feudal Japan, with its cultural landscape of spirits intermingling with the living, can't be swapped for suburban Chicago, the home of Abe Froman, the Sausage King. In the age of the internet, ...

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    LFF '11: Gerardo Naranjo On Innocence, The Genesis Of 'Miss Bala' And 'Intelligent Action Movies'

    Plus, More From The Director And The Film's Star Stephanie SigmanAside from Steven Soderbergh's "Traffic" over a decade ago, there haven't been a lot of decent movies focusing on the drug trade just over the border. Sure, the cartels crop up from time to time, but mostly in villains in dumb action m...

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    Review: Slick Bollywood Behemoth 'RA. One' Delivers Fleeting Pleasures

    While Hollywood holds the world's audience enraptured, unleashing big, burly CGI extravaganzas, burgeoning international companies are revving up to put a dent into the market. Enter "RA. One," Bollywood's most expensive production and arguably the first straightforward superhero film to come out of India's massively prolific movie factory. As with any tentpole (with a warm reception pouring in from the Indian press, news of a sequel in the works are inevitable), the film comes packaged with a colossal star -- Shahrukh Khan, probably most familiar to American viewer as the star of 2010's heavy-handed drama "My Name Is Khan"). Equally importan...

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    FNC ’11: Alexander Sokurov’s 'Faust' An Odd, Dense Adaptation Of Goethe's Classic

    By Nikola Grozdanovic reporting from the Festival du Nouveau Cinema in Montreal.

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    NYFF Review: 'Goodbye First Love' Looks At Young Romance Without Affection

    Television and movies love to indulge us in pre-adulthood nostalgia. Whether the bait is loose (young hooligans causing a ruckus) or more specific and event-oriented (prom, which we've seen less of lately because, well, prom sucks), the powers that be tug at our heartstrings and force us to look back at a time free of major responsibilities and full of fresh experiences. The glazed schmaltz can be off-putting for some, but occasionally sincerity shines through and we get something that captures the emotions extraordinarily well (for this writer's money, "The Virgin Suicides" and "The Girl" are uneven but nail certain feelings on the head). Bu...

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