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Foreign Films

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    VIFF '11: 'Elena' Is A Dramatic Masterwork From Russian Director Andrey Zvyagintsev

    For this writer, there are fewer things in cinema more satisfying than a filmmaker in total control of their story. Sure, we love the visceral thrill of a well-choreographed, impeccably staged action sequence as much as the next red-blooded human being. And there’s the perfect combination of song/score over moving images, blissful moments heightened through all the tools available in the medium. But then there are those rare moments when a film has just begun, and the feeling sets in immediately that you’re in good hands; that no matter what happens in this film, you can trust the filmmaker has thought everything through and knows what he or ...

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    Watch: Delightfully Odd New Trailer For Yorgos Lanthimos’ ‘Alps’

    Update: KinoLober has picked up the U.S. rights "Alps" with plans to release it in spring 2012. Also there is a new clip from the film courtesy of Flix below.

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    Box Office: Slow Weekend As '80s Remakes 'Footloose' & 'The Thing' Open Soft; 'Real Steel' Stays #1

    You put out one remake of an '80s movie during a slow weekend, and it’s not a big deal. You put out remakes of two niche early '80s hits on the same weekend, and audiences get the message. This weekend was the clearest example yet of studios offering reheated product, one of which was remains in pub...

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    NYFF '11: 'Kid With A Bike' Directors The Dardennes Say They Originally Planned A Different Ending

    Reveal That Holly Hunter Is One Of The Hollywood Stars Who Has Expressed Interest In Working With Them What can be said about the Dardenne brothers that five Cannes awards don't already say much more definitively? Even a mediocre splotch in their oeuvre is twelve notches above most oth...

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    NYFF '11: 'The Artist' Director Michel Hazanavicius Credits Orson Welles As One Of Many Influences

    Director Wanted To Revive Silent Movie Style For A Contemporary Movie AudienceDespite stealing audiences' hearts and walking away from the prestigious Cannes Film Festival with the Best Actor Award, Michel Hazanavicius's nostalgia-fueled silent feature "The Artist" may have its work cut out for it. Will regular movie-goers go and see something like this in an era when the mere thought of a flick not being in color is appalling? It's a tough call, but with the right push, it might get sales solely based on the fact it's unlike anything in at the cineplex today. After that, all the movie needs is five minutes: it's an instant charmer, an escapi...

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    In Theaters: '80s Night At The Multiplex With 'Footloose' & 'The Thing'

    Kick off your Sunday shoes, dear readers, this weekend it's time to cut loose with "Footloose." And what's that? It's a remake-tastic weekend with "The Thing" also in theaters, if you enjoy your '80s nostalgia with body inhabiting aliens instead of nubile dancing teens. Also, Señor Almodóvar's lates...

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    NYFF '11 Review: 'Policeman' A Strong, Haneke-Inspired Rumination On Israeli Society

    While it's absolutely an important issue that deserves coverage, we've already heard nearly every angle of the Israel-Palestine conflict seventy times over -- so much so that we barely have a clue about their other dilemmas. One of these issues starting to come to light is the large economic dispari...

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    NYFF '11: Pedro Almodóvar Talks The Identity And Gender Themes Of ‘The Skin I Live In’

    Director Discusses Finding Humor In Tragedy, Differences Between Men And Women, And MoreWhen we first laid our eyes upon Pedro Almodóvar's "The Skin I Live In" at Cannes, we called it a film that "snaps between bright glittering glamour and dark, doomed horror," and emerges largely triumphant, "uniquely beautiful and distinctively imperfect." The reception for Almodóvar's latest in the Big Apple has been similarly apprehensive and appreciative; the audience's reaction at last Tuesday's press screening was a testament to the polarizing nature of the film. Almodóvar and stars Antonio Banderas and Elena Anaya were present with a translator in to...

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    Review: Byzantine, Bloody Almodóvar Takes A New Direction With 'The Skin I Live In'

    The following is a reprint of our review from Cannes.

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