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Celebrating 17 Years of Film.Biz.Fans.

Glenn Heath Jr.

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    Cannes 2013: An Interview with James Gray

    "Ewa is a survivor. I think she’s going to make it. I don’t think she’s going to live a perfect life or be able to forget what has happened to her, but I think she’s going to make it somehow. I don’t know if my other characters will make it."--James Gray on "The Immigrant"

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    CANNES 2013: Images, Part III

    Crazy weather, lost luggage, a Final Destination-like near death experience, rampant larceny; Cannes 2013 was certainly a wild ride. Looking back over the last two weeks I can’t help but think this year’s festival will go down as one of the strangest ever. And I mean that in the best possible sense.

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    CANNES 2013: James Gray's THE IMMIGRANT

    Few films have captured the level of complex pragmatism it must take for a desperate person to survive in a completely new place with no support or ideological context. James Gray’s arresting period-piece melodrama "The Immigrant" achieves this feat.

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    CANNES 2013: Nicholas Winding Refn's ONLY GOD FORGIVES

    In Nicolas Winding Refn’s "Only God Forgives," to witness God is to experience the devil.

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    CANNES 2013: Images: Part 2

    After nearly four straight days of rain, sunshine has finally graced the Croissette. It’s glorious. Wardrobes have gotten significantly skimpier and smiles have broadened greatly, and everyone at Cannes seems to be settling in.

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    CANNES 2013: Joel and Ethan Coen's INSIDE LLEWYN DAVIS

    Plenty of films exist about struggling young artists trying to be great and failing in the process. But Joel and Ethan Coen’s "Inside Llewyn Davis" is unique in focusing on a great struggling young artist resigned to the idea of his own impending failure.

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    CANNES 2013: Images, Part 1

    Thick grey clouds paint the coastal horizon, and rain keeps falling. Massive yachts bob up and down in the choppy water while scattering festival attendees take cover under umbrella canopies.

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    CANNES 2013: Jia Zhang-ke's A TOUCH OF SIN

    Jia Zhang-ke sees modern day China as an expansive minefield of potential narratives, each one ready to trigger its own perspective on the countless institutional and societal issues that ultimately impact identity, gender roles, and economic expansion.

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    CANNES 2012: And the Winners Should Be...

    Read our critics' personal predictions of who SHOULD win the awards, and who WILL win the awards, at Cannes 2012...

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    CANNES 2012: Jeff Nichols' MUD

    Some film critics have described Jeff Nichols’s "Mud" as the perfect way to end Cannes 2012, a fun and accessible slice of cinematic Americana. But considering the film’s hammy sentimentality and bogus emotional connections, I can’t think of a more disappointing send off.

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