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Horror

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    Movies in Limbo During Distribution Fall-Out: The Debt, Don't Be Afraid of the Dark, Haywire

    Miramax is no more. And I challenge you to name the specialty division's new owner. For $660 million, Disney sold the Tiffany label built and abandoned by the Weinsteins--that once represented class, style and Oscar contenders--to Filmyard Holdings, a consortium led by financeer Ron Tutor and partne...

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    Zombies Rule the Earth, from Walking Dead to 28 Months Later

    As zombies become the new vampires, and AMC's The Walking Dead launches Halloween, the dystopian 28 Days Later franchise shows no sign of slowing down.

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    Weekend Box Office: The Social Network Clicks to Top

    The most buzzed-about launch of the fall season, The Social Network met (but did not exceed) expectations with a $23-million start, while hard-R vampire thriller Let Me In proved to be a classic tweener: too bloody violent for upscale smart-house crowds and too European for mainstream gore-hounds. Anthony D'Alessandro explains:Sony’s PG-13 Facebook origin myth The Social Network effortlessly clicked its way to the top box office spot with $23 million – a number which was in line with studio estimates, but fell short of crashing any ticket booth’s computer with a fall record.  Two R-rated thrillers, Overture’s vampire remake Let Me In and Para...

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    Del Toro Talks Hobbit, Mountains of Madness, Don't Be Afraid of the Dark, Julia's Eyes, Biutiful

    When Guillermo del Toro left New Zealand after two years prepping Peter Jackson's The Hobbit, he was escaping from a box (MGM's financial issues had frozen the project), but he also didn't know what he was going to do next. Since then, the director/producer has been making up for lost time, making deals all over town: Disney, where he's doing Haunted Mansion, and which is releasing his Miramax horror production Don't Be Afraid of the Dark; DreamWorks Animation; and Fox, where he's excited about returning to big-budget directing with James Cameron's Mountains of Madness. Del Toro talks about his productions Julia's Eyes and Biutiful, which pla...

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    Zombies Reign at Weekend Box Office as Resident Evil Afterlife 3D Scores $27.7 Million

    What makes Resident Evil run? Anthony D'Alessandro examines the longevity of the horror franchise, which scored a $27.7 million opening weekend on its fourth go-round. Giving Avatar director James Cameron more motive to throw 3-D films under a bus, genre filmmaking reigned this weekend as Sony/Screen Gems’s fourth Resident Evil: Afterlife 3D, based on the 1996 videogame, scored $27.7 million.  It was evident from the zombie film’s Friday bow, which zapped $10.9 million, that it was bound to outstrip the record of its last installment, 2007’s Resident Evil: Extinction ($23.7 million).  The lack of frosh wide entries in a historically sleepy se...

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    Weekend Box Office: Last Exorcism Over Takers in Summer Photo Finish

    Two pictures vied for the top slot on the last slow dog-days-of-summer weekend. At press time it looked like Lionsgate's The Last Exorcism was beating out Sony/Screen Gems' Takers. Meanwhile holdovers The Expendables and Eat Pray Love hung onto slices of the top-five b.o. pie, reports Anthony D'Ales...

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    Box Office: Expendables Holds Off All New Takers on Weak Weekend

    It's the dog days of August indeed as the mighty Expendables threw off all new challengers and cheapie Twilight parody Vampires Suck outperformed Eat Pray Love on its second go-round. Anthony D'Alessandro does the numbers. (UPDATED.)

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    Promos: Frank Miller Does Gucci, Funny or Die Does Piranha 3D Oscar Ad

    Graphic novelist-turned-filmmaker Frank Miller (Sin City) has directed a new Gucci advertisement for Guilt, a line of penance-pursuing perfume for the Italian luxury goods giant. The ad is so special that they've only released a teaser. The real, full-length commercial premieres at the MTV Movie Aw...

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    Relativity Media Firms Up Release Slate, Adds Three Pictures

    Relativity Media is moving forward as Hollywood's newest distributor, finalizing its 2010-2011 release slate with a mix of Overture, Relativity and Rogue titles and a service deal.

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    Trailer Watch: Winners and Losers

    For all the material that played great at Comic-Con, some trailers and footage did not go over well at all.

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