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Immersed In Movies

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    Immersed in Movies: Master Building 'The LEGO Movie' with Phil Lord and Chris Miller

    There's more than meets the eye in The LEGO Movie. It's not only smart and witty but it also explores the essence of LEGO and Master Building and, finally, storytelling in a Pirandello-like way. I spoke with directors Phil Lord and Chris Miller (at LEGOLAND, of course) about making a subversive mov...

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    Talking Benedict Cumberbatch, Dragon Secrets and More with the Oscar-Nominated Sound Editors of 'Smaug'

    In returning to Middle-Earth for the second "Hobbit" adventure, "The Desolation of Smaug," Oscar-nominated sound editors Brent Burge and Chris Ward were given a gift with the very hot Benedict Cumberbatch. But when he was first announced, they were apprehensive that his overexposure on "Sherlock" an...

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    Immersed in Movies: Laughing it Up at the 'LEGO Movie' Press Conference

    Maybe it was the wacky LEGOLAND backdrop (with the marvelous miniature set behind them), or the funny nature of the movie itself, or the fact that Morgan Freeman was such a hoot, but the LEGO Movie press conference was even more fun than expected. Among the participants were directors Phil Lord and ...

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    Immersed in Movies: Talking with the Shorts Oscar Nominees

    I recently chatted with the Oscar nominees for Feral (Daniel Sousa), Get a Horse! (Lauren MacMullan), Mr. Hublot (Laurent Witz), Possessions (Shuhei Morita), and Room on the Broom (Max Lang). We discussed personal connections and challenges. Interestingly, all five of the films explore the theme of...

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    Anatomy of a Scene: Talking the 'Her' Office with Oscar-Nominated Production Designer K.K. Barrett

    Spike Jonze's beautiful and beguiling "Her," the dark horse in the best picture Oscar race, offers a warm and inviting fusion of LA/Shanghai, with its intoxicating use of red. And the opening scene in the office -- a high rise on Hope near Bunker Hill -- wonderfully sets up the delicate mood and wor...

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    Anatomy of a Scene: Oscar-Nominated Editor Christopher Rouse Talks the Pivotal Attack in 'Captain Phillips'

    Best Picture nominee "Captain Phillips" is the ultimate in Paul Greengrass-style verite, given its life and death intensity and emotional epiphanies. More than just a fact-based heist gone bad, it raises deep concerns about our globalized world in conflict. Oscar nominee Christopher Rouse, who's alr...

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    Immersed in Movies: Talking with the Best Animated Feature Oscar Nominees

    I recently chatted with the Oscar nominees for The Croods (directors Chris Sanders and Kirk DeMicco), Despicable Me 2 (Chris Renaud), Ernest & Celestine (Benjamin Renner), Frozen (Chris Buck and Jennifer Lee), and The Wind Rises (producer Toshio Suzuki). We discussed what makes their work perso...

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    Talking the Oscar-Nominated Sound Editing and Mixing of 'Lone Survivor'

    Peter Berg's underrated "Lone Survivor" received its lone Oscar nominations in the sound editing and mixing categories, but it's well-deserved. The fact-based adventure about a failed Navy SEALS mission in Afghanistan grabs us by the throat and never lets up. And the sound is among the most intense ...

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    Talking the Oscar-Nominated Costume Design of 'The Invisible Woman'

    Oscar-winning costume designer Michael O' Connor ("The Duchess") may be an expert at period pieces, but he was a Charles Dickens novice along with actor-director Ralph Fiennes before making "The Invisible Woman." And in this year's battle of the period pieces ("American Hustle," "The Great Gatsby," ...

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    Immersed in Movies: Adam Green Talks Oscar-Nominated 'Get A Horse!'

    Quite simply, if the CG Mickey couldn't match the hand-drawn model refashioned to look like the 1928 original, the Oscar-nominated Get A Horse! short wouldn't have worked. And that was the responsibility of CG supervisor Adam Green (Frozen, Wreck-It Ralph, Tangled), who worked side-by-side with 2D ...

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