The stripped-down, theatrical approach to "Lincoln" allowed Janusz Kaminski to light with an intimacy and ambiguity that's unique in his celebrated collaboration with Steven Spielberg (he's photographed every one of the director's live-action movies since "Schindler's List," for which he won his fir...
Read More »"Wreck-It Ralph" has quickly gone from Oscar dark horse to front runner since the nominations: an acknowledgment that it not only thwarts our expectations of what a Disney movie should be but also that it's much more than a nostalgic video game romp.
Read More »"Life of Pi" was like two journeys in one for cinematographer Claudio Miranda: an opportunity to expand the 3-D experience beyond what he achieved on "Tron Legacy," and to convey a soft golden hour magical feel that surpasses the otherworldly "Benjamin Button." The result certainly sets "Life of Pi"...
Read More »There's nothing that demonstrates the difference between the "Les Misérables" stage show and movie more than the new Oscar-nominated song, "Suddenly." The tender lullaby sung by Jean Valjean (Hugh Jackman) to little Cosette (Isabelle Allen) in a carriage never could've been carried off on stage...
Read More »Pixar isn't used to playing the dark horse, but that's where the animation powerhouse currently finds itself in this year's Oscar race with "Brave." But last night the Scottish mother/daughter adventure/comedy won the Golden Globe and seized some momentum over its two Disney rivals, "Frankenweenie" ...
Read More »What were the noteworthy takeaways from yesterday's Oscar nominations? In terms of animation, stop-motion was the big winner among animated features, with Sony/Aardman's "The Pirates! Band of Misfits" bumping DreamWorks' "Rise of the Guardians" to join Tim Burton's "Frankenweenie" and Laika's "ParaN...
Read More »For Paco Delgado, "Les Misérables" moves like a breathless action movie the way it combines gritty drama with musical fantasy. That was director Tom Hooper's cinematic vision for the operatic sing-through...
Read More »For makeup designer Lois Burwell, it wasn't merely enough to help Daniel Day-Lewis become Abraham Lincoln. She needed to reveal his decline during the waning months of his life in "Lincoln." We needed to see the stress on his face...
Read More »Although the boldness of Joe Wright's theatrical approach to "Anna Karenina" has been unappreciated by most critics, there's no denying the craft and beauty of both Sarah Greenwood's production design and Jacqueline Durran's costume design.
Read More »While the first glimpse of Anthony Hopkins as the Master of Suspense in "Hitchcock" is startling (how could it be otherwise?), SFX makeup wiz Howard Berger makes us believe in the illusion almost immediately...
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