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Immersed In Movies

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    Talking the Oscar-Nominated Costume Design of 'The Invisible Woman'

    Oscar-winning costume designer Michael O' Connor ("The Duchess") may be an expert at period pieces, but he was a Charles Dickens novice along with actor-director Ralph Fiennes before making "The Invisible Woman." And in this year's battle of the period pieces ("American Hustle," "The Great Gatsby," ...

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    Immersed in Movies: Adam Green Talks Oscar-Nominated 'Get A Horse!'

    Quite simply, if the CG Mickey couldn't match the hand-drawn model refashioned to look like the 1928 original, the Oscar-nominated Get A Horse! short wouldn't have worked. And that was the responsibility of CG supervisor Adam Green (Frozen, Wreck-It Ralph, Tangled), who worked side-by-side with 2D ...

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    Oscar-Nominated Papamichael Talks Making 'Nebraska' in Black-and-White (VIDEO)

    There was never any doubt about making Alexander Payne's "Nebraska" in black-and-white. It always lived in his imagination as the best way to convey the film's sense of isolation and loneliness. For Oscar nominee, Phedon Papamichael, it was like returning to his old still photography days when he wo...

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    Cinematographer Le Sourd Talks Anatomy of 'The Grandmaster' Train Fight

    Oscar contender Philippe Le Sourd, who scored an ASC nomination last week for lensing "The Grandmaster," discusses the standout train platform fight between Gong Er (Zhang Ziyi) and her father's killer and protege (Zhang Jin), which you can watch below. Not only was Wong Kar-wai's improvisational st...

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    Immersed in Movies: Getting Animated About the Oscar Nominations

    Will the studios totally dominate the best animated feature category or will there be room for one or two indies? And how many surprises will there be for animated short? Let's look at my predictions for Thursday's Oscar nominations.

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    The VFX Bakeoff: Mixing Old School and New School

    The Academy's VFX branch voted for the five nominees Thursday night, and while frontrunners "Gravity," "The Hobbit: The Desolation of Smaug," and "Pacific Rim" wowed the packed Samuel Goldwyn Theater, "World War Z," "The Lone Ranger," and "Oblivion" put on impressive presentations. The remaining con...

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    Going Inside the Production Design Secrets of 'Walter Mitty'

    Designing the "The Secret Life of Walter Mitty" was a new experience for Jeff Mann, known for working on such "blunt instruments" as "Tropic Thunder" with Ben Stiller and "Transformers" with Michael Bay. But Stiller definitely had a different mind set for the daydreaming Everyman, full of whimsy and...

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    Immersed in Movies: Director Bolognesi Talks "Rio 2096"

    Rio 2096: A Story of Love and Fury, winner of Annecy's top prize, is among the more adult and arty Oscar contenders for best animated feature. Mixing ideology with fantasy, Rio traces the history of Brazil through six centuries of colonization, slavery, and war through the love story between an immo...

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    'Gravity' Set to Dominate Oscar Craft Nominations: Talking the Film's Sound, Music and Editing

    As we approach Wednesday's Oscar voting deadline, at least one thing's for certain: "Gravity" is a lock for a majority of the craft nominations. We've already covered production design, cinematography, and VFX in depth, so now let's look at the corresponding design for sound and music, which were ma...

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    Consolata Boyle Talks 'Philomena' Costume Design

    For Dublin native Consolata Boyle, designing the costumes for the fact-based "Philomena" -- her seventh collaboration with director Stephen Frears -- took on special significance. Certainly it's a powerful story about a mother's search for her long-lost son, amid the appalling revelation of forced a...

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