Steven Spielberg has always shown a reverence for Orson Welles and "Citizen Kane" with his trademark use of light shining through chiaroscuro-style. Not surprisingly, he uses it effectively in "Lincoln." Plus, there's an early nod to "Kane" with a close-up of Mary Todd Lincoln (Sally) through a mirr...
Read More »Why all the swooning over "Skyfall?" Because, oddly enough, after 50 years we've only just begun exploring James Bond's troubled psyche, and because director Sam Mendes has brilliantly made up for lost time by engineering the best possible conceit: an existential crisis for our iconic superspy...
Read More »Disney's definitely back with "Wreck-It Ralph" (opening November 2). In fact, this unexpectedly witty and inventive videogame comedy/adventure is the surprise of the animation season and the Oscar wild card, although I haven't yet seen DreamWorks' "Rise of the Guardians," which also looks creatively...
Read More »James Bond has always been about looking forward and back at the same time, but never more so than in "Skyfall," which is both a homecoming and a breakthrough for the 50th anniversary. In fact, it's all about exploring the old and the new. That's the central metaphor; it's embedded in every ambiguou...
Read More »"Frankenweenie" scribe John August was willing to concede industry frustration when we spoke even before the lackluster opening for Tim Burton's critically praised stop-motion animated feature (which was even outgunned by animated rival "Hotel Transylvania"). It's increasingly difficult to get quali...
Read More »"Frankenweenie" is not only Tim Burton's best film since "Big Fish" (another rite of passage story), but also a lock for a best animated feature nomination. In fact, the Oscar arguably appears to be Burton's to lose, though it's shaping up to be quite a race with two other tantalizing retro movies y...
Read More »Henry Selick is apparently in discussions with Laika to finance his stop-motion feature recently shut down by Disney (with newly appointed chairman Alan Horn deciding to take a $50 million write off reportedly because the tone was too dark and the production was moving far too slowly)...
Read More »Rian Johnson, like many directors, hated CG without really understanding it. But no more, thanks to "Looper's" VFX supervisor, Karen Goulekas ("Green Lantern," "The Day After Tomorrow," "Spider-Man"). In fact, she made it her mission to turn Johnson into a convert. But then Goulekas had no choice: s...
Read More »It turns out that Genndy Tartakovsky's hand-drawn vision for "Hotel Transylvania" was just what this troubled movie needed. The monster mash about letting go of your children and learning to live with humans (echoing Pixar's "Monsters, Inc." and "Finding Nemo") might be light on story, but...
Read More »With Digital Domain Media sinking like the Titanic and filing for Chapter 11 bankruptcy, but Searchlight Capital Partners coming to the rescue and buying its Oscar-winning VFX division ("Titanic" and "Benjamin Button") for $15 million...
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