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In Theaters

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    Birds of Paradise: Majid Majidi’s “The Song of Sparrows”

    [An indieWIRE review from Reverse Shot.]

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    Puny: Matt Aselton’s “Gigantic”

    [An indieWIRE review from Reverse Shot.]

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    Nostalgia Factory: Christophe Barratier’s “Paris 36”

    [An indieWIRE review from Reverse Shot.]

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    On the Edge: Ramin Bahrani's "Goodbye Solo"

    [An indieWIRE review from Reverse Shot.]

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    Crashing the Party: Paul H-O & Tom Donahue's "Guest of Cindy Sherman"

    [An indieWIRE review from Reverse Shot.]

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    Round Up: Surveying "Sin Nombre"

    "I felt strange about the possibility of profiting on a story about real people risking their lives," "Sin Nombre" director Cary Joji Fukunaga told indieWIRE in an interview that details the extensive (and, at times, life-threatening) research he did for his feature directorial debut. "I get frustra...

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    Uh-oh, It's Magic: Sean McGinly's "The Great Buck Howard"

    [An indieWIRE review from Reverse Shot.]

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    Youth Rebellion: Cary Joji Fukunaga's "Sin Nombre"

    EDITOR'S NOTE: This review was originally published as part of our coverage of the 2009 Sundance Film Festival.

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    Weights and Measures: Steve McQueen’s “Hunger”

    [An indieWIRE review from Reverse Shot.]

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    Review Round Up: Critics Consider "Cleaning"

    "Following her beautifully impressionistic debut 'Rain' and the Gwyneth Paltrow vehicle 'Sylvia,' New Zealand director Christine Jeffs lands somewhere in between with 'Sunshine Cleaning,' an affecting, well-acted drama that casts an even brighter spotlight on rising starlet Amy Adams," indieWIRE's Anthony Kaufman wrote upon the film's world premiere at the 2008 Sundance Film Festival. "First seen in slow-motion, dressed in a pink uniform and determinedly carrying an array of cleaning supplies as she charges forward, she is a priceless picture of feminine distress—one that helps carry the film, in its manic alterations between perky and pathe...

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