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Independents

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    WATCH EXCLUSIVE VIDEO: Ira Deutchman's Sundance Art House Convergence Keynote on Independent Marketing

    Anyone wondering about the future of the film industry should pay heed to Ira Deutchman's warnings about sticking to the same old ways. They aren't going to work much longer. Think local and consider appointment cinema, he suggests wisely. "There's too little commercial product chasing too many scre...

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    Review: Urban Poverty and Youthful Pluck Coexist in Ken Loach's 'The Angels' Share'

    Just four days after the death of Margaret Thatcher, the divisive British prime minister who transformed the United Kingdom during the 1980s, Ken Loach's new film "The Angels' Share" opened last Friday at the the IFC Center in Manhattan's West Village. The timing, although of course coincidental, wa...

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    Review: Antonio Campos Returns with Sexy, Disturbing 'Simon Killer,' Q & A

    "Simon Killer" marks the second feature by Antonio Campos, who previously wrote and directed the Cannes Un Certain Regard selection "Afterschool" (2008). "Simon Killer" is an icy exercise in troubled masculinity, and a bold pronouncement of cinematic style that's as strong an American indie as any i...

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    Band OK Go Challenges Filmmakers to Make a Music Video for New Song 'I'm Not Through'

    Band OK Go and company Saatchi and Saatchi are challenging emerging filmmakers to create a music video for "I'm Not Through," a brand-new song from the band's upcoming fourth album. Lead singer Damian Kulash has offered interested filmmakers a bit of inspiration, creating a montage of Instagram...

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    Now and Then: Quentin Dupieux's 'Wrong' Exposes the Limits of Surrealism

    Drafthouse Films, the distributor of Quentin Dupieux's bizarre new film, "Wrong," describes the French director and electronic musician (stage name: Mr. Oizo) as "one of the world’s most fearless cinematic surrealists." The surreal does indeed seem to be Dupieux's preferred register, but this leads ...

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    Arthouse Audit: 'Gimme the Loot' Delivers; Two New Comedies Flounder

    With A24 taking last week's limited smash "Spring Breakers" wide quickly to mainly non-arthouses, this week's new films offer only modest promise for future bookings. IFC's "Gimme the Loot" had a standout New York opening, but the company, which thrives with appropriate Video on Demand placement, is...

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    Review: Pre-'Les Mis,' Minnie Driver & Gang Sing Live in Welsh High School Musical 'Hunky Dory'

    Welsh filmmaker Marc Evans' elegiac, semi-autobiographical high school musical "Hunky Dory," which played at SXSW last year after its UK release, is finally opening in NY and LA theaters and on VOD March 22 via distrib Variance. The delightful comedy written by Laurence Coriat, set in the sweltering...

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    America Gets the Dystopic Treatment in New Animated Indie 'Silver Circle'

    It's 2019, and runaway inflation has sunk the American economy into a cesspool of sky-high prices and rampant unemployment. A loaf of bread costs $50; bars advertise bargain deals on $90 beer Tuesdays.

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    Film Independent Chiefs McManus and Welsh Preview Indie Spirits, Take Stock of LACMA and LAFF

    Just a year ago, long-time Film Independent staffers Sean McManus and Josh Welsh took on new roles as co-presidents of Film Independent, which runs many vital programs for the West Coast independent film community, as well as the Independent Spirit Awards and the Los Angeles Film Festival. They repl...

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    Now and Then: In 'For Ellen,' the Many Faces of Paul Dano

    Put a quarter in the jukebox and the rocker Joby Taylor (Paul Dano) transforms. His loping gait diffuses into trance, a manic, writhing riff on his stage persona. It's a conversion experience of sorts, fittingly enough: "For Ellen" is a tale of many metamorphoses.

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