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Indiewire | Sundance Institute Fellowship For Film Criticism

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    'Blind' Takes Us Inside the Mind's Eye of a Sightless Woman

    Eskil Vogt's drama, which wowed critics at Sundance and in Berlin, creates a dreamed-up world so steeped in realism that its greatest trick is making us suspect trickery.

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    How One of Sundance's Best Documentaries Got Lost in the Crowd

    The Arab Spring documentary 'We Are the Giant' was one of the best films at Sundance. Too bad almost no one saw it.

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    'Obvious Child': Abortion Is Hard, But the Material's Hilarious

    In the Sundance hit, Jenny Slate's stand-up comedian finds terminating an unplanned pregnancy leads to some great jokes.

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    Profiles in Criticism: Scott Foundas

    The Variety scribe on the jump from would-be filmmaker to film critic.

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    Profiles in Criticism: Wesley Morris

    The Pulitzer Prize-winning critic on why writing about film means writing about the world.

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    'God Help the Girl' Hits the High Notes While 'Song One' Falls Flat

    Stuart Murdoch makes a charming musical about mental instability; Anne Hathaway keeps her singing voice to herself.

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    Profiles in Criticism: Sean P. Means

    The veteran Salt Lake Tribute critic on the changing face of Sundance and why 'Rocky Horror' is the movie he's seen the most.

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    The Secret Conservatism of Sundance's Most Controversial Film

    With its focus on a young woman's orifices, 'Wetlands' got critics' attention, but its tidy wrap-up is oddly comforting.

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    Profiles in Criticism: Thelma Adams

    The Yahoo! Movies writer says female writers have to support each other in an industry dominated by men.

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    Profiles in Criticism: Anne Thompson

    Thompson on Hollywood's namesake explains why aspiring undergrad film writers should focus on anything but movies.

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