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Indiewire | Sundance Institute Fellowship For Film Criticism

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    Profiles in Criticism: The Film Society of Lincoln Center's Eugene Hernandez

    On 20 years of Sundance, the growth of independent film, and the birth of Indiewire.

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    Guy Maddin's 'The Forbidden Room' Makes Digital Video Uncanny

    Guy Maddin's movie was inspired by lost silent films, but its form embraces the imperfections of digital video.

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    Profiles in Criticism: BuzzFeed's Alison Willmore

    BuzzFeed's film critic on the importance of finding your own voice, and why these days, reviews have to have a point.

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    Meet the Indiewire | Sundance Institute Ebert Film Criticism Fellows, 2015

    Four new voices will showcase their work on Criticwire and RogerEbert.com during this year's Sundance Film Festival.

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    'Blind' Takes Us Inside the Mind's Eye of a Sightless Woman

    Eskil Vogt's drama, which wowed critics at Sundance and in Berlin, creates a dreamed-up world so steeped in realism that its greatest trick is making us suspect trickery.

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    How One of Sundance's Best Documentaries Got Lost in the Crowd

    The Arab Spring documentary 'We Are the Giant' was one of the best films at Sundance. Too bad almost no one saw it.

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    'Obvious Child': Abortion Is Hard, But the Material's Hilarious

    In the Sundance hit, Jenny Slate's stand-up comedian finds terminating an unplanned pregnancy leads to some great jokes.

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    Profiles in Criticism: Scott Foundas

    The Variety scribe on the jump from would-be filmmaker to film critic.

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    Profiles in Criticism: Wesley Morris

    The Pulitzer Prize-winning critic on why writing about film means writing about the world.

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    'God Help the Girl' Hits the High Notes While 'Song One' Falls Flat

    Stuart Murdoch makes a charming musical about mental instability; Anne Hathaway keeps her singing voice to herself.

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