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    LONGMIRE RECAP 5: THE WORST KIND OF HUNTER

    In “The Worst Kind Of Hunter,” Longmire continues muddying its moral waters by separating justice from law.

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    CRUEL SUMMER: DIE HARD (1988)

    "Die Hard" was something new, an over-the-top blowout its director made personal by injecting humor and humanity into its incredible action set-pieces.

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    TRUE BLOOD RECAP 5: LET'S BOOT AND RALLY

    It always sucks to be Lafayette. And lately, Nelsan Ellis’s acting has been suffering as he tries to carry this impossible weight.

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    THE NEWSROOM RECAP 3: THE 112TH CONGRESS

    As much as I believe Aaron Sorkin is, to some extent, correct about the brokenness of our news system, as I’ve watched "The Newsroom," I’m finding myself increasingly sympathetic with the people he’s angry at, the ones who knuckle under to commercial pressure and the terms of their contracts as Will...

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    CRUEL SUMMER: ROBOCOP (1987)

    "RoboCop"’s most lasting legacy is RoboCop itself. This film marks the first time moviegoers were made to identify with a machine.

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    LONGMIRE RECAP 4: DOG SOLDIER

    There’s an important development in this week’s "Longmire," though it’s not immediately apparent. For the first time, Walt Longmire hits the barriers of what the law can do, and he is willing to work outside the law for justice.

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    THE NEWSROOM RECAP 2: NEWSROOM 2.0

    For Aaron Sorkin’s characters, doing your job and falling in love are often inseparable processes.

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    FALLING SKIES RECAP 3: YOUNG BLOODS

    This week's Falling Skies gave us some very earned emotional release. Like almost every episode, the action sequences were kick-ass, but the heart of the episode this week was in its emotional moments. While some of the set-up leading into the key dramatic sequences was schmaltzy, and some ...

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    CRUEL SUMMER: TOP GUN (1986)

    Tony Scott’s "Top Gun" is a visual and aural assault, a full-throttle “ride” that doesn’t stop for pesky things like story.

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