James Wan is having a moment right now. The director behind “Saw” and “Insidious” just had the release date for his next picture, “The Conjuring,” moved from early winter 2013 right into blockbuster season. But even he didn’t expect the audacious release date change, a recent shift that puts the fil...
Read More »In a time where profitability for even the biggest movies is still a roll of the dice, there's one vein of gold than remains consistently reliable -- low-budget horror. You can make a picture for only a few million dollars, without stars, and even if it doesn't do great business (see somethi...
Read More »Hooray for Hollywood, or something. The 2011 box office finally snapped out of its doldrums with more reheated crap, “Fast Five” opening to a spectacular-for-Universal $83 million. The car blockbuster’s weekend surpasses “The Lost World: Jurassic Park” as the biggest opening weekend in Universal his...
Read More »Hollywood doesn’t really recognize the seasons as clearly as you. Which is why even though you’re in school, summer begins in May, and even though you still have a full month of spring, that period usually closes in Hollywood around this time every year. In 2011, “summer” is beginning even earlier w...
Read More »There’s no way to sugarcoat this: it’s been a dismal year at the box office. Studios have their fingers crossed in regards to a tepid-looking summer schedule, but many were hoping the season could be kick(punch)-started early with a strong April, as two new films were tracking well over $40 million ...
Read More »Earlier in the year, the tepid box office returns were something to be ignored, as 2011 was competing with the previous year, with both “Avatar” and then the anomaly of “Alice In Wonderland” each raking in a cool billion. Well, it’s April, and it’s time for Hollywood to panic. There have been no genuine out-of-the-box hits so far this year and lots of flops, and the two (barely) $100 million grossers considered underperformers (“Rango” and “Just Go With It”). Let’s face it, part of it is a failure of marketing, but the blame must be laid on inadequate product. Even when it comes to the early year doldrums, this has been a banner year for garb...
Read More »While Universal’s animated division remains behind Disney and Dreamworks, “Hop” became their second straight surprisingly big opening this weekend, collecting $39 million. Most called the heavily-promoted film in the high 20’s, low 30’s, but like “Despicable Me” before it, the film definitely connected with family audiences in its first frame. While “Despicable Me” eventually collected $544 million globally with a much bigger opening, “Hop” isn’t expected to bust the doors down. But due to the seasonal and family appeal, expect this thing to have legs, and while they initially weren’t counting on $100 domestic, that should be easily surmounta...
Read More »TGIF! With a crop of new releases we are finally, FINALLY released from our bonds requiring us to flagellate poor "Sucker Punch" to death. Why were you a failure, "Sucker Punch"? Was it the marketing/storytelling/CGI/demographics/Zack Snyder?! Do we have to worry about "Superman"/girls/original source material??? We may never know. Moving on! We've got a new futuristic sci-fi, based-on-an-original-script, helmed-by-a-hot-new-piece-of-director-ass film to fret over! That's right, it's "Source Code" from Duncan Jones! In the other corner, we've got the ace-in-the-hole, aimed squarely at the kid demographic, "Hop," and quivering outside the wide...
Read More »The following is a reprint or our review from the Film Comment Selects program at Lincoln Center.
Read More »Say what you will about James Wan and Oren Peli, but with "Saw" and "Paranormal Activity" under their respective belts, it's hard to deny that they have been a major force in Hollywood, helping to shape much of the direction of contemporary horror films. So when the two decided to team on "Insidious...
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