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International Sales Agent

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    Guadalajara Film Festival (FICG) and European Film Promotion (EFP)

    Guadalajara Film Festival (FICG) and European Film Promotion (EFP) are working together in several interconnected ways. This one focuses on strengthening the presence of European films in Latin America. EFP's Film Sales Support (FSS) helps support promotional campaigns of 10 European films origina...

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    Interview with Me!

    You've all seen my face, now you can hear my voice. To hear an interview with me talking about my life in film and basic world sales and U.S. distribution, live on the air, tune in now. I just listened to it and it's kind of an interesting look back to the beginning of the independent film busines...

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    The Girl From the Naked Eye

    by guest blogger Peter BelsitoThe Girl From the Naked Eye starring Jason Yee is an exciting new film that is having a private screening in L.A. next week before its Cannes screenings through Archstone this coming May.Los Angeles Domestic (buyers, distributors) screening on the 31st of March 7pm @ Raleigh Studios. By invitation only. Please contact now if you are interested in coming: Henry Mu (henry.mu AT gmail.com.It is really a pleasure to see something as good as this fit into the genre format(s) so well and artistically.The narrative line is a rare combination of modern nocturnal LA Noir mixed with a martial arts format.Jason Yee plays...

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    Rights Roundup Winter Season: Sundance, Rotterdam, Berlin

    You can download and access Winter Rights Roundup (Deals done in Berlin, Rotterdam, Sundance) here. Ventana Sur is thrown in for good measure along with whatever else until we begin the 2011 Spring and Cannes Rights Roundup.

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    International Sales Agent of the Day: Figa

    Figa Films Marimbas From Hell just won the $20,000 Ibero Grand Jury Prize in the Miami International Film Festival. This premiered at San Sebastian 2010 and went on to play TIFF 10. Directed by Julio Hernández Cordón, whose Gasolina made an international splash, is now in production on another film to keep in your sites. Marimbas tells the story of Don Alfonso, a deliveryman who also plays marimbas, the traditional Guatemalan instrument who approaches an underground heavy-metal legend, Blacko, suggesting the two fuse their styles. What results is a distinct Guatemalan story that represents one of the things that the Miami International Fil...

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    International Sales Agent of the Day: Content Media

    Dear Friends and Colleagues,

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    Numbers Cannes/ AFM/ EFM

    Cannes Market 2009 compared to American Film Market and Berlin European Film Market 2011Statistics - Marché du Film 2009 compared to AFM whose number of participants is up 6% from 2010, compared to EFM whose whose number of participants is up 7% from 2010:

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    Miami International Film Festival

    The Miami International Film Festival (MIFF), celebrating its 28th edition March 4-13, 2011, is one of the top Ibero-American film festival in the U.S. The annual event, which is produced and presented by Miami Dade College, attracts more than 70,000 film enthusiasts and 400 filmmakers, stars and industry professionals. During the past five years, the festival has screened films from 60 countries and hosted 300 East Coast, U.S. and world premieres. Through Encuentros, the festival’s mentorship and film development program for filmmakers and projects from Spain, Portugal and Latin America, MIFF has become a primary gateway for the discovery of...

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    Cannes Marche du Film - What's New This Year

    New this year at the Cannes Market:Aside from the five year old Producers Network, a new series of events will take place under the aegis of Producers Workshop. See below the jump for more information.

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    Berlinale Awards

    Separation's Director Asghar Farhadi accepting the Golden Bear What a thrill is was to go to the Closing Night of the Berlinale. It felt like a night among royalty. Dieter Kosslick, with his funny twists in welcoming guests and sponsors, was accompanied by a golden comedienne who translated into English, occasionally lapsing into other unintelligible languages. My stars are those of the business world. The international audience included Francine Brucher, head of Swiss Films, Claudia Landsberger head of Holland's Eye Film Institute, Mohammad Esfandiari of Farabi Cinema Foundation (Iran), etc. and when Beki Probst entered, my section (I was...

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