The one-two punch of Norwegian writer-director Joachim Trier's "Reprise" and "Oslo, August 31st" makes him one of Scandinavia's finest directorial exports, joining the likes of Denmark's Lars von Trier (a distant relative) and Susanne Bier. "Oslo" is bold and breathtaking.
Read More »Wes Anderson is a bit dazzled by the Cannes treatment. Having never come to the fest, he got word in Paris that "Moonrise Kingdom" was not only invited to the official selection, but for opening night. Sacre Bleu! And not just as an out-of-competition slot, but in the competition, too.
Read More »If there’s one theme running through Juliette Binoche’s impressive and varied resume, it’s her desire to confound preconceived notions about the predominantly challenging women she portrays. That’s true of her latest film, "Elles," in which she plays a journalist and mother juggling domestic routine...
Read More »It is no surprise that Lawrence Kasdan's return to movie directing after years of studio purgatory is not faring well with critics. Given the chance to make the kind of literate, charming relationship comedy Kasdan loves to make ("The Big Chill," "Grand Canyon"), he went ahead and did it.
Read More »It's a great day to be Behn Zeitlin. Not only did his Sundance Grand Jury prize-winning "Beasts of the Southern Wild" land in Un Certain Regard at Cannes, but the San Francisco Int'l Film Festival (April 19 - May 3) is bestowing upon him their inaugural Graham Leggat Award at their Film Society awar...
Read More »There's a reason why French director Benoit Jacquot's "Farewell My Queen" (July 13) was chosen to open the Berlin and San Francisco Film Festivals, as well as making its North American debut at COLCOA this week. The period movie, set in 1789 on the verge of Bastille Day, is a sexy period spectacle t...
Read More »Chris Nolan is a traditionalist. The "Batman Begins," "Inception" and "The Dark Knight" director has candidly stated his preference for shooting 35 mm film with one camera rather than digital with many. He also recoils from 3-D and unrealistic CGI.
Read More »Canada's "Monsieur Lazhar," from director Philippe Falardeau (One of five Oscar nominees for Best Foreign Language film; it lost to Iran's "A Separation"), is a quiet portrait of a mysterious new teacher (Mohamed Fellag) and his suffering young pupils, all of whom are coping with tragedy...
Read More »This morning in London, Twentieth Century Fox held the world’s first screening of 3-D footage from “Prometheus,” treating an early-morning crowd to three scenes and thirteen minutes followed by a Q&A session with director Ridley Scott (“Please stop calling me Sir Ridley”) and stars Noomi Rapace, Mic...
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