Steven Spielberg is the product of The Greatest Generation -- a Baby Boomer raised on idealized images of the nuclear family, progress, and American might. He is also a child of divorce -- a dreamer from a broken home. Spielberg’s attempt to reconcile these two biographical facts—the mythic ideal of...
Read More »The antagonist, in Steven Spielberg’s films, has many faces. It can be government scientists involved in seemingly shady plots. It can be unstoppable behemoths such as the shark in Jaws or the tanker truck in Duel. Warped ideologies, as in Schindler’s List. Or the tangled and self-defeating all...
Read More »Steven Spielberg's movies are often described as hopeful, optimistic, sweet -- or, pejoratively, as sentimental, naive, and "feel-good." In some sense, all those adjectives are right. Many of his movies are transcendently cheerful. Even the bleakest offer a shred of hope for humanity, or else lam...
Read More »When you think of the films of Steven Spielberg, violence may not be the first thing that comes to mind. But Spielberg’s films wouldn’t be Spielberg’s films if he didn’t show and imply violent actions. Violence is just another color on Spielberg’s palette and he’s not shy about using it, either to e...
Read More »It is often said that Steven Spielberg’s Jaws, his excitingly directed adaptation of Peter Benchley’s disposable beach read about a summer community being terrorized by a great white shark, ushered in what we now know as the modern blockbuster. It, along with George Lucas’ Star Wars, brought about w...
Read More »Steven Spielberg is one of the most popular storytellers of all time. Based solely on box-office receipts, that’s an inarguable fact. It's been true since 1975, when the box office take of his breakthrough Jaws redefined the the word "blockbuster." Look at the top grossing movies of all time, ...
Read More »If there is one recurring image that defines the cinema of Steven Spielberg, it is The Spielberg Face. Eyes open, staring in wordless wonder in a moment where time stands still. But above all, a child-like surrender in the act of watching, both theirs and ours. It’s as if their total submission to ...
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