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Mary Harron

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    Venice '11 Review: Mary Harron's 'The Moth Diaries' Is A Teen Vampire Tale Without Any Fangs

    It's remarkably tough to get any film financed, at least one that doesn't have 3D talking animals from a popular cartoon series. So it's no surprise that some filmmakers, for all their best efforts, can go three, four, five or more years between pictures. Worryingly, it seems to be doubly true for female directors. Look at Kimberley Pierce, who's only made one film in the twelve years since "Boys Don't Cry," or Tamara Jenkins, for whom nearly a decade separated "Slums of Beverley Hills" and "The Savages," or even Kathryn Bigelow, who might be an Oscar-winner now, but had a six-year break before "The Hurt Locker." One of the key examples here ...

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    Universal Drops Mary Harron's 'Wicked Lovely' After Only 2 Months Of Director Being Attached

    Universal continues their year of cleaning house having already put "At The Mountains Of Madness," "Memphis," "In The Heights," "The Dark Tower," "Clue" and "Ouija" out to pasture, and now yet another project has been given the pink slip.

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    First Look At 'American Psycho' Director Mary Harron's 'The Moth Diaries'

    It has been six years since we've heard from Mary Harron, at least on the big screen. The director who made waves with the one-two knockout of "I Shot Andy Warhol" and "American Psycho" stumbled with the workmanlike and disappointing "The Notorious Bettie Page" and spent the next few years largely w...

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    'American Psycho' Director Mary Harron Gets 'Wicked Lovely'

    Mary Harron came into the film world in a blaze of glory. With a one-two punch of the colorful "I Shot Andy Warhol" followed up with the contemporary classic "American Psycho," it seemed that the director was a vibrant, exciting new voice, but her subsequent efforts failed to live up to that promise...

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