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Celebrating 17 Years of Film.Biz.Fans.

Meredith Alloway

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    Talking with Ted Melfi About Saints, Compassion, and Survival in Hollywood

    “I’m an instigator and an aggravator. I ask questions people don’t want to ask. I’m fascinated with people. I think it’s what we’re here for.”

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    Margaret Nagle's Long Path to THE GOOD LIE

    Whether immersed in a discussion with Margaret Nagle or in her film "The Good Lie," one seems to forget the materialistic obsessions of our culture.

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    Tim Sutton Talks About MEMPHIS as the Doorway to Enlightenment

    "In my filmmaking I’m completely in the present. I’m completely where I probably can’t be in my real life. That’s my dream life, to be constantly in the present."

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    Kevin Kline on MY OLD LADY, THE LAST OF ROBIN HOOD, and His 26-Year-Old Self

    "I was 26 years old in "The Three Sisters," which may be my favorite play in this world to this day! I was having a go at it. John Houseman was backstage, saying “Don't do that melancholy Midwestern thing!”

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    John Lithgow on Process, His Past and Playing an Artist in LOVE IS STRANGE

    "Darkness and devils! Saddle my horses; call my train together. Degenerate bastard! I'll not trouble thee. Yet have I left a daughter!"

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    Peter Sarsgaard: On NIGHT MOVES, Marine Biology, and Blowing Up Dams

    "I would like to sail across the Atlantic. I would like the experience of being that far away from land."

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    Atom Egoyan Discusses Seeking Truth with DEVIL'S KNOT

    "Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you’ll be there at the other end, that you’re trying to represent them in the best light, who they are as they’re harnessing these roles."

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    David Gordon Green on Challenging the Audience and Challenging the Character

    "I don’t approach the process of directing movies like I’m the authority. I’m more the ringmaster of the circus. Let’s bring all the animals in the ring, and then let’s get loose."

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    Director Chiemi Karasawa on Elaine Stritch, Documentaries & Working With Spike Jonze

    Chiemi Karasawa on working with Spike Jonze: "He is not afraid of experimentation. He’s not afraid of the first take. He’s not afraid to roll camera without a rehearsal. He exploits the spontaneity of the situation, the authenticity of response."

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    Academy Award Nominated Screenwriter Craig Borten on DALLAS BUYERS CLUB

    "With Ron’s passion to live, the endgame was awareness more than anything else, more than a cure or even drugs that worked. For Matthew, it was 'I’m going to get this film made.'"

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