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Celebrating 17 Years of Film.Biz.Fans.

NELSON CARVAJAL

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    VIDEO ESSAY: THE DARK KNIGHT MYTH

    When director Christopher Nolan first conceived of his Batman film trilogy, the challenge was revitalizing a hero who had previously been buried in cinematic fantasy shtick—a de-evolution that started with Tim Burton’s promising "Batman" and ended with Joel Schumacher’s laughably bad "Batman & Robin...

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    VIDEO ESSAY: Cocaine du Cinema

    Cocaine’s presence in movies is a tricky object to dissect. Even with an awful, bloody contemporary history under its belt, cocaine seems to be the “cool” drug for modern cinematic heroes and heroines.

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    VIDEO ESSAY: Ridley Scott's PROMETHEUS Timeline

    It’s perplexing to survey the recent surge of excitement from sci-fi movie fans about Ridley Scott. Sure, Scott’s two directorial sci-fi films—"Alien" and "Blade Runner"—set the benchmarks for the sci-fi horror and the sci-fi futuristic thriller, respectively, but Scott hasn’t directed a sci-fi film...

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    VIDEO: The Magnificent Andersons

    Wes Anderson has established himself as an irreplaceable and elusive American storyteller. Yet, for a director who addresses such heavy themes in his work, Anderson himself remains an enigma.

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    VIDEO ESSAY: Depp Shadows: Tim Burton's Cinema

    “Basically Johnny Depp is playing Tim Burton in all his movies.” – Scott Rudin (Producer of "Sleepy Hollow") This ubiquitous quote by Rudin is often the throwaway summation found in most writings on, and dissections of, the cinematic works of Tim Burton with Johnny Depp. Which is a shame, really....

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    VIDEO ESSAY: Where Experiment Meets the Mainstream

    In an age of redundant remakes ("Total Recall," "Fright Night"), attempted revamps ("21 Jump Street," "The Three Stooges") and even 3D re-launchings ("Titanic 3D," "Star Wars: Episode 1 - 3D") of past Hollywood fare, it’s easy to become disheartened at the current state of film and television.

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    THE AVENGERS: Marvel's Redemption?

    Amazingly, the Marvel movie brand has been able to survive with an enthusiastic audience—even in the midst of artistic failure.

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    VIDEO ESSAY: 2001/The Dawn of Blood

    Paul Thomas Anderson is a director who wears his cinematic influences on his sleeve.

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    VIDEO ESSAY: Gallo(w)s of Punishment

    There is hardly a more polarizing figure in the independent film scene than Vincent Gallo. He once called Roger Ebert a “fat pig with the physique of a slave trader” after Ebert blasted the Cannes debut of his sophomore directorial effort, "The Brown Bunny."

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    VIDEO ESSAY: American Harmony

    VIDEO ESSAY: American Harmony

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