The attraction to, and repulsion of New Jersey in the films of David Chase and the music of Steven Van Zandt's bandmate, Bruce Springsteen.
Read More »When the wall came down, German filmmakers found themselves ushered into two clusters: those that concentrated on the country’s fascist past and the others that shined light on anything else. The latter clique was hailed as pushing the medium forward; they often dabbled in social-realism with little...
Read More »Denzel Washington waltzed in late to the press conference following the NYFF screening of the Robert Zemeckis-directed "Flight." The audience didn't mind of course, because he's Denzel: His appearance prompted wild applause which immediately drowned out the voice of screenwriter John Gatins.
Read More »In "Flight," Robert Zemeckis makes a return to the world of live-action filmmaking with the story of Whip Whitaker (Denzel Washington), a pilot who performs a heroic task in engaging in risky aerial manuevers to save a crashing plane. But the morality is not that simple, as Whitaker&n...
Read More »After 12 years immersed (lost?) in the world of motion-capture, Robert Zemeckis re-emerges into live-action filmmaking for “Flight,” an engaging and initially very promising drama about alcoholism, redemption and forgiveness that grows uneven and long winded as it progresses, clocking in just under ...
Read More »Aspiring filmmakers should take note of British helmer Peter Strickland -- with few shorts under his belt and a small wad of cash (about £25,000 which was spent mostly on film stock), the director headed to Hungary and shot an atmospheric, deeply nuanced movie and spent the next two years tweaking t...
Read More »The very first scene of “Camille Rewinds” features forty-something Camille (writer-director Noemie Lvovsky) lying in bed for a film crew, as she remains still while her throat is cut via movie magic, fake blood spurting from a pump hammered by a crew member. It’s just one of many d...
Read More »In the early days, actors signed multi-film contracts and became “studio players.” This meant that they were wedded to each production company, assigned to a number of different films each year playing a role probably familiar to their last. Actors were cogs in a machine, and it was rare...
Read More »On the film from the New York Film Festival that made one of our Critics Academy members physically ill -- and why that's not a bad thing.
Read More »Cristian’s Mungiu’s “Beyond the Hills” took two substantial awards at its Cannes premiere -- Best Screenplay and Best Actress -- but this writer still can’t help but think word has been unfairly quiet about the rather phenomenal film after the Croisette cleared. Employing a much more refined aesthet...
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