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Nicole Kidman

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    John Cameron Mitchell and Aaron Eckhart Talk Rabbit Hole at AFI Fest Screening

    AFI Fest audiences enthusiastically applauded John Cameron Mitchell's Rabbit Hole Sunday night. TOH's Sophia Savage covered the Q & A with Mitchell, Aaron Eckhart and Miles Teller.

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    Oscar Watch: King's Speech, Firth, Bening Lead Gurus 'o Gold Poll

    The Gurus 'O Gold will now be voting every week as the awards season picks up steam. The latest votes reflect where the Oscar race stands now, with consensus on the top six, led by The King's Speech, which played better for my Sneak Previews class than anything else has in five years of programming....

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    Oscar Watch: Director/Picture Splits, Black Swan Promo

    - What are the odds of a director winning an Oscar without their film? LAT's new Awards Tracker blog considers the importance of the best director and best picture unity. "Over the past 20 years, the awards for best picture and director split only four times. That's 80% overlap," notes Tom O'Neil, p...

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    Oscar Wrap: Blue Valentine's Gosling, Dive-Bombing 127 Hours, Best Actress Death Match

    Blue Valentine star Ryan Gosling not only talks to Crazy, Stupid, Love co-star Steve Carell, but self-mockingly poses in tight leather in the rain for Interview Magazine. On his past Oscar nomination for Half Nelson, he says: "it feels weird…not that long ago that I was on a TV show called Young Hercules in which I had a fake tan and wore tight leather pants and fought imaginary monsters." As for working on the smaller indie films he loves, the downside is that "when you’re making them, you’re pretty sure no one’s going to see them," he notes---unless they get a nomination: "[it] in some way affirms those choices by making it possible for peo...

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    Trailer and Oscar Watch: Rabbit Hole, Kidman, on Road to Awards

    It's all in the Lionsgate trailer (below). Toronto hit Rabbit Hole may look like another bereaved parent drama, but as adapted by David Lindsay-Abaire from his Pulitzer-prize-winning play, directed by John Cameron Mitchell (Hedwig & the Angry Inch), and acted by Nicole Kidman, Aaron Eckhart and Dian...

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    Oscar Round-Up: The Social Network Leads Buzz, Bullock vs. Lane, Renner's a Star

    As awards season heats up and the growing surge of Oscar pundits weigh in more frequently, every Thursday the Daily Read will round up their worthiest efforts. And every Friday, as usual, we post the Oscar Talk podcast: this week we welcome London Fest attendees Guy Lodge (In Contention) and Peter K...

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    Oscar Watch: King's Speech Leads Gurus 'O Gold, Wins Hamptons Prize

    Tom Hooper’s The King’s Speech, starring Colin Firth as a stuttering King George VI, not only won the narrative audience prize at the Hamptons International Film Festival Sunday, but scored number one in the post-Toronto Film Festival Gurus 'o Gold poll (below). I also voted it number one (my curren...

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    Oscar Talk: Diane Lane vs. Annette Bening vs. Julianne Moore, Inception, Hereafter, The Way Back

    There's still a long way to go in the Oscar race. Kris Tapley and I debate whether Secretariat is this year's mainstream Blind Side, Diane Lane is this year's Sandra Bullock, Julianne Moore and Annette Bening will both make it for The Kids Are All Right, and if Chris Nolan's Inception, John Cameron ...

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    The Great Gatsby: Pitt vs. Pitt, Mulligan vs. Portman, Casting Poll

    - The rumored Great Gatsby remake isn't that far along, it seems. While Deadline sets the record straight on the project's future--the remake might be Baz Luhrmann's next picture, but so might an original musical at Media Rights Capital--the movie does inspire juicy casting ideas.

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    The Social Network's Treatment of Women, Winterbottom's Kercher Murder Mystery to Star Firth

    -It's no surprise that David Fincher and Aaron Sorkin's The Social Network is getting Oscar-buzz, zeitgeist hype and debates about what is fact and fiction. Now the role of women in the film is kicking up controversy. The Daily Beast's Rebecca Davis O'Brien argues that the femme roles are props in a...

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