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NYFF

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    New York Film Festival Adds Delicious Anniversary Classics and Doc Sidebars

    Three anniversary classics will screen at the 50th New York Film Festival (September 28-October 14): David Lean’s 50-year-old epic "Lawrence of Arabia," fresh from its 8K unveiling at Cannes, Walt Disney’s 75-year-old animated "Snow White and the Seven Dwarfs," and Rob Reiner’s comedy "The Princess ...

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    NYFF Picks 32 New Titles for Main Slate: 'Amour,' 'Hyde Park on Hudson,' 'Frances Ha,' Passion,' 'No,' 'Holy Motors' Make Cut

    The New York Film Festival always leans heavily on the Cannes Fest, and sure enough of the 32 titles they've selected for the main slate of the 50th fest (September 28-October 14), many are from Cannes, including Michael Haneke's "Amour," which won the Palme d'Or. The open...

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    NYFF: David Chase's 'Not Fade Away' Makes Centerpiece World Premiere

    "Sopranos" creator David Chase’s feature film debut, "Not Fade Away," will make its World Premiere on Saturday, October 6 as the Centerpiece Gala selection for the 50th New York Film Festival (September 28-October 14).

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    Ang Lee's 3-D 'Life of Pi' Will Open NYFF

    Ang Lee's "The Life of Pi" (November 21) will open the upcoming 50th New York Film Festival (September 28 – October 14), the first 3-D film to do so. (Martin Scorsese's "Hugo" played as a 3-D work-in-progress last year.) The NYFF has already announced its closing night film, Paramount's "Flight," di...

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    Robert Zemeckis's 'Flight' Starring Denzel Washington Will Close the New York Film Festival

    Robert Zemeckis’s return to live-action filmmaking, the Denzel Washington mystery thriller "Flight," will world premiere as the Closing Night film for the upcoming 50th New York Film Festival (September 28 – October 14). The Paramount Pictures release is due in theaters on November 2. This NYFF bert...

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    Jeffrey Schwarz Talks Gay Activist Doc 'Vito'

    Growing up in the New York film community, I knew Vito Russo, and read his influential 1981 landmark book about gay images in the media, The Celluloid Closet: Homosexuality in Movies, which was revised in 1987 and has never fallen out of print. Russo travelled the world with his "Celluloid Closet" p...

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    Oscar Talk: Spielberg's War Horse, My Week with Marilyn's Michelle Williams, Scorsese's Hugo

    In this week's Oscar Talk Kris Tapley and I debate Simon Curtis's My Week with Marilyn, which I saw at the New York Film Festival and the Weinsteins have moved to Thanksgiving. "You see a lot working behind those eyes," says Tapley. We agree Williams will make the top five for best actress.

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    Academy Shortlists Eight Doc Shorts

    The Academy documentary branch has selected eight documentary shorts from 35 eligible entries, of which three to five will earn Oscar nominations on January 24. At this year's Ashland Film Festival, the best of ten doc shorts went to The Barber of Birmingham: Foot Soldier of the Civil Rights Moveme...

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    NYFF Early Reviews for 3-D Hugo: Cinephiles Are Delighted by Scorsese's Love Letter to Film

    The reason that Paramount screened Martin Scorsese’s work-in-progress 3-D Hugo as the New York Film Festival's Monday night’s mystery screening, without completed effects or a final score (by Howard Shore) is that it’s a cinephile’s dream. The NYFF audience couldn’t have been a more receptive crowd....

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    My Week in New York: Hugo, War Horse, Turin Horse, Parties, Marilyn, Book of Mormon

    Monday night's mystery screening of Martin Scorsese's work-in-progress 3-D Hugo (featurette below) marks my last screening at this year's New York Film Festival. The reason that the movie was shown without completed effects or a final score (by Howard Shore) is that it's a cinephile's dream, and the NYFF audience couldn't have been a more receptive crowd. While the movie should work with families over the Thanksgiving holiday, and producer Graham King (nervously pacing in the rear of the theater as ushers passed out 3-D glasses) assured me that they wouldn't have shown the film if the movie wasn't going to finish on time, Paramount wanted to ...

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