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  • Hope for Film
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    Guest Post: Orly Ravid "Moving Indie Distribution Forward"

    There are few fighters for Indie Film as ferocious as Orly Ravid. In addition to co-founding the only non-profit film distributor, The Film Collaborative, she speaks up and out about the state of things. Today she looks at a recent panel on "15 Years Of Film Distribution" and addresses a lot of ...

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  • Hope for Film
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  • Hope for Film
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    Guest Post: Rachel Gordon "Tapping into Educational Distribution Part 2"

    Yesterday, Rachel Gordon shed some light on how you might make your film viable for the Educational Market. Now as much as we all hope to make a living by making films, I don't think that is why most filmmakers enter the field. And as thrilling as self expression is, I often hear filmmakers cite ano...

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  • Hope for Film
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    Guest Post: Rachel Gordon "Tapping into Educational Distribution"

    For Indie Film to thrive, a producer must consider all revenue streams from the beginning. Of course not every project, is applicable to every opportunity, but nonetheless, you want a box to check for each. The Educational Market is one platform that goes unchecked for many filmmakers. Let's ...

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    Guest Post Alex & Andrew Smith: "Crowdfunding = Barnraising: We All Have To Do Some Heavy Lifting"

    It's kind of hard to find the appropriate analogy for what we do, particularly these days. Often I am tempted to think it is running full speed against a brick wall without any protective headgear on, hoping that a door may open the moment before impact. But those are on my down days. Usually I can see us all working together, building bridges, fusing connections, doing the labor that will lift the culture in many ways. It shouldn't be so hard to describe that, but I still struggle.Which is one of the reasons I was so pleased to reconnect with Alex and Andrew Smith, twin brothers, whose go to it attitude and willingness to reach high with...

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    Guest Post: Jon Mortsugu: "Out With The Punk, Long Live The New Wave"

    When I got started making movies in he late 80's, I didn't know if our films would ever be seen or find a home. I took great comfort in the fact that others were doing it too though. When I learned first of Gregg Araki and then Jon Mortsugu -- and hence a west coast indie revolution -- I knew what we were doing was bigger than us. Everyone's approach and content was different, but damn it was bold. No one was spending much and we were starting to get it seen. The LA films we edgier and, well, louder. Mortsugu's titles alone project his attitude well: SCUM ROCK, FAME WHORE, MOD FUCK EXPLOSION, & HIPPY PORN. Today he guest blogs on how t...

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  • Hope for Film
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    Guest Post: Hal Siegel "My Film Has a Virus? WTF?”

    How do you make your film go viral? That may be one of the questions that filmmakers ask most these days. And today we have the answer for you... sort of.

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    What Are Americans Content Consumption Preferences?

    Per Hollywood Reporter:according to a March study from PricewaterhouseCoopers. PwC reported that the Netflix model of mailing DVDs is No. 1 with consumers, with 43 percent of Americans doing it, while the subscription streaming service where Netflix also is dominant is No. 2 at 32 percent. Third is ...

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    itzon – a new film platform. It’s film, but different.

    I got a press release last week announcing a new platform for indie film that I thought you all would like to know about, and it's FREE. The press release is below. Let me know what you think about this new platform for indie film.

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