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Production

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    Immersed in Movies: Cinematographer Janusz Kaminski Talks 'Lincoln'

    The stripped-down, theatrical approach to "Lincoln" allowed Janusz Kaminski to light with an intimacy and ambiguity that's unique in his celebrated collaboration with Steven Spielberg (he's photographed every one of the director's live-action movies since "Schindler's List," for which he won his fir...

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    Immersed in Movies: Cinematographer Claudio Miranda Talks 'Life of Pi'

    "Life of Pi" was like two journeys in one for cinematographer Claudio Miranda: an opportunity to expand the 3-D experience beyond what he achieved on "Tron Legacy," and to convey a soft golden hour magical feel that surpasses the otherworldly "Benjamin Button." The result certainly sets "Life of Pi"...

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    Register Now for FEST Training Ground 2013, Filmmaker and Film Enthusiasts' Workshop Convention in Portugal

    Registration is open for FEST Training Ground 2013 in Espinho, Portugal, a weeklong convention for filmmakers and film enthusiasts from all over the world, featuring workshops and master classes guided by industry experts.

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    Immersed in Movies: Lois Burwell Talks 'Lincoln' Makeup

    For makeup designer Lois Burwell, it wasn't merely enough to help Daniel Day-Lewis become Abraham Lincoln. She needed to reveal his decline during the waning months of his life in "Lincoln." We needed to see the stress on his face...

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    Immersed in Movies: Cinematographer Robert Richardson Unchains 'Django'

    Nearly lost in all the controversy surrounding the pop cultural deconstruction of slavery in Quentin Tarantino's "Django Unchained," is what a liberating experience it was for the director and his fellow filmmakers. For Tarantino, it was a chance to improvise more than usual, but for cinematographer...

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    Immersed in Movies: Production Designer Dennis Gassner Talks 'Skyfall'

    One of the great pleasures of doing a Bond movie for Dennis Gassner is that he gets to be 007 before Daniel Craig. On "Quantum of Solace," his first, the Oscar-winning production designer ("Bugsy") created a pattern language based on the actor's blue eyes and craggy face. But on "Skyfall," he went f...

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    Ted Hope Names the Really Bad Things in Indie Film 2012

    Ted Hope sees that there is a a lot wrong with our culture and that it has a damaging effect on the filmmaking business. He lays out the 24 Really Bad Things In The Indie Film Biz 2012.

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    Immersed in Movies: Sound Designer Paul Ottosson Talks 'Zero Dark Thirty'

    Sound designer/re-recording mixer Paul Ottosson creates the year's most complex and disturbing soundscape with "Zero Dark Thirty," easily surpassing his work on "The Hurt Locker," which earned him two Oscars. Indeed, his strategy of maximizing audience identification with the obsessive CIA officer, ...

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    Immersed in Movies: Uli Hanisch and Hugh Bateup Talk 'Cloud Atlas' Production Design

    While "Cloud Atlas" may be the most polarizing movie of the year (winding up on both year-end best and worst lists), there's no denying its ambition and beauty: it's the ultimate time travel movie about connecting and reconnecting and grappling with free will and destiny.

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    Immersed in Movies: Cinematographer Ben Richardson Talks 'Beasts of the Southern Wild'

    "Beasts of the Southern Wild" is like a tasty cinematic gumbo: part Mark Twain, part "Where the Wild Things Are," and part neo-realism. And Ben Richardson (who won the best cinematographer award at Sundance) wonderfully captures the unique flavor of the Louisiana bayou through the innocent eyes of H...

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