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Review

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    Sundance Review: Love Is Hard In The Charming But Emotionally Challenging 'Before Midnight'

    What happened at the cliffhanger ending of 2004's "Before Sunset?" Did Jesse (Ethan Hawke) manage to catch his flight back to the United States or did he and Celine (Julie Delpy) finally re-consummate their nine-year-after-the-fact romance? These questions are answered in Richard Linklater's trilogy...

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    Sundance Review: Silly & Cartoonish 'Stoker' Is A Garish Misfire For Park Chan-Wook

    One could argue there's nothing subtle about the movies made by South Korean filmmaker Park Chan-wook, the director behind "Oldboy," including the celebrated Vengeance Trilogy and the loopy vampire movie, "Thirst." Violence reigns in his films, cameras pirouette like self-conscious characters in his...

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    Sundance Review: The Searing 'Ain't Them Bodies Saints' Burns With Intense & Visceral Portent

    Set in 1970s Texas, but stationed inside an authentic milieu that feels timeless and classic, David Lowery's second feature-length effort, "Ain't Them Bodies Saints," is the culmination of a filmmaker who has put in over a decade of work in the trenches as an editor, cinematographer, writer, electri...

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    Sundance Review: 'The East' Is A Divisive, But Stylish Thriller & Worthy Companion Piece To 'Sound Of My Voice'

    The first images in "The East" – the new thriller from Zal Batmanglij and Brit Marling, the team who made last year's underrated cult thriller "Sound Of My Voice" – are grainy footage of intruders breaking into someone's home juxtaposed with images of seagulls covered in oil. We are told through voi...

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    Sundance Review: Lynn Shelton's 'Touchy Feely' Flirts With Greatness, But Proves Too Listless & Frustrating

    There's a strange and opaque energy coursing through the veins of Lynn Shelton's languid fifth feature-length effort, "Touchy Feely." It's a little mysterious, to the film’s moody credit, and it’s a little unavailable and removed, to its detriment. Lead actress Rosemarie DeWitt admitted, "I didn't r...

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    Sundance Review: ‘Escape From Tomorrow’ Takes Viewers On A Mind-Melting Vacation from Hell

    We’re not sure why writer/director Randy Moore decided to come swinging out the gate with a first feature like “Escape from Tomorrow,” and frankly, we’re not entirely sure how he got away with even making it in the first place. Much of this dark, utterly bizarre comedy would appear to be covertly sh...

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    Sundance Review: 'Crystal Fairy' Is A Hilarious Drug-Fueled Road Movie & A Welcome Return For Michael Cera

    "Guess if Michael Cera's dead, it's not a total loss right?" Danny McBride says in probably the funniest moment in the teaser for “This Is The End,” a new apocalyptic comedy starring Cera and McBride along with an all-star roster of mostly Apatow-bred comedians all playing distorted versions of them...

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    Sundance Review: Michael Winterbottom's Swinging 'The Look Of Love' Fails To Titillate With Shallow, Empty Story

    While stylishly capturing the verve, exotica, and free-spirited mojo of swinging '60s London, uber-prolific English director Michael Winterbottom's portrait of legendary U.K. smut impresario Paul Raymond is otherwise a shallow misfire.

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    Sundance Review: 'S-VHS' Is An Uneven, Occasionally Thrilling Sequel To The Horror Anthology

    Last year, the indie horror anthology "V/H/S" was released and promised to be chock full of truly in-your-face terror – these were fearless directors, given complete creative freedom, and squeezed together under a tight, blood-soaked package. Of course, the promise of "V/H/S" and the actual movie it...

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    Sundance Review: Felicity Jones & Guy Pearce Are Tremendous In The Flawed But Beautiful 'Breathe In'

    Intimate, expressive, agonizing and beautifully rendered, director Drake Doremus' third feature-length effort, "Breathe In," will be familiar to those that know the indie filmmaker's small, but already distinctive oeuvre. While similar in tone and style, his latest effort is like the darker cousin t...

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