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Review

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    Review: '42' Admirably & Carefully Weaves Together The History Of Baseball & Civil Rights

    Destiny swings a big stick in Brian Helgeland's "42." It underlines every pivotal moment of Jackie Robinson's career captured in the two hour film, often working as baggage keeping the film earthbound, at times making it unnecessarily weighty. It's also probably the major reason why a number of main...

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    Review: Brandon Does David Proud, 'Antiviral' A Classic Cronenberg Freak Fest

    There is no doubt that no matter what Brandon Cronenberg decided to make as his first movie, the shadow of his father would loom large. So whether it just runs in the family, or if it was a calculated decision to do something audiences would expect from the Cronenberg mantle, full credit to Brandon ...

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    Review: Ken Loach's 'The Angels' Share' Is Slight, Sitcom-y & Suspense-Free

    The working class are a little funny in “The Angels’ Share,” English director Ken Loach’s new bluecollar comedy. “The Angels’ Share” is Loach’s (“Kes”) premiered at Cannes last year after his “The Wind That Shakes the Barley” won the 2006 Palme d’Or and both "Route Irish" and "Looking for Eric" play...

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    Review: 'Mad Men' Returns With A Confident 2-Hour Premiere That Proves It's Still The Best Show On TV

    At this point, few would argue that "Mad Men" doesn't deserve to be listed as one of the greatest television shows of the modern age, but what not many have considered until now (perhaps for fear of jinxing it) is that if it continues to be as strong as it has been, it may just top them all. Now ent...

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    Review: It Might Not Be Journalism, But You Won't Find The Stories On 'Vice' Anywhere Else

    Ah, Vice. The once long ago irreverent little zine out of Montreal and has grown into a globe spanning empire, with offices around the world, and an online presence that has expanded far beyond their still free, glossy monthly magazine. And while they may still be snarked at for their ongoing Dos & ...

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    Review: 'Tomorrow You're Gone' A Stylized Neo-Noir That Goes Nowhere Slowly

    It’s exceptionally strange to be reviewing a film so soon after the passing of Roger Ebert. Surely he’s the reason why most of us write reviews, why we’ve ever felt the need to tap our keyboards once the end credits begin to roll. We love and admire the deep thinkers who favor academic readings of f...

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    Review: Danny Boyle's 'Trance' Is A Trippy, Twisty, Terrific Thriller

    He might have had a rockier patch in the mid-'00s -- no one saw his delightful fable "Millions," and sci-fi "Sunshine" was both a commercial disappointment and the most difficult shoot of his career -- but things couldn't have gone much better for Danny Boyle in the last few years. "Slumdog Milliona...

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    Review: 'Simon Killer' Loses That Lovin' Feeling On The Streets Of Paris

    Simon (Brady Corbet) is lost. After being dumped by his high school sweetheart after a relationship that ran the length of their college years, the newly graduated, newly single American flees to Paris to get away from it all and find himself. Of course, the problem with undertaking such a journey o...

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    Review: Shane Carruth's Beguilingly Enigmatic 'Upstream Color' May Cause Disorienting Side Effects, Results Will Vary

    Nine years ago, autodidact filmmaker Shane Carruth burst onto the indie scene with the abstruse and complex sci-fi thriller "Primer," which made him a Sundance darling in 2004 when it won the Grand Jury Prize and went on to become a cult hit. The polymath writer, director, actor, musician, editor, p...

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    Review: 'Evil Dead' Is A Grim, Humorless, Ultraviolent Update Of A Horror Classic

    When the "Evil Dead" remake was first announced, everyone pretty much assumed that it was going to suck. This was something that star/producer Bruce Campbell acknowledged during the Q&A at the film's SXSW World Premiere last month. But after years of being assaulted with fan questions about a fourth...

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