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Review

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    Review: 'Dead Man's Burden' Is A Stunningly Shot, Slow Burner Of A Classic, Yet Modern Western

    One of the most cinematically gorgeous independent films in a long time, “Dead Man’s Burden” (along with fellow 2012 indie “Beasts of the Southern Wild," shot on Super 16) truly makes the case for celluloid. While watching this meditative Western, one simply wants to drink in the beauty of the image...

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    Review: 'What Maisie Knew' Is Deeply Affecting, Hard To Watch

    It’s often an easy way to handicap your film, by centering it on a child character and demanding a great deal from the young actor. By definition, children are not fully-formed people, but a character in a film must be either fully-formed to yield proper dramatic results, or so uniquely authentic th...

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    Review: 'Kiss Of The Damned' Is An Intoxicatingly Lusty Homage To Old School Horror

    Xan Cassavetes, the daughter of John Cassavetes and the director of the wonderful film world documentary "Z Channel: A Magnificent Obsession," wrote and directed "Kiss of the Damned" with a wink and a nod so overt that, from the opening credit sequence, which closely mimics the similarly-titled Hamm...

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    Review: Penn Badgley Is Solid In Otherwise Uneven 'Greetings From Tim Buckley'

    While the film might not be quite as sweet and heady as drinking a glass of lilac wine, Penn Badgley's performance in "Greetings From Tim Buckley" does justice to the late Jeff Buckley, while also revealing that the "Gossip Girl" star has quite a few more talents than he's thus far been given credit...

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    Review: 'Manhunt' A Decent Companion To 'Zero Dark Thirty,' But Doesn't Stand On Its Own

    For a classified mission, executed in secret, and monumentally changing the face of the war of terror, there is an awful lot of public knowledge about the the hunt for and killing of Osama Bin Laden. Books, magazine articles and more have proliferated at a steady pace, and then of course there's Kat...

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    Review: 'The Iceman' Starring Michael Shannon Is A Tired Take On The Mob Flick

    Are we living in a post-gangster movie age? From the early talkies to the Oscar-winning success of “The Departed,” the genre has been ever-popular and responsible for seminal films from “White Heat” and “The Godfather” to “Goodfellas” and “Pulp Fiction.” But one struggles to think of a standout film...

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    Tribeca Review: Iranian Oddity 'Taboor' Is Hypnotic, Lynch-Like

    What to say about "Taboor," a film that feels as if it was beamed down from a backwards Earth? This maddening low-fi fantasy seems to share its DNA with "Holy Motors" in a story that revolves around the unpredictable actions of a man who keeps escaping definition. At first, he's just a frail, elderl...

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    Review & Recap: Magic Returns To Westeros In 'Game Of Thrones' Season 3 Episode 5 'Kissed By Fire'

    Greetings, Gameheads. Thanks for reading my little rant last week about media images of violence. It's just important to talk about, and I think one of the things that "Game of Thrones" does really well is offer up those topics for discussion. I mean, like BODIES, right? They are so weird and gross ...

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    Recap: 'Veep' Delivers A "Robust" New Episode

    If the first two episodes of the second season of "Veep" left us wanting for sharper humor, richer characterization and plots tackling some higher stakes, then tonight's effort is the one we've been waiting for. While the show has a tendency to get bogged down in subplots that often feel saggy, "Hos...

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    Tribeca Review: ‘Cutie And The Boxer’ Reveals Love Is As Complicated & Unwieldy As A Giant, Fanged Papier-Mâché Motorcycle

    Love is complicated, this much we know is true. But love is even more complicated, as Zachary Heinzerling’s brilliant new documentary “Cutie and the Boxer” illustrates, when the regular mechanics of romance (co-dependency, support, a nearly psychic transference of ideas and emotions) are housed with...

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