Click to Skip Ad
Closing in...
Celebrating 17 Years of Film.Biz.Fans.

Review

  • The Playlist
    11 comments
    tweet
    0

    Cannes Review: Droll, Louche & Languidly Playful 'Only Lovers Left Alive' Is Jarmusch At His Most Enjoyable & Accessible

    From the very first opening titles, written in a Germanic font that immediately conjures everything from “Triumph of the Will” to images of big-busted ladies screaming in campy close-up in 1970s cheapie horrors (it may be the only time in Cannes that a film got a big laugh for a typeface) it’s perfe...

    Read More »
  • The Playlist
    5 comments
    tweet
    0

    Cannes Review: J.C. Chandor Puts Robert Redford Through Watery Hell In Bruising, Formally Rigorous 'All Is Lost'

    It almost feels like JC Chandor is showing off. In what is only his second feature film, after the chalk-and-cheese financial collapse movie “Margin Call," he sets himself a kind of exercise in filmmaking rigor, in the bare-bones, one-man survival-at-sea story “All Is Lost” and delivers. From the st...

    Read More »
  • The Playlist
    0 comments
    tweet
    0

    Review: Visual Grandeur Of ‘Epic’ Undone By Undercooked, Rote Story

    Let’s get one thing out of the way: “Epic,” the latest from Blue Sky Studios (the “Ice Age” films, “Robots” “Horton Hears a Who” and “Rio”) is at times breathtakingly beautiful. The Chris Wedge-helmed feature presents a visual step-up for Blue Sky and we are luckier for it. The film features a rich ...

    Read More »
  • The Playlist
    18 comments
    tweet
    0

    Cannes Review: James Gray’s Careful, Poised 'The Immigrant' Builds Slowly To A Resonant Climax

    A strangely chimeric movie, that only reveals its truest colors in its closing moments, James Gray’s “The Immigrant” which screened In Competition this morning in Cannes is a meticulous reframing of the director’s familiar themes and concerns that mostly lived up to our high expectations, while neve...

    Read More »
  • The Playlist
    2 comments
    tweet
    0

    Review: 'Nancy Please'

    We've all known people like Nancy. The title character of Andrew Semans' "Nancy, Please" is a real pill, dark eyes, slumped shoulders, and an eternal pout. There's always drama in Nancy's life, and she's always expressing it physically. She's always impetuous, always difficult, and frequently nasty,...

    Read More »
  • The Playlist
    17 comments
    tweet
    0

    Cannes Review: Masterful ‘Blue Is The Warmest Color’ Is The Sublime Story Of A Transformative Relationship

    Why do we watch movies? No, really, why is it? As close an answer as we’ve ever come to for our own, fairly evident obsession with what we consider the greatest storytelling medium humankind has ever developed, is well, that life is short. Bear with us a second on this: basically to submerge yoursel...

    Read More »
  • The Playlist
    2 comments
    tweet
    0

    Review: 'Before Midnight'

    What happened at the cliffhanger ending of 2004's "Before Sunset?" Did Jesse (Ethan Hawke) manage to catch his flight back to the United States or did he and Celine (Julie Delpy) finally re-consummate their nine-year-after-the-fact romance? These questions are answered in Richard Linklater's trilogy...

    Read More »
  • The Playlist
    5 comments
    tweet
    0

    Cannes Review: Alexander Payne’s ‘Nebraska’ An Overfamiliar Tale Of Connections Broken & Remade

    There’ve been great masses of critical laurels laid at Alexander Payne’s door over the years, some, in our eyes, more earned than others. When it really hits home, the director’s quiet humanism and wry humor can yield perceptive insights, especially into certain trademark areas of expertise: family ...

    Read More »
  • The Playlist
    1 comment
    tweet
    0

    Cannes Review: Cannibal Tale ‘We Are What We Are’ Threatens To Give Horror Remakes A Good Name

    “When I saw his movie,” said director Jim Mickle in his opening thank you to Jorge Michel Grau, the director of “Somos Lo Que Hay,” “I was jealous of everything: the idea, the plot, the style, and jealous that it was playing at Cannes in Director’s Week.” And so Mickle went about securing the rights...

    Read More »
  • The Playlist
    8 comments
    tweet
    0

    Review: Provocative Doc 'We Steal Secrets: The Story Of WikiLeaks' Is Essential Immediate Viewing

    Titles can be sticky, none moreso than “We Steal Secrets: The Story of WikiLeaks.” The “we” mentioned could be speaking in first-person perspective in regards to the muckracking online collective, which helped power the biggest security breach in government history. Then again, is the story of WikiL...

    Read More »

Recent Posts


  • United BlackoutFree 'Do The Right Thing' Reading, 'Fruitvale' ...Shadow and Act
  • Imitation GameReview: Entertaining And Well-Crafted ...The Playlist
  • BreathlessCheck Out This Infographic Guide To ...The Playlist