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Review

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    TIFF Review: Jason Bateman's Directorial Debut 'Bad Words'

    The past few years have seen the R-rated comedy rise in popularity with audiences, in acclaim with critics and, most importantly, in dollars at the box office. But while successes like "The Hangover" (the first one only) and "Bridesmaids" are pinnacle examples of using the adults-only rating to raun...

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    TIFF Review: ‘Rush’ Starring Chris Hemsworth & Daniel Brühl Finds Ron Howard In Top Gear

    It's only "rebels, lunatics and dreamers" that decide to get behind the wheel and race for a living, so quips Austrian driver Niki Lauda (Daniel Brühl) in the early moments of Ron Howard's "Rush," and there's an undeniable logic to his observation. For who else would willingly strap themselves into ...

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    Review: Lynn Shelton's 'Touchy Feely' Starring Rosemarie DeWitt, Ellen Page & Josh Pais

    There's a strange and opaque energy coursing through the veins of Lynn Shelton's languid fifth feature-length effort, "Touchy Feely." It's a little mysterious, to the film’s moody credit, and it’s a little unavailable and removed, to its detriment. Lead actress Rosemarie DeWitt admitted, "I didn't r...

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    Venice Review: Frederick Wiseman's Epic College-Set Documentary 'At Berkeley'

    Over the years, veteran documentarian Frederick Wiseman has covered what sometimes feels like almost kind of institution and every aspect of life in America (and occasionally, life abroad too). "Titicut Follies," "Juvenile Court," "Zoo," "Racetrack," "Central Park," "Public Housing," "Boxing Gym," a...

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    Venice Review: Tsai Ming-Liang's 'Stray Dogs'

    In a festival that's seen a number of endurance tests—Philip Groning's three-hour, 59-chapter "The Police Officer's Wife," the abstracted imagery of "Under The Skin," the brief but unrelentingly terrible duration of "Parkland," no film seemed to inspire more walk outs than "Stray Dogs." The return o...

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    Review: 'Adore' Starring Robin Wright, Naomi Watts and Ben Mendelsohn

    We’ll be honest from sentence one. “Adore” hits two spots we love: movies for adults and (not-dumb) movies for and about women. We have our brief affairs with explosions, spit-take-inducing dialogue and car chases, but we have a long-term relationship with movies that are quiet and mature. They get ...

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    TIFF Review: 'The Fifth Estate' Starring Benedict Cumberbatch & Daniel Brühl

    It's hard to argue that Julian Assange is one of the most powerful and polarizing figures of our current times. From childhood pranks hacking NASA and National Defense computer systems to exposing the dirty laundry of banks and governments around the world, he has become a hero to those seeking tran...

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    Review: 'Il Futuro' Starring Rutger Hauer

    In the cluttered tenement buildings of Greece exists Bianca (Manuela Martelli) and Tomas (Luigi Ciardo), teenage siblings attempting to survive in the wake of their parents’ death. Bianca is the responsible one, cooking and cleaning for her younger brother, trying to complete her studies while l...

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    Venice Review: Japanese Remake Of Clint Eastwood's 'Unforgiven' Starring Ken Watanabe

    Lord knows that, over the years, Hollywood has plundered its fair share of Japanese cinema. From the appropriation of "Godzilla," "Seven Samurai" turning into "The Magnificent Seven," to the long run of J-horror re-dos, to—only last week—the announcement of a DreamWorks version of Cannes film "Like ...

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    Review: Diablo Cody’s Directorial Debut ‘Paradise’ Is A Cloying After School Special

    ​The prestigious fall film festival season is in full swing and anyone who remotely matters in cinema (or Hollywood) is represented in some shape or form—especially at the celeb-friendly Toronto International Film Festival which accepts over 250 films. But one name, an Academy Award-winner with a br...

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