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Review

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    Review: Spike Lee's 'Bad 25' A Comprehensive & Warm Look At The Making Of Michael Jackson's Album

    A couple of years ago, before he set up his low-budget comeback film “Red Hook Summer," Spike Lee was planning another NYC-set project, “Brooklyn Loves MJ,” with the story taking place on the night of the death of pop superstar Michael Jackson in June 2009. Said to star Samuel...

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    Review: 'Life Of Pi' Is An Inspiring & Visually Stunning Tale Of Faith, Hope & Self-Discovery

    Taiwanese-born American film director Ang Lee’s career is difficult to pin down. He’s constructed nuanced and well-crafted dramas of various milieus and textures (from “The Ice Storm,” and “Sense and Sensibility” to the more erotic “Lust/Caution” and “Brokeback Mountain”) and orchestrated films of m...

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    Review: Blood & Water Flow Freely In Jacques Audiard's Beautiful & Moving 'Rust & Bone'

    What is it we do to survive? Who is it we love? Who is it we fight? What are the forces seen and unseen that push our lives in directions we could have never expected? These are the questions that Jacques Audiard tackles in his latest, "Rust And Bone," a beautiful, moving story of two fractured live...

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    Review: 'Red Dawn' Intermingles Inept Jingoism With Casual, Wrongheaded Racism

    Why is it that films that spend the longest time on the shelves feel so unfinished? Reportedly filmed three years ago, Dan Bradley’s strikingly incompetent “Red Dawn” is now being dumped in theaters, stitched together with scotch tape and falling apart at the seams, letting casual racism and misanth...

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    Review: 'Inventing David Geffen' Is Wildly Entertaining, But Never As Insightful As It Should Be

    David Geffen is so powerful, wealthy and connected that he could probably kill this review right now were he so inclined. He is a show business titan; a controversial figure who is revered—and feared—by equal measure. He is perhaps the closest thing we have to the kingpins of old, the Selznicks, the...

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    Review: 'In The Family' A Sincere, Heartbreaking Indie Drama

    It’s tough for the drama. For every movie that is successfully earnest and sincere in its heartbreaking story, about fifty others are willed into the cinema that rest on familiar tropes, forced emotions lacking any legitimate heart, and a trusty sensational score that knows just when to blare. Their...

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    Rome Review: 'Hand In Hand' Is A Gently Surreal Parisian Romantic Comedy Featuring Your New French Crush

    Whimsical and high-concept, and featuring a standout performance from our new boyfriend Jérémie Elkaïm, who has just won Best Actor at the Rome Film Festival for this role (clearly the jury was crushin' on him too), "Hand in Hand" ("Main dans la Main") is a gentle, quirky take on the mystical and so...

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    Rome Review: '1942' Is A Long, Old-Fashioned But Absorbing Epic Of Chinese Historical Cinema

    If the appropriate length of a film were calculated in proportion to the scope of its subject, all 144 minutes of Feng Xiaogang's "1942" (also known as "Back to 1942"), which played In Competition at the Rome Film Festival, would be wholly justified. While the Henan Famine of the early 1940s is not ...

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    Rome Review: 'Tar' With James Franco Is A Dreamy Collage Of Pretty But Overfamiliar Aesthetics

    It's difficult to know quite what to make of 'Tar,' a multi-authored project seemingly coaxed into being by the sheer force of James Franco's current artistic cachet. Playing In Competition in the XXI sidebar of the Rome Film Festival, the film represents the work of twelve newbie directors -- NYU f...

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    Rome Review: Cesc Gay's 'A Gun In Each Hand' Is A Gem - A Sharp, Witty Look At Masculinity In Crisis

    Not, in fact, the Spaghetti Western from Spain (Paella Western?) that it sounds like, "A Gun In Each Hand" ("Una Pistola En Cada Mano"), which plays Out of Competition at the Rome Film Festival, is a contemporary comedy detailing a series of encounters in which pairs of friends, acquaintances, ex-sp...

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