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Review

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    Tribeca Review: 'Lily' Is A Modest But Genuinely Affecting New York Picture

    The Tribeca Film Festival is designed to explore different areas of the world, providing a mouthpiece for filmmakers and regions that normally would not have representation at a more celebrated fest. But Tribeca has also discovered the importance in finding expressive and interesting voices locally,...

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    Tribeca Review: 'Möbius' Spins Off In Too Many Directions You Won't Want To Follow

    Who can you trust? It’s the question posed by the international spies at the heart of “Mobius,” all of whom spend their time so deep undercover that they might as well be double-crossing themselves. Of course, as this film proudly, defiantly jumps deep into the pool of international finance trading ...

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    Review: 'Graceland' Mashes Together Suspense Thriller With Sobering Child Trafficking Drama, With Mixed Results

    Mild-mannered husband and father Marlon Villar is just having one of those days. The boss is on his case. His wife is being needy. His daughter is acting up. The cops are bugging him. “Graceland” begins as a compendium of what some adults would call a terrible, horrible, very bad, no good day. Wah w...

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    Review: Ramin Bahrani's 'At Any Price' A Patchy But Powerful Melodrama With A Fantastic Performance By Dennis Quaid

    The first three feature films by Ramin Bahrani – 2005’s “Man Push Cart,” 2007’s “Chop Shop” and 2008’s “Goodbye Solo” -- were extremely well-regarded by festival and art-house crowds (Roger Ebert called Bahrani “the director of the decade”), but barely made a dent on the wider cultural consciousness...

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    Review: 'Arthur Newman' An Intentionally Listless Story About A Boring Everyman

    What if we are all Arthur Newman? This is the question that director Dante Ariola and screenwriter Becky Johnston raise in "Arthur Newman," their tepid, imaginatively uninvolved drama about two strangers that fall in love while trying to escape their banal past lives. Ariola and Johnston’s film foll...

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    Tribeca Review: Will Forte Makes Dramatic Debut In Clunky But Affecting 'Run And Jump'

    There’s acting and then there’s “acting.” The first requires building credible characters and relationships, developing organic conflicts within the framework of a concrete story. The second involves loading up a story with excessive clutter that it drowns out any work of which the actors are capabl...

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    Tribeca Review: 'Reaching For The Moon' Movingly Reaches For Love, Literature & Loss In Brazil

    Whether you’ve never heard of Elizabeth Bishop or are vaguely aware of her poetry or wrote your doctoral thesis on her NYU years, you will enjoy this film. “Reaching for the Moon” is an intimate portrait of a years-long love affair between the Vassar-educated Bishop and well-connected Brazilian arch...

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    Review: Potentially Dumb & Fun 'Pain & Gain' Overstays Its Welcome With Unrelentingly Dumb & Unfun Tale

    Big, dumb, ridiculously over-the-top fun. When all else fails, filmmaker Michael Bay, perhaps one of the most unfairly maligned directors of the last two decades, can make it rain and bring the entertaining thunder like no one else. If not the inventor of the modern day supernova-esque blockbuster, ...

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    Review: 'Iron Man 3' Is A Solid, Sometimes Surprising Start To Marvel's Phase Two Movies

    After just about as successful a start as you could ask for (three new franchises, and one mega-franchise that kicked off with the third biggest movie of all time), the Marvel movie machine is moving into its next phase. And with it comes the risk of dilution; we're getting at least two movies a yea...

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    Review: 'Sun Don't Shine' Is A Watercolor Wisp Hybrid Of An Indie Relationship Pic & Murder Mystery Movie

    Early on in Amy Seimetz’s “Sun Don’t Shine,” it becomes very clear that this isn’t just your average young-white-couple-with-relationship-problems-on-a-road-trip indie flick. Oh, Crystal and Leo have problems alright. And a bad relationship. And a road trip to go on. But the one very big problem tha...

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