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Review

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    Tribeca Review: 'Richard Pryor: Omit The Logic' Obscures The Genius Of A Comedic Titan

    It's an unenviable task, putting together a documentary about a stand-up comedian. The best ones transcend the form and become storytellers; in the case of "Richard Pryor: Omit The Logic," offering only brief snippets of Pryor's bits is like doing a Michael Jackson doc and only playing a few bars of...

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    Tribeca Review: Grisly 'Raze' Wastes The Surprising Presence Of Zoe Bell

    The women-in-prison genre gets a contemporary reworking in the grisly slugfest “Raze.” There’s no sex or nudity in this film, which pairs off a large ensemble of actresses in a series of increasingly violent fistfights to the death, and some audiences might find this a cause for celebration -- Bechd...

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    Review: Ulrich Seidl’s ‘Paradise: Love’ A Difficult But Provocative Watch With An Astounding Central Performance

    Black/white, rich/poor, fat/thin, female/male, old/young -- these are just a few of the dichotomies explored in the first of the 'Paradise' trilogy from Austrian director Ulrich Seidl. Our chronology is a bit messed up, since we already reviewed (very favorably) the second entry “Paradise: Faith” ou...

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    Tribeca Review: 'The Machine' Is A Fastball Down The Middle For Genre Die-Hards

    Even though science fiction allows for the widest possibility of storytelling, it often seems like there are really only three or four sci-fi stories, and they stopped creating them after the eighties. How else to explain an industry overwhelmed by the amount of low-budget takes on "The Terminator" ...

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    Review: Overstuffed 'Love Is All You Need' An Unsatisfying, Predictable Rom-Com From Susanne Bier

    What’s up with those crazy Danish filmmakers and their compulsion to pile it on? The latest from Oscar-winning filmmaker Susanne Bier (“In A Better World”) is like watching a long game of Jenga. As every sub plot, reveal and character… err, caricature that is, gets stacked on top of each other, the ...

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    Tribeca Review: Featherweight 'Just A Sigh' A Wayward Romance That Immediately Fades From Memory

    Some of us are floating in the water, waiting for that big wave that we can ride, one that will let us surf to another place where the water’s warmer, less choppy, and in some cases, soaked with less tourist piss (which may or may not be part of the metaphor). One of these people is Alix (Emmanuelle...

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    Tribeca Review: Kiwi Cannibal Comedy 'Fresh Meat' Is A Silly, Tasty Treat

    There’s a certain expectation that comes with attending a horror-comedy with a ridiculously on-the-nose title. And in that respect, “Fresh Meat” delivers on its promise as a deliriously off-the-wall splatterfest with absolutely zero pretension. You could guess that Kiwi director Danny Mulheron was a...

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    Review: Deeply Felt, Thrilling 'Mud' Shows Director Jeff Nichols & Matthew McConaughey At The Top Of Their Games

    It all starts with a beautifully surreal image: a decrepit boat resting comfortably in the branches of a tree. The young boys who find it want to use it, make it their own. But on this particular river island in Arkansas, they are not alone. It's not long before they encounter Mud (Matthew McConaugh...

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    Tribeca Review: 'Lily' Is A Modest But Genuinely Affecting New York Picture

    The Tribeca Film Festival is designed to explore different areas of the world, providing a mouthpiece for filmmakers and regions that normally would not have representation at a more celebrated fest. But Tribeca has also discovered the importance in finding expressive and interesting voices locally,...

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    Tribeca Review: 'Möbius' Spins Off In Too Many Directions You Won't Want To Follow

    Who can you trust? It’s the question posed by the international spies at the heart of “Mobius,” all of whom spend their time so deep undercover that they might as well be double-crossing themselves. Of course, as this film proudly, defiantly jumps deep into the pool of international finance trading ...

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