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Review

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    Review: 'Blancanieves' Doesn't Necessarily Transcend Silent Film Gimmick, But Still Proves To Be A Rewarding Fable

    Fetishize the past all you want. The silent era gave way to a flood of cinematic storytellers ranking well amongst the greats. You didn’t need sound to realize a filmmaker like Fritz Lang was stretching the medium so far that it would take a couple of decades of talkies for anyone to match his visio...

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    Review: 'Room 237' An Outstanding, Fascinating & Funny Exploration & Celebration Of 'The Shining'

    Is "The Shining" just a horror movie about a guy who goes berserk in a hotel, or is it subversively about the history of American genocide? Why did Stanley Kubrick use cans of Calumet and Tang in the hotel's storeroom? Were these just random products, or were they each chosen and framed in the camer...

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    Review: Quentin Dupieux's Latest Is More Enjoyably Weird Than 'Wrong'

    Quentin Dupieux directs like David Lynch. On mushrooms. With a head injury. After reading a lot of Haruki Murakami. We promise we mean this in the best way possible, to both Dupieux and those struggling with traumatic brain injury. There are elements of the surrealist auteur's work in the off-kilter...

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    Review: 'The Place Beyond The Pines' A Searing Tale Of Fathers, Sons & The Legacy Of Sins

    Of all the films that premiered at TIFF last year, few arrived under such an air of mystery as Derek Cianfrance's "The Place Beyond The Pines." With only a couple of official images, but no posters or trailers, the tone and scope of the movie remained under wraps prior to its screening. Following "B...

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    Review: 'White Elephant' Is A Predictable, But Well-Acted & Worthy Study Of The Buenos Aires Slums

    Pablo Trapero’s “White Elephant” is a smartly acted, beautifully scored, often bracingly directed film of good intentions and big ambition. Yet it can only be called a modest success, and, in light of how strong some of its individual elements are, even a slight disappointment. Word from Cannes, whe...

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    Review: 'Mental' With Toni Collette Is A Watchable Farce That Could Do With Going A Bit More Nuts

    “Mental” marks director P.J. Hogan’s (“My Best Friend’s Wedding,” “Confessions of a Shopaholic”) reunion with his “Muriel’s Wedding” star Toni Collette. The intervening years may have made them both older, but not necessarily wiser, as “Mental” seems content to rework the “Muriel’s Wedding” formula ...

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    Review: 'Dorfman In Love' A Painful Comedy Not Worth Falling For

    Though it seems unlikely, someone this weekend is going to be dragged to see “Dorfman In Love.” Forget about the film for a second: who is this person, and what have they done to deserve this? Is he or she bad? Isn’t there a cheaper way to dole out punishment then paying arthouse ticket prices for a...

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    Review: Chris O'Dowd Shines In The Otherwise Uneven 'The Sapphires'

    Among the The Weinstein Company's acquisitions prior to the 2012 Cannes Film Festival was the largely unknown (until it was bought) Aussie musical/drama/comedy effort "The Sapphires." It's certainly easy to see why this easy-to-digest, feel-good movie earned their attention. With a slate last year t...

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    Review: 'Phil Spector' Killed Lana Clarkson, But David Mamet's Movie Presupposes, Maybe He Didn't?

    With production on the film starting all the way back in the summer of 2011, it's been a curiously long wait for David Mamet's "Phil Spector," and from the first moment, one gets the impression that HBO's lawyers were a bit nervous about the effort. Before we even see one frame of the picture, an op...

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    Review: 'My Brother The Devil' A Fresh & Exciting Take On The Familiar Urban Crime Drama

    British urban drama is fast becoming a crowded genre. It seems that every couple of months there’s a movie released depicting issues of drug abuse, violence and poverty in the council estates of one of London’s many recession hit suburbs. Well, in UK cinemas that is. Not many make it out of the coun...

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