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Review

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    Review: Chris O'Dowd Shines In The Otherwise Uneven 'The Sapphires'

    Among the The Weinstein Company's acquisitions prior to the 2012 Cannes Film Festival was the largely unknown (until it was bought) Aussie musical/drama/comedy effort "The Sapphires." It's certainly easy to see why this easy-to-digest, feel-good movie earned their attention. With a slate last year t...

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    Review: 'Phil Spector' Killed Lana Clarkson, But David Mamet's Movie Presupposes, Maybe He Didn't?

    With production on the film starting all the way back in the summer of 2011, it's been a curiously long wait for David Mamet's "Phil Spector," and from the first moment, one gets the impression that HBO's lawyers were a bit nervous about the effort. Before we even see one frame of the picture, an op...

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    Review: 'My Brother The Devil' A Fresh & Exciting Take On The Familiar Urban Crime Drama

    British urban drama is fast becoming a crowded genre. It seems that every couple of months there’s a movie released depicting issues of drug abuse, violence and poverty in the council estates of one of London’s many recession hit suburbs. Well, in UK cinemas that is. Not many make it out of the coun...

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    Review: At Its Best, Harmless 'Hunky Dory' Is Just That

    It’s the summer of 1976, and between a conservative school administration and an unrelenting drought, things are beyond dry for Wales’ scrappier teens. It’s little wonder that they flock to the more permissive Miss Mae (Minnie Driver) and her glam-rock interpretation of Shakespeare’s "The Tempest" f...

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    Review: 'Eden' Is A Gripping Sex Slavery Drama That Isn't As Dour As It Sounds

    Often the problem when making an 'issue' movie, wherein you tackle some far-reaching social, systemic, or religious injustice, is that scope often becomes too burdensome, with the given topic often begging for thoughtful, intimate conversation and not the broad strokes that cinema offers. The best i...

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    Review: 'Olympus Has Fallen' A Thin, High-Concept Actioner Without Much Bite

    The new big budget, bullet-riddled actioner "Olympus Has Fallen" has a premise so painfully obvious that it's amazing nobody thought of it before, especially in the creatively bankrupt atmosphere of Hollywood. The plot is essentially "Die Hard" in the White House, with a similarly smart-ass loner (G...

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    Review: ‘New World’ A Familiar, But Satisfying & Well-Executed ‘The Departed’-Esque Thriller

    On the page, the set up for Park Hoon Jeong’s “New World” is almost a cliché, the story pivoting around a cop caught in deep cover in the midst of a crime syndicate, looking for a way to the end assignment, only for forces on both sides of the law to squeeze him to a breaking point. In Hollywood, bo...

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    Review: 'Gimme The Loot' Paints An Affectionate Portrait Of The Foibles Of Inner City Youth

    The streets of New York City are alive in the SXSW hit "Gimme The Loot," the endearing and charmingly unpretentious first feature from director Adam Leon. The film seems to move to the beat of jangling spray paint cans, particularly those in the deep pockets of Malcolm and Sofia. These two high scho...

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    Review: Animated 'The Croods' Sacrifices Story & Character On Altar Of Impressive 3D Visuals

    We suspect our reaction may be out of step with the general consensus of press at our Berlin Film Festival screening of the "The Croods" (where we first saw the film back in February) if the guffaws and applause were anything to go by, but really that had us kind of baffled. The DreamWorks film, fro...

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    Review: 'Come Out And Play' Is A Xeroxed Horror Remake Disguising A New Director's Vanity Plate

    Who in the hell is Makinov? The single-named director, who has appeared online in masked garb speaking power to his vague filmmaking manifesto, has placed his name all over “Come Out And Play,” an overly respectful remake of the infamous '70s cult chiller “Who Can Kill A Child?” The film opens with ...

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