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Review

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    Tribeca Review: ‘Stand Clear Of The Closing Doors’ Tackles Autism, Superstorm Sandy And Wins

    With this being Autism Awareness Month and communities still reeling from Superstorm Sandy, it’s tempting to dismiss “Stand Clear of the Closing Doors” as a convenient combination of buzzwords – I nearly did. But while watching the film, I quickly dismissed those preemptive assumptions and became en...

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    Tribeca Review: Feats Of Superhuman Strength, Filmmaking Of Uncommon Heart In 'Bending Steel'

    You're not likely to see a more inspiring documentary this year than "Bending Steel," the story of one Chris Schoeck, an unassuming New York gentleman with one secret passion. Schoeck is a curious character, an admitted introvert with a slight stutter whom you can tell had to be coaxed to be on came...

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    Tribeca Review: 'A Case Of You' Is A Painfully Insipid Rom-Com For The Social Media Generation

    It was only a matter of time before someone tried to fully exploit our current social media communication age for the evils of the generic romantic comedy and "A Case Of You," a new Justin Long-led rom-com, does just that; abusing the Facebook platform to create the first creepy FB stalker comedy. S...

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    Tribeca Review: 'Lil Bub & Friendz' Is Not The Catumentary You Thought It Would Be

    WHY IS THIS A THING, PEOPLE? Do you like cats? Stupid question, you're on the internet. We can see you've got a tab open with all sorts of cat videos and gifs. You told your friends you were sick of them sending Keyboard Cat videos to you, but you secretly weren't. You ironically bought one of those...

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    Tribeca Review: ‘Big Bad Wolves’ Is A Deeply Brilliant, Surprisingly Funny Israeli Revenge Thriller

    Back in 2009, “Let the Right One In,” a slick, deeply felt genre piece from a far away land, played the Tribeca Film Festival and blew almost everyone (this writer included) away. It’s hard not to think about “Let the Right One In” while watching “Big Bad Wolves,” a similarly slick foreign language ...

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    Tribeca Review: Neil LaBute Goes Back To Basics In Spartan, Scintillating 'Some Velvet Morning'

    When filmmakers find themselves in a rough place, they tend to dial back their productions, usually by necessity, but also as a refresher course in refueling the creative spirit. Playwright Neil LaBute has had a rough go of it in his last few big-screen adventures: "Lakeview Terrace" was a half-bake...

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    Recap: 'Veep' Again Chooses Lower Stakes Humor Over Richer Comedic Potential

    Having barely survived the midterm elections in the season opener, Vice President Selina Meyer (Julia Louis-Dreyfus) has now finally been granted a greater say in the West Wing, starting with a chair on Foreign Policy. So, would we finally see Armando Iannucci try and tackle some bigger political th...

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    Review & Recap: Khaleesi Fires It Up in 'Game Of Thrones' Season 3 Episode 4 'And Now His Watch Is Ended'

    Hello again everyone. In light of this past week’s events, I have to just jump up on this soapbox for a hot minute, so please humor me. I think that it’s an unfortunate coincidence, but also a relevant one to consider, when last Sunday night we experienced the brutal amputation to close out “Game of...

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    Tribeca Review: Hollywood Satire 'Trust Me' Continues Industry Self-Love Designed As Self-Mockery

    It takes some audacity to open your film with an homage to "Sunset Boulevard," but that doesn't seem to worry Clark Gregg. A journeyman actor valued by filmmakers like David Mamet, Gregg has had a dynamic few years, making his directorial debut with Chuck Palahniuk adaptation "Choke" and an attentio...

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    Tribeca Review: ‘The Pretty One’ Is A Sweet Fairy Tale Of Identity Lost Then Found

    There are movies about twins and there are movies about switching identities and there is “The Pretty One,” which uses both conceits for its tale of self and lack thereof. And to be fair, the premise of this quirky Tribeca comedic drama -- that’s ultimately much more affecting and genuinely melancho...

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