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Review

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    Review: 'Star Trek Into Darkness' Often Thrills, But Undone By An Underwritten Villain & Thin Story

    Cast your mind back four years or so, to stardate early May 2009, and remember a time when J.J Abrams wasn't yet the anointed savior of Hollywood. He had an ever-growing fanbase, and had already been behind at least one bona-fide small screen pop culture phenomenon. But his influence on the big-scre...

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    Review: 'Michael H. Profession: Director' Is An Interesting But Never Essential Portrait Of Michael Haneke

    Described memorably as the Minister of Fear by the New York Times some years ago, Austrian filmmaker Michael Haneke has been terrorizing audiences and holding them emotionally and psychologically hostage ever since his career began. Fond of rigorous, excruciatingly brutal portraits of human sufferin...

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    Review: Olivier Assayas’ ‘Something In The Air’ A Gorgeous Autobiography Marred By Underdeveloped Characters

    He’s been something of a critical favorite for a while now, but after making the hugely acclaimed “Summer Hours” and the TV miniseries/theatrical marathon “Carlos” within a few years of each other, French filmmaker Olivier Assayas has firmly cemented himself as one of the more exciting directors in ...

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    Tribeca Review: ‘Gore Vidal: The United States Of Amnesia’ Is A Forgettable Film About An Unforgettable Figure

    Gore Vidal is fascinating. Whether you agree with his politics or you enjoy is witty brand of snark or neither, he led an incredible and prolific life – one that could encompass multiple documentaries and this ultimately becomes the pitfall of “Gore Vidal: The United States of Amnesia” as it tries t...

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    Review: 'Dead Man's Burden' Is A Stunningly Shot, Slow Burner Of A Classic, Yet Modern Western

    One of the most cinematically gorgeous independent films in a long time, “Dead Man’s Burden” (along with fellow 2012 indie “Beasts of the Southern Wild," shot on Super 16) truly makes the case for celluloid. While watching this meditative Western, one simply wants to drink in the beauty of the image...

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    Review: 'What Maisie Knew' Is Deeply Affecting, Hard To Watch

    It’s often an easy way to handicap your film, by centering it on a child character and demanding a great deal from the young actor. By definition, children are not fully-formed people, but a character in a film must be either fully-formed to yield proper dramatic results, or so uniquely authentic th...

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    Review: 'Kiss Of The Damned' Is An Intoxicatingly Lusty Homage To Old School Horror

    Xan Cassavetes, the daughter of John Cassavetes and the director of the wonderful film world documentary "Z Channel: A Magnificent Obsession," wrote and directed "Kiss of the Damned" with a wink and a nod so overt that, from the opening credit sequence, which closely mimics the similarly-titled Hamm...

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    Review: Penn Badgley Is Solid In Otherwise Uneven 'Greetings From Tim Buckley'

    While the film might not be quite as sweet and heady as drinking a glass of lilac wine, Penn Badgley's performance in "Greetings From Tim Buckley" does justice to the late Jeff Buckley, while also revealing that the "Gossip Girl" star has quite a few more talents than he's thus far been given credit...

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    Review: 'Manhunt' A Decent Companion To 'Zero Dark Thirty,' But Doesn't Stand On Its Own

    For a classified mission, executed in secret, and monumentally changing the face of the war of terror, there is an awful lot of public knowledge about the the hunt for and killing of Osama Bin Laden. Books, magazine articles and more have proliferated at a steady pace, and then of course there's Kat...

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    Review: 'The Iceman' Starring Michael Shannon Is A Tired Take On The Mob Flick

    Are we living in a post-gangster movie age? From the early talkies to the Oscar-winning success of “The Departed,” the genre has been ever-popular and responsible for seminal films from “White Heat” and “The Godfather” to “Goodfellas” and “Pulp Fiction.” But one struggles to think of a standout film...

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