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Review

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    Tribeca Review: Iranian Oddity 'Taboor' Is Hypnotic, Lynch-Like

    What to say about "Taboor," a film that feels as if it was beamed down from a backwards Earth? This maddening low-fi fantasy seems to share its DNA with "Holy Motors" in a story that revolves around the unpredictable actions of a man who keeps escaping definition. At first, he's just a frail, elderl...

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    Review & Recap: Magic Returns To Westeros In 'Game Of Thrones' Season 3 Episode 5 'Kissed By Fire'

    Greetings, Gameheads. Thanks for reading my little rant last week about media images of violence. It's just important to talk about, and I think one of the things that "Game of Thrones" does really well is offer up those topics for discussion. I mean, like BODIES, right? They are so weird and gross ...

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    Recap: 'Veep' Delivers A "Robust" New Episode

    If the first two episodes of the second season of "Veep" left us wanting for sharper humor, richer characterization and plots tackling some higher stakes, then tonight's effort is the one we've been waiting for. While the show has a tendency to get bogged down in subplots that often feel saggy, "Hos...

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    Tribeca Review: ‘Cutie And The Boxer’ Reveals Love Is As Complicated & Unwieldy As A Giant, Fanged Papier-Mâché Motorcycle

    Love is complicated, this much we know is true. But love is even more complicated, as Zachary Heinzerling’s brilliant new documentary “Cutie and the Boxer” illustrates, when the regular mechanics of romance (co-dependency, support, a nearly psychic transference of ideas and emotions) are housed with...

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    Tribeca Review: The Unflinching 'Oxyana' Soberly Charts An Insidious Drug Epidemic In West Virginia

    Oceana, a small coal mining town in Wyoming County, West Virginia, is, on the surface, like any other small town in Appalachia. An hour away from almost any major city, and with an approximate population of 1400, it’s small, close-knit and not necessarily very open to outsiders. But quietly simmerin...

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    Tribeca Review: A Lovely & Considered Humanism Courses Through ‘The Rocket’

    There’s a tricky balance to be found in Australian documentarian Kim Mordaunt’s impressive narrative debut “The Rocket.” Mordaunt, who returns to Laos after exploring the country in his documentary “The Bomb Harvest,” tells a tale that’s both humanistic and soulful, yet political and socially aware....

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    Tribeca Review: 'What Richard Did' Is A Stark, Sobering Drama Of Guilt And Regret

    Last week, Matt Singer wrote a solid Criticwire piece on spoilers and film reviews, discussing the right, or lack thereof, of readers complaining about spoilers in reviews. I don't subscribe to the theory of spoilers because films aren't simply a cherry-picked collection of moments: it makes no diff...

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    Tribeca Review: 'Richard Pryor: Omit The Logic' Obscures The Genius Of A Comedic Titan

    It's an unenviable task, putting together a documentary about a stand-up comedian. The best ones transcend the form and become storytellers; in the case of "Richard Pryor: Omit The Logic," offering only brief snippets of Pryor's bits is like doing a Michael Jackson doc and only playing a few bars of...

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    Tribeca Review: Grisly 'Raze' Wastes The Surprising Presence Of Zoe Bell

    The women-in-prison genre gets a contemporary reworking in the grisly slugfest “Raze.” There’s no sex or nudity in this film, which pairs off a large ensemble of actresses in a series of increasingly violent fistfights to the death, and some audiences might find this a cause for celebration -- Bechd...

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    Review: Ulrich Seidl’s ‘Paradise: Love’ A Difficult But Provocative Watch With An Astounding Central Performance

    Black/white, rich/poor, fat/thin, female/male, old/young -- these are just a few of the dichotomies explored in the first of the 'Paradise' trilogy from Austrian director Ulrich Seidl. Our chronology is a bit messed up, since we already reviewed (very favorably) the second entry “Paradise: Faith” ou...

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