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Review

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    Discuss: Is Terrence Malick's 'To The Wonder' Another Profound Masterpiece Or A Parody Of His Worst Tendencies?

    The last movie that Roger Ebert reviewed was Terrence Malick's "To The Wonder," which seems appropriately fitting. "To the Wonder" is a movie of quiet contemplation, one where an Oscar-winning movie star like Ben Affleck is mostly found in stoic silence and conventional plot mechanics are either esc...

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    Recap: 'Veep' Returns With Lots Of Jokes, Little Characterization

    At this point you're either watching "Veep" to keep up with the endless one liners, in order to cherish the handful that make it through and result in a good belly laugh...or you're not. One complaint that we had following season one was that Armando Iannucci often put the gags in front of any kind ...

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    Review: ‘Disconnect’ Is ‘Crash’ For The Web Era, And Even More Dismal Than That Sounds

    Many writers say they prefer not to start the writing process with a theme in mind – they simply let it emerge organically from their plot or characters. But then, plenty of films have gone the other way. The multi-strand, interconnected drama revolving around a particular subject or theme, like Ste...

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    Review: 'It's A Disaster' Is A Darkly Hilarious Apocalyptic Dramedy That's Anything But Disastrous

    Real time, one-setting films are a tricky feat to pull off, stumping even the most accomplished directors (have you seen “Carnage”?), but director Todd Berger does it with panache in his sophomore feature, a clever take on the apocalypse film, “It’s A Disaster.” Assembling a cast of eight actors in ...

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    Review: 'This Ain't California' An Energetic Trip Into '80s German Skateboarding Culture & History

    The title really says it all. Far from Dogtown and Z-boys, the burgeoning west coast punk scene and the empty swimming pools that provided endless possibility, in Germany kids were bolting wheels to pieces of wood and seeing what would happen. And with a wall up separating East from West, a governme...

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    Review: Terrence Malick's 'To The Wonder' Is A Raw & Heartfelt Film Of Loss And Longing

    For a man not known for being prolific, an eighteen-month gap between Terrence Malick’s “The Tree of Life” (the filmmaker’s first film in five years) and his latest “To the Wonder” (which premiered at the Venice Film Festival last summer) isn’t just unprecedented, it’s positively mind-boggling, espe...

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    Review: Tom Cruise Vehicle 'Oblivion' Is A Mostly Involving, Visually Spectacular Sci-Fi Epic

    Only a few years ago, big sci-fi action spectacles were confined pretty much to the summer months. But now, the season has crept out to the extent that it essentially lasts from the middle of February (see the release of "A Good Day To Die Hard" this year) to... pretty much the rest of the year, wit...

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    Review: '42' Admirably & Carefully Weaves Together The History Of Baseball & Civil Rights

    Destiny swings a big stick in Brian Helgeland's "42." It underlines every pivotal moment of Jackie Robinson's career captured in the two hour film, often working as baggage keeping the film earthbound, at times making it unnecessarily weighty. It's also probably the major reason why a number of main...

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    Review: Brandon Does David Proud, 'Antiviral' A Classic Cronenberg Freak Fest

    There is no doubt that no matter what Brandon Cronenberg decided to make as his first movie, the shadow of his father would loom large. So whether it just runs in the family, or if it was a calculated decision to do something audiences would expect from the Cronenberg mantle, full credit to Brandon ...

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    Review: Ken Loach's 'The Angels' Share' Is Slight, Sitcom-y & Suspense-Free

    The working class are a little funny in “The Angels’ Share,” English director Ken Loach’s new bluecollar comedy. “The Angels’ Share” is Loach’s (“Kes”) premiered at Cannes last year after his “The Wind That Shakes the Barley” won the 2006 Palme d’Or and both "Route Irish" and "Looking for Eric" play...

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