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Review

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    Review: 'Cafeteria Man' A One Sided, Fly By Look At The Food Activism Of Chef Tony Geraci

    Who is Tony Geraci? For director Richard Chisolm and everyone else involved in the slim, one-sided but no less interesting "Cafeteria Man," he is a saint. Arriving on his houseboat in the marina of Baltimore, Maryland, he rolled up his sleeves and fought to reform school lunches for childr...

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    LFF Review: Richard Dormer Shines In Touching & Uplifting Punk Rock Terri Hooley Biopic 'Good Vibrations'

    We’re introduced to Terry Hooley (Richard Dormer) when he’s just five years old, playing in the front garden of his Belfast home. When one of the other children he has been arguing with slingshots a stone at his face, Terry becomes Terri – with one i.

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    LFF Review: Rolling Stones Doc 'Crossfire Hurricane' Is Little More Than A Familiar Nostalgia Trip

    There’s been the little-seen “Charlie Is My Darling” and “Cocksucker Blues,” Jean-Luc Godard’s “Sympathy for the Devil,” 1970’s Altamont-focused “Gimme Shelter,” Julien Temple’s “Stones at the Max” and Martin Scorsese’s “Shine a Light,” and that’s just scratching the surface when it comes to documen...

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    Review: 'Paranormal Activity 4' Makes A Compelling Argument For The Series' Swift Cancellation

    A new "Paranormal Activity" movie coming out has now become a season tradition, like bobbing for apples, carving pumpkins, or wearing itchy sweaters. The first "Paranormal Activity" was a no budget chiller made in 2007 but not released theatrically until 2009, almost as an afterthought, even though,...

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    Review: 'Greystone Park' Yet Another Found Footage Piece of Junk

    Acclaimed filmmaker Oliver Stone famously began his career directing schlock like “The Hand” and having associations with the likes of Lloyd Kaufman. It seems only fitting that son Sean Stone would follow a similar path into filmmaking. But while yesterday’s up-and-comers make their bones in skeevy ...

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    Review: 'Bigfoot: The Lost Coast Tapes' Offers Some Decent Scares But Doesn't Follow Through

    This weekend "Paranormal Activity 4" opens, the latest in the phenomenally successful found-footage series about ghosts who primarily concern themselves with opening closet doors very slowly. But there's another found footage opus opening on Friday, one with more monstrous concerns. "Bigfoot: The Lo...

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    Review: 'Ethel' Is A Powerful Personal Portrait Of Love & Liberalism

    Few American dynasties hold the same mystique as the Kennedy clan. Defined largely by professional triumph and personal heartache, the Kennedys are the closest thing the United States has to royalty, and as the years go by, the amount of historical miscellanea that is produced or unearthed about the...

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    Review: Life & Lust Find A Way In Well-Performed But Standard-Issue 'The Sessions'

    Inspired by the life and writings of Mark O'Brien -- a polio-stricken but determined journalist and poet confined to an iron lung since age six -- "The Sessions" offers a less comprehensive look at O'Brien's life than Jessica Yu's excellent documentary "Breathing Lesso...

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    LFF Review: Stephen Graham & Mark Strong Impress In Generic But Powerful Cop Thriller 'Blood'

    The history of the British police movie is not a glorious one. Perhaps it's because (for the most part) UK coppers aren't allowed to carry firearms, which somewhat reduces the capacity for squib-happy action sequences. Or maybe it's the lack of glamorous locations for said shootouts, which can hardl...

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    Review: 'Holy Motors' Is Beautiful Madness, Rabid And Resplendent

    Limousine movie sets. Raging erections. The theme from “Godzilla.” Eva Mendes’ armpits. Cross-dressing. Motion-capture cunnilingus. Mystical garages. Monkey marriages. Accordions. Disappointed fathers. Kylie Minogue. Murderous dopplegangers. Comedy. Tragedy. “Holy Motors.”

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