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Review

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    Review: 'Tomorrow You're Gone' A Stylized Neo-Noir That Goes Nowhere Slowly

    It’s exceptionally strange to be reviewing a film so soon after the passing of Roger Ebert. Surely he’s the reason why most of us write reviews, why we’ve ever felt the need to tap our keyboards once the end credits begin to roll. We love and admire the deep thinkers who favor academic readings of f...

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    Review: Danny Boyle's 'Trance' Is A Trippy, Twisty, Terrific Thriller

    He might have had a rockier patch in the mid-'00s -- no one saw his delightful fable "Millions," and sci-fi "Sunshine" was both a commercial disappointment and the most difficult shoot of his career -- but things couldn't have gone much better for Danny Boyle in the last few years. "Slumdog Milliona...

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    Review: 'Simon Killer' Loses That Lovin' Feeling On The Streets Of Paris

    Simon (Brady Corbet) is lost. After being dumped by his high school sweetheart after a relationship that ran the length of their college years, the newly graduated, newly single American flees to Paris to get away from it all and find himself. Of course, the problem with undertaking such a journey o...

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    Review: Shane Carruth's Beguilingly Enigmatic 'Upstream Color' May Cause Disorienting Side Effects, Results Will Vary

    Nine years ago, autodidact filmmaker Shane Carruth burst onto the indie scene with the abstruse and complex sci-fi thriller "Primer," which made him a Sundance darling in 2004 when it won the Grand Jury Prize and went on to become a cult hit. The polymath writer, director, actor, musician, editor, p...

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    Review: 'Evil Dead' Is A Grim, Humorless, Ultraviolent Update Of A Horror Classic

    When the "Evil Dead" remake was first announced, everyone pretty much assumed that it was going to suck. This was something that star/producer Bruce Campbell acknowledged during the Q&A at the film's SXSW World Premiere last month. But after years of being assaulted with fan questions about a fourth...

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    Review: 'Thale' Is A Half-Finished Spooky Fairy Tale

    There’s usually a handshake agreement made by audiences with genre filmmakers eager to make an impression: If your first act is fantastical, intriguing and mysterious, then don’t botch it with an overly technical, low-imagination third act explanation. This sort of misstep has dogged big budget mish...

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    Review: Robert Redford's 'The Company You Keep' Is An Unconvincing Bit Of Agitprop

    The third film in Robert Redford’s recent series of stillborn, bleeding heart dramas, "The Company You Keep" is a busy but inert civic-minded thriller. As a director, Redford has yet to break his recent habit of using hackneyed dialogue to talk down to his audience with Aaron Sorkin-esque dialogue t...

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    Review: 'Bert Stern: Original Mad Man' Keeps Its Subject In Fuzzy Focus

    We've seen an explosion in fashion world documentaries over the past years with "The September Issue," "Diana Vreeland: The Eye Has To Travel," "Bill Cunningham New York," "In Vogue: The Editor's Eye" and so much more all casting various perspectives on an industry that has seen haute couture fall r...

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    Review: 'Eddie: The Sleepwalking Cannibal' An Enjoyable If Somewhat Slight Horror-Comedy

    A blunt, no-nonsense title like "Eddie: The Sleepwalking Cannibal" perfectly describes the type of movie you're going to encounter when viewing Boris Rodriguez's first narrative feature -- a weird, darkly comic tale offering little more than an enjoyable experience. While 'Eddie' could've tried a li...

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    Review: 'Free Angela & All Political Prisoners' A Fascinating Chronicle Of Justice & Strength

    "Black power means dignity," is a phrase that lingers from Shola Lynch's documentary about activist and scholar Angela Davis. And dignity is just one of the many qualities that one can attach to Davis, a bold and powerful figure whose own battle for justice and freedom is chronicled in "Free Angela ...

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