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Review

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    AFI Fest Review: ‘Hitchcock’ A Breezy, Disposable Effort Saved By Anthony Hopkins & Helen Mirren’s Dedicated Performances

    Hypnotic, beautiful, and perilous in equal measure – one needn’t glance anywhere else but at the leading ladies of Alfred Hitchcock’s films to garner their intense influence, yet as dramatized in “Anvil!” director Sacha Gervasi’s loving biopic, “Hitchcock,” the real authority lingered off the set at...

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    Savannah Fest Review: Eric Stoltz-Starring 'Fort McCoy' A Schmaltzy, Contrived WWII Drama

    WWII continues to be rich dramatic territory for filmmakers for a number of reasons, not only because it's one of the most important events in modern history, but also due to the many avenues from which those years can be viewed. But writer and co-director Kate Connor's debut feature "Fort McCoy" is...

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    Review: 'A Man's Story' A Refreshingly Honest & Candid Look At One Designer's Journey In The Fashion World

    From the outside, the world of haute couture often seems ridiculous, and it certainly lives up to that reputation often. But lost among the magazine spreads, photo shoots, ad campaigns, red carpet parties and so on, is the reality that it's not only a very tough business to break into, it's ...

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    Review: Barry Levinson's 'The Bay' Is A Frightening Eco-Horror 'Jaws' Riff

    Primarily known for his talky, small-scale comedic dramas, exemplified by his beloved "Diner," Vanity Fair recently made a compelling argument for this seminal Barry Levinson film influencing everything from "Seinfeld" and "Swingers" to Judd Apatow's comedy factory ...

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    Review: Promising Alcoholism Drama ‘Flight’ Often Hits Rock Bottom

    After 12 years immersed (lost?) in the world of motion capture, Robert Zemeckis re-emerges into live-action filmmaking for “Flight,” an engaging and initially very promising drama about alcoholism, redemption and forgiveness that grows uneven and long-winded as it progresses, eventually clocking in ...

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    Review: Rambling, Ragged 'This Must Be The Place' Isn't Nearly As Bad As You Feared

    The initial first glimpses for "This Must Be the Place" promised disaster, with a pitch of Sean Penn playing a burned-out post-punk rocker on the hunt for Nazis, and advance photos where Penn's jet-black corona of hair and dour made-up jowls made him look less like someone who had imit...

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    Review: 'The Man With The Iron Fists' A Noble, But Overstuffed First Effort From RZA

    “I’m the baddest man alive,” goes the chorus for one of the many hip hop songs in “The Man With The Iron Fists,” the directorial debut of RZA. The director is actually the subject of the song, as he plays the title character, a blacksmith seeking revenge for being wrong...

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    Review: ‘The Details’ Is An Inconsistent But Entertaining Dark Comedy

    “The Details” is one of those dark comedies where everything that can go wrong does. The sophomore film from Jacob Aaron Estes, whose previous film “Mean Creek” won the John Cassavetes Award at Sundance in 2004, was the biggest sale of the 2011, purchased by The Weinstein Com...

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    Savannah Fest Review: Contemporary Approach & Old Fashioned Message Clash In Rom-Com 'Missed Connections'

    That chance encounter, or the moment of love at first sight -- these have been the familiar building blocks of romantic comedies for decades, not to mention that New York City is a common backdrop against which these stories can play out. And yet, both audiences and filmmakers remain drawn to these ...

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    Review: 'Dust Up' Is A Hipster Apocalypse Western, Like Alex Cox Doing 'Mad Max'

    No budget, no problem. The seams show often in “Dust Up,” an unapologetically silly action comedy that feels as if it was produced entirely from the loose change found on all of Brooklyn’s collective bar tops. Complimenting the jaunty original score and songs from Spindrift and Gram Rabbit are stock...

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