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Review

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    HIFF Review: 'The Girl' Creates Dark Hitchcockian Mood, But At The Cost Of Virtually Everything Else

    Like with the two competing Snow White movies earlier this year, Hollywood finds itself in the midst of battling Alfred Hitchcock pseudo-biographies this fall; each detailing the production of one of the master director's seminal films and his relationship with that film's comely leading lad...

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    Review: 'Fat Kid Rules The World' A Modestly Affecting Directorial Debut For Matthew Lillard

    Some actors-turned-directors jump out of the box fully-formed, fully utilizing a learned bag of tricks to properly convey their show business experience, to tell a story that burns inside of them. And some, lacking real vision, just want to take a shot at something new. It appears Matthew Lillard is...

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    VIFF Review: Brazilian 'Neighbouring Sounds' Is A Film For People Watchers

    We lovers of cinema are nosy little bastards. It is the medium for the voyeur. We like to watch, truly a “race of Peeping Toms” as “Rear Window” taught us. The Brazilian film “Neighbouring Sounds” is kinda like that Hitchcock masterpiece, in a way. It’s all about observing. It’s the audience and the...

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    NYFF Review: 'Memories Look At Me' A Comforting, Modest Micro Indie

    Song Fang's "Memories Look At Me" is a tough one: while the filmmaker's debut is a lovely, pleasant experience, it's extremely difficult to make the movie sound at all appealing. A large percentage of it takes place in a single apartment, with each dialogue-heavy scene generally composed of a single...

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    NYFF Review: Rock 'N' Roll Dreams Are Fleeting & Familiar In David Chase's Uneven 'Not Fade Away'

    For a film that’s ostensibly set to the vibrant pulse of early ‘60s rock 'n' roll and blues -- The Rolling Stones, the early Beatles, Bo Diddley, etc. -- David Chase’s directorial debut, “Not Fade Away,” sure has a curious, circuitous and eventually long-winded tempo. Set in 1964, just a few months ...

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    Review: 'Someday This Pain Will Be Useful To You' Proves Its Title Wrong

    The displeasure one feels in watching, or simply enduring, the indie dramedy "Someday This Pain Will Be Useful to You" is directly proportional to how throughly selfish and unsympathetic the lead character James truly is. When we're first introduced to the misanthrope, he's on the roof of his home i...

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    Review: James Bond Doc ‘Everything Or Nothing’ Is A Fascinating, In-Depth Look At The Ups & Downs Of The Iconic Super-Spy

    This year James Bond, the dapper British super-spy with a taste for violence and sex, turns 50, and in celebration of this momentous achievement a new deluxe Blu-ray box set is being released, a new film premieres in theaters this fall (“Skyfall” from “American Beauty” director Sam Mendes) and a new...

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    Review: 'Escape Fire' Paints A Portrait Of A Broken System & A Hopeful, Humanist Solution

    "Escape Fire: The Fight to Rescue American Healthcare" opens with an anecdotal analogy that initially seems kind of out of place in a documentary about health care systems. Dr. Don Berwick relates how a firefighter, while combatting an out of control forest fire, chose to set a fire around him in or...

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    Review: 'Taken 2' Promises The Same Plate, Less Flavor, Smaller Servings

    There’s diminishing returns, and then there’s “Taken 2,” the next, and probably last installment of the “Taken” franchise. Of course, it’s a piece of a whole, only the latest in the body of work from producer Luc Besson (again sharing screenwriting duties wi...

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    Review: 'V/H/S' A Solidly Delivered Horror Anthology That Brings The Thrills

    When compared to the pristine picture quality of Blu-ray, the VHS format is a decrepit, grungy thing, so how better to make an anthology of grimy spook stories than to embrace that aesthetic all-around, as "V/H/S" does? Made up of six found-footage style segments – few of which actua...

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