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Review

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    Review: 'Wreck-It-Ralph' Has A Great Concept But Fails To Level Up Into Something Unique

    Certainly, in some quarters, anticipation for Disney's "Wreck-It-Ralph" was high. With Pixar stuck in sequel mode, and with their original story "Brave" underwhelming this summer, many wondered if the Mouse House would step it up where their colleagues dropped the ball. With a seemingly fresh premis...

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    Review: Not So 'Fun Size' Doesn't Know The Audience It Wants

    While you can debate the merits of "The O.C.," "Gossip Girl" and "Chuck," it can't be argued that writer/producer Josh Schwartz knows how to zero in on a target audience and cater to them specifically and successfully. Generally, his most lucrative milieu is in providing tweenage girls lukewarm TV s...

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    Review: Uninventive U.K. ‘Pusher’ Remake Offers Typically Stylized Drug Psychosis & Nothing More

    Indulge us for a moment. Nicolas Winding Refn's "Pusher" trilogy was never meant to be a triptych, let alone a multi-language spawning remake series (there has already been a U.K. produced, Hindi language version). Refn's original "Pusher" gained critical acclai...

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    Review: 'Cloud Atlas' Is Bold, Messy & Disappointingly Unimaginative

    With The Wachowskis and Tom Tykwer literally throwing a critic off the roof of a building to his death in the opening moments of the nearly three-hour "Cloud Atlas," it's clear that they aren't concerned in the slightest with how this ambitious effort will be received. And you cert...

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    Review: 'Chasing Mavericks' Drowns Under A Crushing Wave Of Moroseness & Melodrama

    One of the first things we see in "Chasing Mavericks," a mostly uninspiring surfing drama starring Gerard Butler, his lumpy face framed by strands of willowy wet hair, are the words "Based on a True Story." But the true story behind the scenes of "Chasing Mavericks" is almost as compelling as what m...

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    Review: All Is Not What It Seems In The Beautifully Shot 'The Loneliest Planet' Starring Gael Garcia Bernal

    It’s true that “The Loneliest Planet,” directed by Julia Loktev (“Day Night Day Night”), is the kind of film that works best if you know little to absolutely nothing about it going in. But then again, couldn’t that be said for just about every film? So bef...

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    LFF Review: Francois Ozon's Puzzle Box 'In The House' Never Quite Forms A Full Picture

    Francois Ozon’s previous film, “Potiche,” was a fun and frothy effort, and while it was undeniably beautifully composed and performed, it was arguably also a little inconsequential. Ozon approaches the structurally more ambitious “In the House” from a more devious and darkly comic perspective, yet d...

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    Review: 'Cafeteria Man' A One Sided, Fly By Look At The Food Activism Of Chef Tony Geraci

    Who is Tony Geraci? For director Richard Chisolm and everyone else involved in the slim, one-sided but no less interesting "Cafeteria Man," he is a saint. Arriving on his houseboat in the marina of Baltimore, Maryland, he rolled up his sleeves and fought to reform school lunches for childr...

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    LFF Review: Richard Dormer Shines In Touching & Uplifting Punk Rock Terri Hooley Biopic 'Good Vibrations'

    We’re introduced to Terry Hooley (Richard Dormer) when he’s just five years old, playing in the front garden of his Belfast home. When one of the other children he has been arguing with slingshots a stone at his face, Terry becomes Terri – with one i.

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    LFF Review: Rolling Stones Doc 'Crossfire Hurricane' Is Little More Than A Familiar Nostalgia Trip

    There’s been the little-seen “Charlie Is My Darling” and “Cocksucker Blues,” Jean-Luc Godard’s “Sympathy for the Devil,” 1970’s Altamont-focused “Gimme Shelter,” Julien Temple’s “Stones at the Max” and Martin Scorsese’s “Shine a Light,” and that’s just scratching the surface when it comes to documen...

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