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Review

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    Review: 'The Oranges' Is Dated, Schtick-Reliant Suburban Satire

    There’s another era that would have welcomed the chaste suburban sex comedy “The Oranges.” In an earlier time, this mock-revealing story of two families coming apart due to infidelity would have seemed appalling, transgressive. Perhaps as a low-heat exploitation picture threatening to expose the cha...

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    Hamptons Film Fest Review: 'Decoding Deepak' Is A Warm & Fuzzy (But Not Exactly Illuminating) Look At A Beloved Guru

    The first few moments of the mercifully brief "Decoding Deepak" (it runs a scant 74 minutes) promise something intriguing. In the opening few scenes, the movie teases a look at Deepak Chopra, the spiritual advisor and self-help guru who has written something like sixty books and helped lead the rich...

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    NYFF Review: 'Deceptive Practice: The Mysteries And Mentors Of Ricky Jay' Is A Deeply Magical Biography of the Illusionist

    Nowadays, with the abundance and popularity of fantasy literature and cinema, when someone says "magic," they immediately conjure images of entrenched warlocks and fire-breathing dragons. The art and performance of practical magic – things like card tricks and making stuff disappear – has faded into...

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    VIFF Review: Overstuffed 'Love Is All You Need' An Unsatisfying, Predictable Rom-Com From Susanne Bier

    What’s up with those crazy Danish filmmakers and their compulsion to pile it on? The latest from Oscar-winning filmmaker Susanne Bier (“In A Better World”) is like watching a long game of Jenga. As every sub plot, reveal and character… err, caricature that is, gets stacked o...

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    Review: 'Sister' Is A Beautifully Bleak Coming-Of-Age Story

    A young child is dressing in a bathroom stall. We can’t tell what he looks like, as he layers on shapeless winter clothing and a neoprene mask hides all discernible features save for a pair of bright, knowing eyes. He goes through the pre-ski ritual, bundling up before braving the windy, snowy lands...

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    Review: 'Wuthering Heights' Is A Superb, Groundbreaking Adaptation Of The Classic Tale

    One of the most exciting talents to emerge out of the U.K. in the last decade or so is Andrea Arnold. The former television presenter won an Oscar for her short film "Wasp" in 2005, and made her feature debut the following year with the powerful, gritty thriller "Red Road." 2009 saw her follow it up...

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    Review: 'The House I Live In' A Messy, But No Less Potent Examination Of The Misguided War On Drugs

    $1 trillion dollars have been spent over the past forty years on The War On The Drugs, causing a 705% increase in the American prison population since 1973. And perhaps most bracing of all, while African-Americans only make up 13% of the population, and 14% of its drug users, they account for 56% of...

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    NYFF Review: 'Araf' Stirs & Shocks In Equal Measure

    There isn’t much that can prepare you for the drastic second-half turn of “Araf,” an often-gorgeous drama playing in the Main Slate at the New York Film Festival. Evocative and somewhat alien in equal measure, “Araf” takes place in a withered Turkish countryside that might as well be another planet....

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    Review: 'Beatles Stories' A Collection Of Celeb Tales Tall & Small About The Fab Four

    Everyone has some kind of celebrity story. And even if you don't, in this six-degrees-of-Kevin-Bacon world, you probably know somebody that does. And when it comes to one of the most important bands of all time, who not only touched the world of music, but film, art, politics and social change a...

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    Review: Lee Daniels' 'The Paperboy' With Matthew McConaughey & Nicole Kidman Is A Disastrous Flop

    Many people will tell you that "The Paperboy" -- based on Pete Dexter's novel, brought to the screen by "Precious" director Lee Daniels -- is a trash masterpiece, an instant camp classic, so bad it's good. These people, these critics, are simply not to be trusted about an...

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