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Review

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    Review: Shane Carruth's Beguilingly Enigmatic 'Upstream Color' May Cause Disorienting Side Effects, Results Will Vary

    Nine years ago, autodidact filmmaker Shane Carruth burst onto the indie scene with the abstruse and complex sci-fi thriller "Primer," which made him a Sundance darling in 2004 when it won the Grand Jury Prize and went on to become a cult hit. The polymath writer, director, actor, musician, editor, p...

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    Review: 'Evil Dead' Is A Grim, Humorless, Ultraviolent Update Of A Horror Classic

    When the "Evil Dead" remake was first announced, everyone pretty much assumed that it was going to suck. This was something that star/producer Bruce Campbell acknowledged during the Q&A at the film's SXSW World Premiere last month. But after years of being assaulted with fan questions about a fourth...

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    Review: 'Thale' Is A Half-Finished Spooky Fairy Tale

    There’s usually a handshake agreement made by audiences with genre filmmakers eager to make an impression: If your first act is fantastical, intriguing and mysterious, then don’t botch it with an overly technical, low-imagination third act explanation. This sort of misstep has dogged big budget mish...

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    Review: Robert Redford's 'The Company You Keep' Is An Unconvincing Bit Of Agitprop

    The third film in Robert Redford’s recent series of stillborn, bleeding heart dramas, "The Company You Keep" is a busy but inert civic-minded thriller. As a director, Redford has yet to break his recent habit of using hackneyed dialogue to talk down to his audience with Aaron Sorkin-esque dialogue t...

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    Review: 'Bert Stern: Original Mad Man' Keeps Its Subject In Fuzzy Focus

    We've seen an explosion in fashion world documentaries over the past years with "The September Issue," "Diana Vreeland: The Eye Has To Travel," "Bill Cunningham New York," "In Vogue: The Editor's Eye" and so much more all casting various perspectives on an industry that has seen haute couture fall r...

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    Review: 'Eddie: The Sleepwalking Cannibal' An Enjoyable If Somewhat Slight Horror-Comedy

    A blunt, no-nonsense title like "Eddie: The Sleepwalking Cannibal" perfectly describes the type of movie you're going to encounter when viewing Boris Rodriguez's first narrative feature -- a weird, darkly comic tale offering little more than an enjoyable experience. While 'Eddie' could've tried a li...

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    Review: 'Free Angela & All Political Prisoners' A Fascinating Chronicle Of Justice & Strength

    "Black power means dignity," is a phrase that lingers from Shola Lynch's documentary about activist and scholar Angela Davis. And dignity is just one of the many qualities that one can attach to Davis, a bold and powerful figure whose own battle for justice and freedom is chronicled in "Free Angela ...

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    Review: 'Down The Shore' With James Gandolfini & Famke Janssen An Overheated Jersey Melodrama

    What is it about Jersey that causes filmmakers to make films which constantly talk about escaping from or dreading a return to the Garden State? If I didn’t just answer my own question, there’s always “Down The Shore,” an actors' showcase melodrama that captures the small town as a prison where char...

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    Review: Omar Rodriguez Lopez's 'Los Chidos' Is Wild, Wacky, Weird, Bloody & Bold

    Not everyone is going to be ready for the ride through "Los Chidos" that director Omar Rodriguez Lopez offers up. But his willingness to scare off a few of the faint of heart preserves his commitment to a truly bold and unique vision and an aesthetic all his own. This is the fifth feature film from ...

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    Review: 'City Baby' A Modest, Well-Made Portrait Of A Womanchild Trapped In Portland

    David F. Morgan's "City Baby" is a modest character study of Cloey (Cora Benesh, who also co-wrote the screenplay), an aspiring...something, boldly going nowhere. With her father (Daniel Baldwin) footing the bills without question, Cloey is free to pursue her relationship with aging rockstar-wannabe...

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