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Review

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    NYFF Review: Alain Resnais Makes A Delightful Final Film With 'You Ain’t Seen Nothin’ Yet!'

    Alain Resnais is no stranger to the absurd. For over fifty years, his films—beginning with “Hiroshima, Mon Amour,” have asked questions through their oblique narratives about the way we think about story, performance, and cinema. But such a serious statement also obscures the pure delight it is to g...

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    NYFF Review: 'Barbara' A Fresh Look Into 1980s Germany, Focusing On Life & Love

    Though maybe a bit too stiff and straight-laced, "Barbara" is a frequently subtle, moderately interesting character study set in a grievous East Germany during the 1980s. What are especially nice are the painstaking ways that director Christian Petzold ("Jerichow," "Dreilebe...

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    Review: Joe Dante Can't Quite Recapture His Earlier Magic With 'The Hole'

    Some directors are simply in the right place at the right time. This is why Tim Burton has spent the last decade recycling the same ideas, visuals and motifs to ever-diminishing returns with ever-escalating budgets. Surely Burton would not be where he was had the ever-underestimated Joe Dante not tu...

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    NYFF Review: 'Life Of Pi' Is An Inspiring & Visually Stunning Tale Of Faith, Hope & Self-Discovery

    Taiwanese-born American film director Ang Lee’s career is difficult to pin down. He’s constructed nuanced and well-crafted dramas of various milieus and textures (from “The Ice Storm,” and “Sense and Sensibility” to the more erotic “Lust/Caution” and &...

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    NYFF Review: 'Roman Polanski: Odd Man Out' Depicts A Filmmaker In Crisis Mode Overshadowing Her Subject

    In “Roman Polanski: Wanted and Desired,” filmmaker Marina Zenovich attempted to shine a light on the darker corners of the Polanski rape case that forced him to flee the country. Its affect was considerable in the public perception of his case, to the point where it was soon reopened by investigator...

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    Fantastic Fest Review: The Kids Are Alright In Dan Bradley's Sturdy Remake of 'Red Dawn'

    After North Korean forces set foot on American soil in a clandestine invasion, one character utters that “this was bound to happen sooner or later.” He may just as well be referring to the fact that yet another beloved ‘80s title has been tapped for a remake by Hollywood; this t...

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    Review: Muscular Genre Entry 'Solomon Kane' Unpacks Choice Atmosphere & A Superbly Moody James Purefoy

    It’s frankly absurd that Michael J. Bassett’s “Solomon Kane,” which premiered in U.K. theaters back in February 2010, is only tiptoeing into American theaters two years later. Credit to The Weinstein Company for picking up what is clearly a B genre picture, trading in grime-streaked foggy atmosphere...

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    Review: 'The Other Dream Team' A Riveting, Inspiring Tale Of Sports History & Politics

    With NHL players and NFL referees currently locked out, for people who aren't sports fans to begin with, it's hard to sympathize with players making hundreds of thousands to millions of dollars, in billion dollar industries. For the most part, in our day-to-day lives, sports doesn't ming...

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    Review: 'Pitch Perfect' Hits All The Right Notes

    Luckily, "Pitch Perfect" has just enough flaws to (almost) keep us from making terrible puns around its title, but this fun comedy is good enough to leave an a cappella version of "No Diggity" stuck in your head. For a week. If this film does as well as it should, expect an influ...

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    Fantastic Fest Review: 'Wake In Fright' Is A Genuine Lost Ozploitation Classic

    As the terrifically fun and informative documentary "Not Quite Hollywood" notes, at around the same time that austere, gauzy Australian films were bewitching American art house crowds (dubbed the Australian New Wave by people who dub those sorts of things), another, equally powerful surge of Austral...

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