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Review

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    Review: 'Hotel Noir' Is An Earnest Stylistic Exercise That Only Occasionally Slips Too Far Into Pastiche

    Any kind of hardboiled film noir confection, released in 2012 with a straight face, is going to be something of a put on. Especially if its filmed digitally, which robs black-and-white (the favored presentation of film noir) of its velveteen lushness, instead replacing it with a flat, artificial haz...

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    NYFF Review: 'Leviathan' An Otherworldly Peek At A Life At Sea

    Every sound in “Leviathan” is a shuddering staccato. Every visual wears darkness like a cloak. With absolutely no context, there’s no awareness of what’s up or down. When it is promoted, the ads will suggest “Leviathan” is a documentary, and a scan of the press notes will reveal exactly where the fi...

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    Review: 'Split: A Deeper Divide' Reduces Abstract Topic To Impartial Talking Heads

    “Split: A Deeper Divide” is a new doc that attempts to take us deep into the cultural divide that exists today and explain where it came from. It’s not necessarily director Kelly Nyks’ fault that, while he attempts to plunge into this crevice like a moonshine-poisoned, wetsuit-clad James Cameron, he...

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    NYFF Review: 'Outrage Beyond' Is Pure Unfiltered Takeshi Kitano

    Suckas better recognize, because Takeshi Kitano is back, and he ain’t suffering no fools. “Outrage Beyond” is the most violent and brutal of Kitano’s body of work yet, and considering the writer-director-star is known for his shocking, graphic Yakuza dramas, that’s something worth noting. As back-to...

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    Review: Mary Elizabeth Winstead & Aaron Paul Hit the Bottle, And It Hits Back, In Strong, Stirring 'Smashed'

    There is a sub-canon of films about alcohol as deep and as dark as a barrel of bourbon, from "Lost Weekend" to "Days of Wine and Roses" to "Trees Lounge." "Smashed" casts Aaron Paul and Mary Elizabeth Winstead as Charlie and Kate, a married couple in L.A....

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    Review: Ben Affleck's '70s-Flavored 'Argo' Is A Terrifically Suspenseful & Entertaining Thriller

    Ben Affleck's third feature-length film, the terrifically suspenseful dramatic thriller "Argo," is the second picture to use Warner Bros.' 1970s logo in 2012. And like "Magic Mike," the Soderbergh film that employed the same logo earlier this year, it's an augur ...

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    Review: 'Here Comes The Boom' Is Like A More Violent, Less Funny Version of 'The Fighter'

    Kevin James is one of those actors who is so featureless and bland that he makes Tom Hanks seem, in comparison, positively exotic. With his doughy figure, dad-next-door face, and line delivery that suggests he's getting ready for the next big football game instead of commanding movies that cost tens...

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    Review: 'Gayby' Is A Slightly Amusing Little Comedy About...You Guessed It, Babymaking With Your Best Gay

    You have one chance to figure out what “Gayby” is about. If you said “gay baby,” ding ding ding, you got it! Or maybe it should be “baby with a gay,” but at any rate, “Gayby” treads the familiar narrative path of the contentious relationship between the single woman and her biological clock. Much li...

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    Review: Celebrity, Notoriety & Living In Public As 'Frankie Go Boom'

    'Frankie Go Boom' opens with a home video from a long-ago washed-out suburban childhood, as Bruce tricks his brother Frankie into a pitfall prank that's both caught on tape and a trap for the two of them; flashing forward to adulthood -- or something like it -- Frankie (Charlie Hunnam) h...

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    Leos Carax Says The Mysterious & Bizarre 'Holy Motors' Began With His "Rage" Of Being Away From Cinema For 13 Years

    Chances are that you've never seen anything quite like "Holy Motors," Leos Carax's farcical but deeply felt odyssey through modern Paris (and his first feature in almost thirteen years -- you can read our review from Cannes here). At a New York Film Festival press screening fo...

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