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Review

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    SXSW Review: 'Milius' Is A Rousing Tribute To The Warrior Poet Of Mainstream Hollywood

    In the opening moments of “Milius,” a hellzapoppin’ new documentary about John Milius, a genius tyrant and warrior poet of '70s and '80s mainstream Hollywood who wrote and directed testosterone-soaked epics like “Conan the Barbarian” and “Red Dawn,” Sam Elliott, in the same laid back butterscotch dr...

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    Review: Matteo Garrone's Lightweight & Lifeless 'Reality' Is A Disappointment

    The relationship between audiences and reality television has shifted to some degree over the past decade (or longer). Where early shows were once positioned as voyeuristic/documentary style looks at Real People, it quickly became clear to those in front of the camera, behind it and at home watching...

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    SXSW Review: 'I Give It A Year' Is A Woefully Inept Deconstruction Of Romantic Comedies

    There's a certain amount of winky irreverence built into "I Give It A Year," based on its title alone, which is something that people snarl, usually at the weddings of people who they feel are fundamentally incompatible. The title suggests that, while it might appear to be a bouncy romantic comedy, ...

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    Review: 'My Amityville Horror' Is A Disturbing Mixture Of The Paranormal And The Psychological

    In 1975, George and Kathy Lutz (along with Kathy's three children from a previous marriage), moved into a huge house in Amityville, a tony Long Island suburb. In less than a month, the family would abandon their possessions and leave the house, later claiming it had been the source of a number of su...

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    Review: Harmony Korine's 'Spring Breakers' Is A Semi-Conventional Genre Flick & Future Cult Favorite

    This will make you feel old: it has been 18 years since Harmony Korine wrote “Kids” at the age of 21, with the Larry Clark-directed film proving to be something of a firecracker in the midst of mid-'90s indie cinema, by turns controversial, seedy, and honest. Korine made his own directorial debut wi...

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    Review: Intimate & Devastating ‘Ginger & Rosa’ Features A Transformative Elle Fanning Performance

    Lovely and devastating, challenging yet worthwhile, Sally Potter's "Ginger & Rosa" may be the English filmmaker's best since "Orlando," and perhaps her most accessible to date. The intimate and sensual picture also features yet another terrific performance by 14-year-old Elle Fanning, who is quickly...

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    DVD Review: Missing ‘House Of Cards’? Excellent ‘Borgen’ Season 1 Will Keep You Satisfied

    If it isn’t already happening, Danish television is about to have a moment. AMC’s remake of the “The Killing” was canceled, swiftly brought back, and is now shooting its third season. HBO is in the midst of remaking the popular series “The Bridge” and NBC already snagged the rights to the political...

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    SXSW Review: 'Kiss Of The Damned' Is An Intoxicatingly Lusty Homage To Old School Horror

    Xan Cassavetes, the daughter of John Cassavetes and the director of the wonderful film world documentary "Z Channel: A Magnificent Obsession," wrote and directed "Kiss of the Damned" with a wink and a nod so overt that, from the opening credit sequence, which closely mimics the similarly-titled Hamm...

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    Review: 'Upside Down' Envisions A Lifeless 'Romeo and Juliet' Tale With Sporadic Sci-Fi Escapism & Visual Thrills

    In Juan Juan Solanas.' fantasy romance "Upside Down," twin planets exist with opposite gravities and social restrictions of Dickensian thematic heft. "Up Top" boasts gleaming skyscrapers, well-dressed citizens, and the majority of wealth, while "Down Below" struggles in poverty and mud-stained exist...

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    SXSW Review: Olivia Wilde & Jake Johnson Have Crazy Chemistry In Joe Swanberg's 'Drinking Buddies'

    With the rise of digital filmmaking in the last decade, a new wave of DIY "mumblecore" filmmakers have risen up through the ranks. While initially many of these films were loose and unpolished, they are now are becoming more refined with many of these directors and actors now having basically integr...

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