Sometimes it feels hard to badmouth Woody Allen at all, even when he's in the creative doldrums. Movies like "Annie Hall," "Manhattan," "Crimes and Misdemeanors," and "Hannah and Her Sisters" aren't just masterpieces, they're benchmarks of American cinema. So when he lets off a largely forgettable t...
Read More »It may be should be somewhat of a coincidence that I found myself reading Steve McQueen’s script for his next film, Shame, currently in post-production, at the same time as Quentin Tarantino’s Django Unchained. I say that because these two filmmakers couldn’t be more different in terms of style – fo...
Read More »The following is a reprint of our review that ran during the 2010 SXSW Film Festival.
Read More »The following is a reprint of our review from the 2010 SXSW Film Festival.
Read More »The following is a reprint of the review that ran at the 2010 Toronto International Film Festival
Read More »Featuring a dreamy indie-rock soundtrack that quickly turns sour, a sense of disenfranchised teenage romanticism that curdles under its own emo, twee-ness and some occasionally charming performances and admittedly clever quips, the indie film, “Daydream Nation” can’t hide the fact that it is absolutely callow -- riddled with vapid coming-of-age cliches expressed first and foremost by a rather painful voice-over and endless slo-motion music-video montages. Directed and written by Canadian filmmaker Michael Goldbach (co-writer of Don McKellar’s "Childstar"), the tedious and cloying picture reads and sounds like the diary of a deluded and guilel...
Read More »From its empty soul to its poorly framed shots ready for pan-and-scan conversion, “Something Borrowed” seems primed to play on Saturday afternoons on E!, sandwiched between reruns of “Keeping Up with the Kardashians” and “Bridalplasty.” Based on the chick-lit hit of the same name by Emily Giffin, th...
Read More »The following is a reprint of our review from SXSW.
Read More »This review originally ran during the 2011 Tribeca Film Festival.
Read More »Note: Our U.K. writer saw the film early and this review was first published on April 26, 2011
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