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Review

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    Cannes Review: 'La Grande Bellezza' An Indulgent But Dreamy Reflection On Life, Love & More

    Opening with a literal bang from a cannon and proceeding into an over-the-top party sequence, Paolo Sorrentino lets you know from the start that nothing will be held back in his latest, "La Grande Bellezza." After breaking out on the international scene with "The Consequences of Love" and "Il Divo,...

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    Cannes Review: Claire Denis Destined To Divide With Disturbing, Salacious 'The Bastards'

    If all art is only ever about sex and death, Claire Denis’ Un Certain Regard film “The Bastards” may be the most "artistic" one we’ve seen in Cannes to date, as it rolls around positively shamelessly in the musk of both. Or it may be a grubby little exercise in exploitation, depending on who you tal...

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    Cannes Review: Steven Soderbergh's 'Behind The Candelabra' Puts Dazzling Entertainment On Top Of Toxic Relationship

    It's almost unfair how easy Steven Soderbergh makes it look. As the filmmaker heads into his hiatus from movie-making, he's spent the few last years dipping between high grade entertainment ("Magic Mike") and accomplished genre films ("Side Effects," "Haywire") and for his goodbye, he's more or less...

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    Cannes Review: The Rich Also Cry In Valeria Bruni-Tedeschi’s 'A Castle In Italy'

    It’s hard not to read a degree of self-justification into Valeria Bruni-Tedeschi’s (mostly) French-language comedy-drama “A Castle In Italy,” so we’re not really going to try. We took notice of the film in advance mainly because it made headlines as the Cannes Competition’s sole entry from a female ...

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    Cannes Review: Admirable Ambition Isn't Enough For James Franco's 'As I Lay Dying'

    To be certain, James Franco has never been lacking in ambition. From the meta quasi-doc "Francophrenia (Or Don't Kill Me, I Know Where the Baby Is)" to the Hart Crane biopic "The Broken Tower" to the kinky "Interior. Leather Bar." to the primate co-starring "The Ape," Franco has leapt into filmmakin...

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    Cannes Review: Takashi Miike's 'Shield Of Straw' A Tedious, Dumb & Overstuffed Thriller

    Particularly with a filmmaker like Claire Denis shifted to the Un Certain Regard category or Ari Folman's "The Congress" scuttled to the Directors' Fortnight sidebar, many will be wondering what on Earth the Cannes selection committee saw in Takashi Miike's "Shield Of Straw" to have it play in compe...

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    Review & Recap: 'Game of Thrones' Season 3, Episode 8, 'Second Sons' is Goin' To the Chapel

    "Game of Thrones" has two things on its mind this week: love makin' and procreatin', and the result is an episode that's operating at a very different speed than the rest of the season. We barely see any of our regulars both old and new, and got to see a lot more of Danaerys Targaryen (like, literal...

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    Cannes Review: Sprawling, Uneven Crime Saga 'Blood Ties' Falls Short Of Epic Scope

    If there is any movie this year at Cannes that is absolutely brimming with promise on paper, it's Guillaume Canet's "Blood Ties." With an extended cast featuring Clive Owen, Billy Crudup, Mila Kunis, Matthias Schoenaerts, Zoe Saldana, James Caan, Marion Cotillard, Noah Emmerich and Lili Taylor among...

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    Cannes Review: ‘Grand Central’ Weaves A Lyrical Tale Of Love And Radiation Around Tahar Rahim & Lea Seydoux

    Director Rebecca Zlotowski scored big in 2010 when her debut feature “Belle Epine” (aka “Dear Prudence”) won the Prix Louis Delluc for best first film, and snagged star Léa Seydoux a nomination for Most Promising Actress at the Césars. Three years on and Seydoux has certainly made good on that promi...

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    Cannes Review: 'Seduced And Abandoned' Enjoyably Explores The Surreal World Of Film Financing

    It's hardly any surprise for people who follow film news (or read this site) that cinema, at least as far as the major Hollywood studios go, is mostly a dead art. With a shift toward four-quadrant, brand pushing, sequel spawning blockbusters, the days of the $50 million drama are a distant memory. A...

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