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Review

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    Review: Australian Thriller 'Crawlspace' Checks Off All The Genre Boxes

    Today’s genre filmmakers seem to approach filmmaking as if they’re making a stew. Despite the freedom the science-fiction, action and horror genres give them, they continually return to the well of what’s been successful, borrowing recognizable concepts and ideas to work as a shorthand: you know how...

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    Review: Earnest & Well-Intentioned ‘Promised Land’ Doesn’t Quite Convince

    If the narrative of the modern-day salesman in fiction is that of a man who believes in his business but finds his faith shaken once the white lies of his trade begin to grow, a man who loses his moral compass and finds himself along the way, then “Promised Land" doesn’t stray far from that mold. An...

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    Review: 'Texas Chainsaw 3D' Is Flatter Than Texas Roadkill

    Carl Mazzocone, the producer of the new horror remake/sequel "Texas Chainsaw 3D" (yes, the word "Massacre" isn't even part of the title – more on that in a minute), a former executive who oversaw the lucrative "Saw" series, has made it a point of saying how this is a true follow-up to Tobe Hooper's ...

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    Review: Dustin Hoffman's 'Quartet' Is An Amiable, Harmless Showcase For Brit Acting Talent

    Dustin Hoffman has taken 45 years as both one of our most acclaimed actors, and as a major box office draw, to step behind the camera. In fact, that's not strictly true; Hoffman was the original director of his terminally underrated 1978 crime picture "Straight Time," but struck by indecisiveness ea...

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    Review: ‘Tabu’ Is Magic Realism In Rapture, As Only The Language Of Cinema Can Tell It

    The following article is a reprint of our review that ran during the Toronto Interntional Film Festival. Keep an eye on this one too. It's been released very late in the year, but we suspect you'll be seeing it on many of our top 10 lists.

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    Review: Age & Illness Test Love In Michael Haneke's Unflinching 'Amour'

    Michael Haneke makes it clear from the opening of the film exactly where he's going in "Amour." Kicking off with a literal bang, a team of police officers force open the door of a flat in France, and with masks over their mouths, they walk around the apartment, open the windows and finally find what...

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    Review: Rock 'N' Roll Dreams Are Fleeting & Familiar In David Chase's Uneven 'Not Fade Away'

    For a film that’s ostensibly set to the vibrant pulse of early ‘60s rock 'n' roll and blues -- The Rolling Stones, the early Beatles, Bo Diddley, etc. -- David Chase’s directorial debut, “Not Fade Away,” sure has a curious, circuitous and eventually long-winded tempo. Set in 1964, just a few months ...

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    Review: Overwrought 'The Impossible' Drowns In A Sea Of Melodrama

    If "The Impossible" moves viewers to do anything, it may be to upgrade their life insurance policy to cover injuries due to tsunami. Following a wealthy family who encounter undeniable hardship, they are also blessed with the kind of luck and good fortune that only happens in the movies (or to peopl...

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    Review: 'Monsters, Inc.' In 3D Is Just As Much Fun As It Was The First Time Around

    "Monsters, Inc." represented a lot of firsts for the Pixar animation studio. Released in the fall of 2001, it was the first film without the direct supervision of John Lasseter, who had directed the three previous films for the studio and remains its chief creative force. It was also the first of th...

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    Review: 'The Guilt Trip' An Underdeveloped, Clichéd Road Trip Comedy Without Much Gas

    There are at least two movies opening this holiday season which seem like they were stolen from the script vault at Touchstone Pictures, circa 1992. The first, "Parental Guidance," features the heavyweight one-two punch of Billy Crystal and Bette Midler, concerns grandparents outwitted by their gran...

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