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Review

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    TIFF Review: 'Song For Marion' Hits A Predictable, But Sour Note

    There is a certain strain of mid-budgeted British comedy -- films like "Calendar Girls," "Made In Dagenham," "Greenfingers," "The Full Monty" etc. -- that generally tends to find an audience on both sides of the ocean, make a modest profit, and then land on specialty cable where it lives on in rerun...

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    TIFF Review: 'Great Expectations' Is A Handsome But Stodgy Literary Adaptation

    Adapted a dozen times for television and film (most memorably by David Lean back in 1946), the Charles Dickens classic "Great Expectations" is a tale ripe with thematic undercurrents, one that is more-than-ready for reinvention, interpretation, and reconfiguration. Sadly, no one told this to the mak...

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    TIFF Review: 'A Late Quartet' Is A Soap Opera Symphony That Hits All The Wrong Notes

    Certainly, if a film pulls together a cast that includes Philip Seymour Hoffmam, Christopher Walken and Catherine Keener, there's going to be something worth enjoying. And indeed, the trio give top shelf performances as we've always come to expect from them in "A Late Quartet." But it's just too bad...

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    TIFF Review: Unnerving ‘Lords of Salem’ Is Rob Zombie’s Best Film Yet

    “The Lords of Salem” is probably goth rocker-turned-filmmaker Rob Zombie’s best film, though it does often prove that the cinephile writer/director is a gifted tyro. At the same time, as his most formally mannered and tonally tempered film, Zombie’s latest also proves his ver...

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    TIFF Review: 'Mr. Pip' Features A Fine Hugh Laurie Performance, But Fails On Most Other Levels

    From Andrew Adamson, the director who brought us the first two "Shrek" and "Narnia" movies, "Mr. Pip" is a rather feeble attempt at more serious subject matter than talking lions and animated ogres. A literary adaptation of a coming-of-age story, with links to Charles Dickens’ classic "Great Expecta...

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    TIFF Review: 'Arthur Newman' An Intentionally Listless Story About A Boring Everyman

    What if we are all Arthur Newman? This is the question that director Dante Ariola and screenwriter Becky Johnston beg in "Arthur Newman," their tepid, imaginatively uninvolved drama about two strangers that fall in love while trying to escape their banal past lives. Ariola and Johnston’s film follow...

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    TIFF Review: Overwrought 'The Impossible' Drowns In A Sea Of Melodrama

    If "The Impossible" moves viewers to do anything, it may be to upgrade their life insurance policy to cover injuries due to tsunami. Because as we watch the Bennett family get whisked away by helipcopter at the end of the film to the facilities of a hospital in Singapore, leaving the tragedy of the ...

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    Review: 'Branded' Is An Incomprehensible Sci-Fi Mash-Up That Thinks It's Much More Clever Than It Actually Is

    The trailers for “Branded” promise a kind of the-world-is-not-what-it-seems science fiction head-turner in the vein of “The Matrix,” with an emphasis on the cultural fixation around name brands. They tantalizingly teased: What if, instead of giving you pleasure, those same brands were feeding off of...

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    TIFF Review: Bloodless 'Byzantium' A Vampire Tale Without Fangs

    Between "Twilight" on the big screen, and "True Blood" and "Vampire Diaries" on the cable dial, among countless other books, graphic novels and more, if you're a fan of bloodsuckers, there's likely a flavor out there for you. And with countless other projects in the pipeline from Will Smith's direct...

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    TIFF Review: Nick Cassavetes' ‘Yellow’ Is Daring, Bold And Just What The Doctor Ordered

    Officially the most refreshing breath of air at this year’s TIFF, Nick Cassavetes’ new feature ‘Yellow’, is a step into crazy terrritory, far from his recent romantic comedy fare and "Alpha Dog." Away from traditional ways of telling stories, and towards a different type of perspective, a very diffe...

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