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Review

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    Review: ‘Welcome To Pine Hill’ Is An Admirably Quiet & Introspective Look At Mortality & Redemption

    Shannon, or Abu, as he sometimes goes by, is a man caught in time. Haunted by his past of selling drugs, crime and various illegal activities, the 20-something black man is trying to cultivate a future while doing his best to stay on the correct side of what's right. But trying to stay on the righte...

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    Review: ‘The Last Exorcism Part II’ Is A Cruddy, Boring & Exhausting Horror

    2010’s “The Last Exorcism” was a mildly successful found-footage horror movie about a huckster exorcist (played memorably by hey-it’s-that-guy character actor Patrick Fabian) who accidentally stumbles upon an actual possession while being followed around by an amateur documentary film crew. It was a...

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    Review: 'The Brass Teapot' Is More Modest Trinket Than Rare Find

    Ramma Mosley's “The Brass Teapot," based on a screenplay by Tim Macy, who wrote the short story and the 2007 short film that served as a jumping-off point for this feature, tries hard to be a moral fable, a reflection of today's challenging economic tides and the college graduates weathering them wi...

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    Review: 'Leviathan' An Otherworldly Peek At A Life At Sea

    Every sound in “Leviathan” is a shuddering staccato. Every visual wears darkness like a cloak. With absolutely no context, there’s no awareness of what’s up or down. When it is promoted, the ads will suggest “Leviathan” is a documentary, and a scan of the press notes will reveal exactly where the fi...

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    Review: 'Oz The Great And Powerful' Dresses Up Dull Prequel Story With Special Effects Wizardry

    We’re coming up on 75 years since MGM’s Technicolor wonder “The Wizard Of Oz” first enchanted audiences on screen, and at the time it was already the fourth movie based on the works of L. Frank Baum. Of course, it has become not only the best known version, but an American cinema classic and icon, a...

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    Review: Silly & Cartoonish 'Stoker' Is A Garish Misfire For Park Chan-Wook

    One could argue there's nothing subtle about the movies made by South Korean filmmaker Park Chan-wook, the director behind "Oldboy," including the celebrated 'Vengeance Trilogy' and the loopy vampire movie, "Thirst." Violence reigns in his films, cameras pirouette like self-conscious characters in h...

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    Review: '21 And Over' Is A Derivative, Wholly Unfunny Ode To College Shenanigans

    The mythic college experience, the one dramatized in countless movies and television shows with a kind of oversized affection, involves a certain amount of reckless dangerousness, along with the all-important three B's – booze, brawling, and breasts. "21 and Over," a new comedy written and directed ...

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    Review: Oscar Nominated 'War Witch' A Haunting, Brutal Surrealist Fable Matched by Powerful Lead Performances

    Before any political or societal context enters the brutal cinematic depictions seen in “Come and See” and “City of God,” each effort can first speak clearly enough from the image of a child holding a firearm. Gawky, nervous, and with an expression of terrified power, the isolated sight holds many q...

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    Review: ‘Jack The Giant Slayer’ An Unexceptional, But Still Satisfying Fairy Tale Blockbuster

    Hollywood’s race to bring fairy tales to the big screen over the last few years, hasn’t had the best results, at least creatively. While “Alice In Wonderland” made a still unbelievable $1 billion worldwide, it simply wasn’t good, and subsequent efforts like “Red Riding Hood,” “Mirror Mirror” and “Sn...

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