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Review

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    Review: 'No One Lives' A Horrifyingly Dull Serial Killer Thriller

    Well, at the very least, "No One Lives" actually delivers on its title, however, it also tells you exactly what will happen in an already rote, routine and predictable movie. It's an R-rated horror flick that -- with a few obvious, quick cuts -- could easily be PG-13, perhaps indicating no one reall...

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    Review: Two Sharp Performances Stranded By Limp Satire In 'And Now A Word From Our Sponsor'

    There’s a nugget of a great satire within Zack Bernbaum’s “And Now A Word From Our Sponsor,” which begins with the discovery of missing advertising wizard Adan Kundle (Bruce Greenwood). A year has passed since the eccentric head of Kundle Advertising walked out of his office and disappeared, found p...

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    Review: 'Venus And Serena' Offers an Intimate, Inspiring Look At The Williams Sisters

    Though it focuses primarily on the Willams’ career and personal lives in 2011, the documentary “Venus and Serena” covers their entire lives, beginning even before the elder Venus was born. Their father Richard Williams wrote an extensive plan for his daughters' success in tennis before Venus entered...

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    Review: Ben Wheatley's 'Sightseers' - Or 'Natural Born Campers' - Is A Black-Comedy Holiday Hoot

    After "Down Terrace" and "Kill List," midnight-movie manqués and buffs in the know were wondering what director Ben Wheatley would do next; the answer is, apparently, make you laugh until you sound like a hole in the side of an airplane. "Sightseers," starring and written by Steve Oram and Alice Low...

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    Review: Uwe Boll Cross-Breeds 'Taxi Driver' With The Occupy Movement In Tone-Deaf 'Assault On Wall Street'

    It’s time to stop treating Uwe Boll like some once-in-a-lifetime nightmare behind the camera, and to start acknowledging that he’s just another substandard genre filmmaker. He’s Lucio Fulci without the aesthetics and kinky fetishes, Takashi Miike without the profane poetry, Roger Corman without the ...

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    Review: Race And Class Issues Clash With Lowbrow Comedy In 'Peeples'

    You’d be forgiven if you expected Tyler Perry to influence a large chunk of “Peeples,” the latest film to carry his name like a neon sign promising broad comedy and aggressive but dubious morality. Even the beginning seems to hum with the predictable rhythms of Perry’s multi-movie empire, with a dar...

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    SFIFF Review: 'Inori' Is A Gentle Look At A Slowly Fading, Traditional Way Of Life

    Pedro Gonzáles-Rubio’s “Inori” (Japanese for prayer) is set in Kannogawa, Japan, a dying town. There’s no menacing factory in the background spewing smoke or a horrible natural disaster in the recent past haunting the town. In fact, the environment we’re introduced to is serenely beautiful; a misty ...

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    Review & Recap: The Scheming Continues In 'Game Of Thrones' Season 3, Episode 6 'The Climb'

    Welcome back Throne Gamers, whether you want to be or not! This week's episode, "The Climb," directed by Alik Sakharov, continues to dwell on the scheming and interpersonal machinations of those who happen to have a bit of power in Westeros, who are all desperately trying to pull one over on the per...

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    Review: 'The Great Gatsby' Is A Decadently Empty Tale Of Empty Decadence & Impossible Love

    The distinctive, vista-obsessed movies of Baz Luhrmann are nothing if not stylish, generally flamboyant and lavish in their candy-colored visual treatments. Subtlety has never been of much interest to the Australian filmmaker who has leaned heavily on melodrama and romantic fairy tales told in a pas...

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    Recap: Memes & A Paul Simon Parody Does In The 'Veep'

    The second season of "Veep" is finally on the upswing after stumbling out of the gate, with last week's episode showing what the writers can do with just a little bit of focus. And this week's "The Vic Allen Dinner" mostly takes the same tack, finding comedic potential in a simple premise and then d...

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