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Review

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    TIFF Review: 'A Late Quartet' Is A Soap Opera Symphony That Hits All The Wrong Notes

    Certainly, if a film pulls together a cast that includes Philip Seymour Hoffmam, Christopher Walken and Catherine Keener, there's going to be something worth enjoying. And indeed, the trio give top shelf performances as we've always come to expect from them in "A Late Quartet." But it's just too bad...

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    TIFF Review: Unnerving ‘Lords of Salem’ Is Rob Zombie’s Best Film Yet

    “The Lords of Salem” is probably goth rocker-turned-filmmaker Rob Zombie’s best film, though it does often prove that the cinephile writer/director is a gifted tyro. At the same time, as his most formally mannered and tonally tempered film, Zombie’s latest also proves his ver...

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    TIFF Review: 'Mr. Pip' Features A Fine Hugh Laurie Performance, But Fails On Most Other Levels

    From Andrew Adamson, the director who brought us the first two "Shrek" and "Narnia" movies, "Mr. Pip" is a rather feeble attempt at more serious subject matter than talking lions and animated ogres. A literary adaptation of a coming-of-age story, with links to Charles Dickens’ classic "Great Expecta...

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    TIFF Review: 'Arthur Newman' An Intentionally Listless Story About A Boring Everyman

    What if we are all Arthur Newman? This is the question that director Dante Ariola and screenwriter Becky Johnston beg in "Arthur Newman," their tepid, imaginatively uninvolved drama about two strangers that fall in love while trying to escape their banal past lives. Ariola and Johnston’s film follow...

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    TIFF Review: Overwrought 'The Impossible' Drowns In A Sea Of Melodrama

    If "The Impossible" moves viewers to do anything, it may be to upgrade their life insurance policy to cover injuries due to tsunami. Because as we watch the Bennett family get whisked away by helipcopter at the end of the film to the facilities of a hospital in Singapore, leaving the tragedy of the ...

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    Review: 'Branded' Is An Incomprehensible Sci-Fi Mash-Up That Thinks It's Much More Clever Than It Actually Is

    The trailers for “Branded” promise a kind of the-world-is-not-what-it-seems science fiction head-turner in the vein of “The Matrix,” with an emphasis on the cultural fixation around name brands. They tantalizingly teased: What if, instead of giving you pleasure, those same brands were feeding off of...

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    TIFF Review: Bloodless 'Byzantium' A Vampire Tale Without Fangs

    Between "Twilight" on the big screen, and "True Blood" and "Vampire Diaries" on the cable dial, among countless other books, graphic novels and more, if you're a fan of bloodsuckers, there's likely a flavor out there for you. And with countless other projects in the pipeline from Will Smith's direct...

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    TIFF Review: Nick Cassavetes' ‘Yellow’ Is Daring, Bold And Just What The Doctor Ordered

    Officially the most refreshing breath of air at this year’s TIFF, Nick Cassavetes’ new feature ‘Yellow’, is a step into crazy terrritory, far from his recent romantic comedy fare and "Alpha Dog." Away from traditional ways of telling stories, and towards a different type of perspective, a very diffe...

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    TIFF Review: Joss Whedon's 'Much Ado About Nothing' Is An Unexpected Delight

    How does one follow the biggest superhero film in box office history? Perhaps a better way to phrase it is, how does the man behind some of the most beloved cult TV series and characters in recent pop history follow the biggest superhero film in box office history? If we're talking about the muc...

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    TIFF Review: 'Berberian Sound Studio' Is An Unnerving, Original Psychological Horror Anchored By The Great Toby Jones

    People love movies about the making of movies. Well, that's perhaps an exaggeration -- general audiences have a history of some apathy towards the genre. But filmmakers certainly love films that go behind the scenes of their own business, from "8 1/2" to last year's Oscar winner "The Artist," and ci...

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