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Review

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    Review: Though Keanu Reeves' Heart Is In The Right Place, 'Henry's Crime' Is A Forgettable Offense

    The following review is reprint that originally ran during the 2010 Toronto International Film Festival.

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    Review: 'Ceremony' Is Charming & Well-Made, Despite Wes Anderson Derivativeness

    Employing similar symmetrical framing and tracking shots, classic rock soundtrack flourishes and quirky, fanciful characters, Max Winkler's directorial debut, "Ceremony" feels heavily indebted to the early works of Wes Anderson. Arguably a derivative effort in that sense, the film is still not witho...

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    Review: 'Your Highness' Is Fantasy That's Gloriously Absurd, Hilarious & Balls-Out Irreverent

    The potential failure of something calling itself "Your Highness" and being marketed, in the most blatant of terms, as a medieval stoner movie, is fairly, er, high. These are untapped waters, and a fairly ballsy decision for Universal, after several big-budgeted near-bombs, to make a big budget, ver...

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    Review: 'His Way' An All Too Brief, Surface Look At The Life Of Legendary Producer Jerry Weintraub

    They don't make 'em like Jerry Weintraub anymore. Born in Brooklyn, he quickly climbed the ladder, earning early success in the music business, working with a staggering array of talent including Frank Sinatra, Elvis Presley, The Beach Boys, Led Zeppelin, Neil Diamond, Eric Clapton, John Denver and more. Once he conquered the music game, Weintraub moved over to the movie business making a name for himself with Robert Altman's "Nashville" and going on to put his mark on films like "Diner," the "Ocean's Eleven" trilogy and "The Karate Kid." It's been a hell of a ride for the producer who, now in his '70s, shows no sign of slowing down and said ...

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    Review: 'Wrecked' Is A Car Crash You'll Want To Look Away From

    “Wrecked” does a rare thing. While most movies founder in their third act, this indie survival film actually gets more interesting and watchable in its final 30 minutes. But it’s getting to that final third that’s the real ordeal here. You’ll have to endure the first half hour, with star Adrien Brod...

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    Review: 'Hop' Is Like Opening An Easter Egg And Finding Nothing Inside

    "Hop," the new animation/live action hybrid from the folks that brought us this past summer's surprise smash "Despicable Me," comes with a premise so ingeniously prepackaged that you'll wonder why nobody had come up with it before. A canny hodgepodge of "The Santa Clause," "Elf," and a handful of ot...

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    Review: 'Cat Run' A Fizzy Soda Of Old School Action

    John Stockwell's movies as a director pop and fizzle like the sensation of opening a soda can. He's focused primarily, almost cynically, on the youth market, with films like "Blue Crush" and "Turistas" exploring the exoticism of sensual, almost exclusively American youthful exuberance. Unfortunately...

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    Review: David Schwimmer's 'Trust' A Thoughtful Look At A Tricky Subject

    In 2011, we are so used to relationships blossoming through the internet and various social channels that it takes awhile into "Trust" to foresee the danger lurking. Directed by David Schwimmer, the triggering thriller manages to avoid the easy pitfalls of what could resemble an afterschool special ...

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    Review: 'Insidious' Is A Haunted House Movie That Leaves Us Cold

    The following is a reprint or our review from the Film Comment Selects program at Lincoln Center.

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    Review: 'Source Code' Is A Decent, But Familiar 'Groundhog Day' Meets Action, Sci-Fi Thriller

    The following is a reprint of our review from SXSW.

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