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Review

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    Review: 'Lore' Is An Evocative & Enigmatic Look At Post-WWII Moral & Emotional Fallout

    With her beautiful and expressive debut feature film "Somersault," writer/director Cate Shortland established herself as a filmmaker with a sharp sense of the emotional complexities of young women. And now, eight years later, she returns with belated follow-up effort "Lore," anot...

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    Review: Jet Li's 'The Sorcerer & The White Snake' Is Wuxia-Lite, With Bad Action & CG

    It might have a highbrow reputation (something anyone who's caught one of the sidebars can confirm), but that doesn't mean that the organizers of the Venice Film Festival [ed. where we first saw the movie in 2011 -- this is a slightly edited reprint of that review] don't like to watch a little ass g...

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    Review: 'A Glimpse Inside The Mind Of Charles Swan III' Displays The Flair & Flaws Of Roman Coppola's Approach

    Roman Coppola may only be on his second directorial feature, but as a music video and commercials director, and as a writer and frequent Wes Anderson collaborator -- not to mention handling the second unit on various films from his famous family members -- he has certainly amassed a wealth of filmic...

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    Göteborg Review: Volker Schlöndorff’s ‘Calm At Sea’ Is A Wrenching WWII Tale Told In Capable But Old-Fashioned Style

    A story that is apparently very famous all over France -- that of Guy Moquet, a 17 year-old boy executed by the Nazis as part of a reprisal for the assassination of one of their officers -- forms the heart of veteran German director Volker Schlondorff’s latest film, which screened at the Göteborg In...

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    Santa Barbara Review: 'Angels in Exile' Captures The Lives Of South African Street Kids & Treads New Path For Social Action Documentaries

    In 2003, college student Billy Raftery took a surf trip to South Africa and made a stop in the city of Durban, finding more than just waves— he stumbled upon the subject for a documentary in Ariel, one the thousands of street kids who live on Durban’s Point Road. “Angels in Exile,” narrated by Charl...

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    Santa Barbara Review: 'Blumenthal' A Funny & Original Work That Heralds The Arrival Of A Unique New Voice In Seth Fisher

    “Blumenthal” is a film about three Blumenthals. There’s Harold (Brian Cox), the famous playwright who died laughing at his own joke. There’s his brother, Saul (Mark Blum), an English professor who feels entitled to a bit of Harold’s success and has had some issues, ahem, not letting things… go. And ...

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    Review: David Fincher's 'House Of Cards' Is A Beautiful, Bedazzling Political Thriller (At Least In Its First Two Episodes)

    When Netflix announced that they would get into the scripted programming game, with three high profile projects all lined up for the first half of 2013 (including the Eli Roth literary-based Gothic horror project "Hemlock Grove" and the hopefully rapturous return of oddball comedy classic "Arrested ...

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    Review: 'Side Effects' A Satisfying, Twisty Psychodramatic Thriller From Steven Soderbergh

    "Side Effects," a twisty-turny psychodrama and thriller, will occupy a special place in the Steven Soderbergh oeuvre. Since his highly influential debut "sex, lies, and videotape" single-handedly launched the American independent film revival, his body of work has included 26 films that have covered...

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    Göteborg Review: Ulrich Seidl’s ‘Paradise: Love’ A Difficult But Provocative Watch With An Astounding Central Performance

    Black/white, rich/poor, fat/thin, female/male, old/young -- these are just a few of the dichotomies explored in the first of the 'Paradise' trilogy from Austrian director Ulrich Seidl. Our chronology is a bit messed up, since we already reviewed (very favorably) the second entry “...

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    Review: Walter Hill's Sylvester Stallone-Starrer 'Bullet To The Head' Is A Blast From The Past

    About as unreconstructed as it's possible to get, Walter Hill's first feature in 10 years, "Bullet to the Head," finds the veteran action director utterly mired in the tropes of the '80s R-rated action film. And we enjoyed the hell out of it. With nothing but the Himalayan crags of Sylvester Stallon...

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