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Review

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    Rome Review: 'A Glimpse Inside The Mind Of Charles Swan III' Displays The Flair & Flaws Of Roman Coppola's Approach

    Roman Coppola may only be on his second directorial feature, but as a music video and commercials director, and as a writer and frequent Wes Anderson collaborator, not to mention handling the second unit on various films from his famous family members, he has certainly amassed a wealth of filmic exp...

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    AFI Fest Review: 'The International Sign For Choking' Is Simultaneously Brash And Boring

    “The International Sign for Choking,” the second feature from writer-director Zach Weintraub, is kind of like one of those short-term relationships that ends when you both decide that you don’t like each other enough to keep calling. You’re not entirely sure what the point of...

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    AFI Fest Review: 'The Most Fun I've Ever Had With My Pants On' Loses Its Way In This Overworked, Predictable Road Movie

    Extremely personal films can prove problematic. In general, art can serve very well as a form of expression and catharsis, with the medium of film catering to this cause with particular success due to its multi-sensory stimulation. But when an individual’s emotional release begins to overwhelm...

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    Review: Parker Posey Is Comedic Napalm In 'Price Check'

    The frown of Parker Posey is like a map of comic chaos. The chief weapon amongst her considerable comic skills (the sarcastic smile is a close second), it does more than inform Posey’s characters, all of whom seem to be suffering some sort of cultural malaise. It’s so all-encompassing, as if her mou...

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    Review: 'Mea Maxima Culpa' A Provocative, Emotive, Dogged Investigation Into A Landmark Clerical Sex Abuse Case

    By turns moving, absorbing and downright rage-inducing, “Mea Maxima Culpa: Silence in the House of God” is celebrated documentarian Alex Gibney’s account of sexual abuse in St John’s School for the Deaf in Milwaukee during the '60s and '70s, which he then uses as a launchpad to follow the chain of c...

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    Rome Review: Peter Greenaway's 'Goltzius And The Pelican Company' Dazzles & Numbs The Mind In Almost Equal Measure

    Visually extraordinary, but narratively frustrating, "Goltzius and the Pelican Company," which showed here at the Rome Film Festival after premiering in The Netherlands, is every sumptuous inch a Peter Greenaway film. So those who are beguiled by the peculiar rhythms of his filmmaking -- which often...

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    Rome Review: Walter Hill's Sylvester Stallone-Starrer 'Bullet To The Head' Is A Blast From The Past

    About as unreconstructed as it's possible to get, Walter Hill's first feature in 10 years, "Bullet to the Head," finds the veteran action director utterly mired in the tropes of the '80s R-rated action film. And we enjoyed the hell out of it. With nothing but the Himalayan crags of Sylvester Stallon...

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    Rome Review: ‘The Twilight Saga: Breaking Dawn - Part 2’ Probably A High Point For The Franchise, Still A Low For Cinema

    The final installment of Stephenie Meyers' 'Twilight Saga' has hit the screen with an audible, if Italian-accented "Squee!" here in its packed hormonal World Premiere at the Rome Film Festival. Destined to make a jillion dollars in its first six minutes of release, the fil...

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    DOC NYC Review: 'Don't Follow Me (I'm Lost)' A Quotidian Portrait Of A Musician On The Road

    Son and namesake of an illustrious country singer, Bobby Bare Jr. made the differences between him and his patriarch very clear when his band released an album on Immortal Records (Korn, Incubus). Since then he’s been furiously touring as a solo artist, rocking with various backing bands and making ...

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    Review: 'Lincoln' Is A Handsomely Shot, Immaculately Acted & Terribly Dull Historical Biopic

    Steven Spielberg directing a biopic on Abraham Lincoln, even one that concerns the President's last four months in his second term, is something that positively oozes with endless possibilities. This is, after all, a filmmaker who has turned his virtuosic eye onto past historical injustices like the...

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