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    Review: 'Lockout' Is The B-Movie You've Been Waiting For All Year

    In the futurist world of "Lockout," most deadly convicts will be confined to MS-One, a maximum security prison floating in outer space. It’s not long from now (2079, to be exact) strongly suggesting the cultural shift in our society’s interest in interstellar exploration has gone from possibly explo...

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    Review: Director Pablo Larrain's Continues His Dark, Comedic Preoccupation With Chile's Tainted History In 'Post Mortem'

    Where did the American Independent cinema of the '70s go, exactly? Did it fizzle and die, or did George Lucas scare it away with his mammoth sci-fi extravaganza? No one knows for sure, but there's something suspicious about the films of Chilean director Pablo Larrain. "Tony Manero,"...

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    Review: Uneven Documentary ‘Hit So Hard’ Can’t Decide If It’s A Patty Schemel Portrait Or Hole Alt-Rock Examination

    Patty Schemel is best remembered as the drummer of the alternative rock group Hole, fronted by erstwhile alt-queen rocker, now-notorious loudmouth Courtney Love. For top level context, Schemel laid the thunderous beat on both of Hole’s most popular and well-known records, including 1994’...

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    Review: 'Here' With Ben Foster Is A Punishingly Slow Film With Little Substance Or Soul

    Despite naturalistic performances by leads Ben Foster and Lubna Azabal ("Incendies," "Coriolanus") and impressive cinematography by Lol Crawley ("Ballast," "Four Lions"), Braden King's "Here" is a maundering relationship movie with few stakes and...

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    Review: 'The Lady' A Glossy, Poignant But Ultimately Underwhelming Portrait Of Pro-Democracy Activist Aung San Suu Kyi

    If there’s one thing that Luc Besson proved with “The Messenger,” it’s that his melodramatic, spectacle-laden sensibility is not particularly well-suited to serious or credible stories. Nevertheless, the director mostly abets himself of making the same mistakes twice with &ld...

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    Review: 'The Samaritan' Never Quite Overcomes Its Audacious, Questionable Twist

    It's difficult to discuss "The Samaritan" without revealing the noted plot turn nearly halfway through, but consider this an attempt. The Canadian thriller, currently available on VOD, concerns an ex-con named Foley. Foley's lost twenty five years in prison after murdering his partner, a decision bo...

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    Review: 'Your Brother. Remember?' A Touching Trip Down Memory Lane

    Normally, something like Zachary Oberzan's “Flooding With Love for the Kid” is a concept to be scoffed at: the director, in the tiny confines of his apartment, adapted the novel “Rambo” was based on and played all of the characters himself. It sounds crude and generally unimpressive; a novelty desti...

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    Review: 'We The Party' Is An Overly Familiar Teen Romp That Tries To Be Something More

    "We the Party" has a poster that makes it look like a more urban entry in the popular "Step Up" franchise, but is hilariously tagged as being "From the Director of 'New Jack City,'" a movie that most of the cast and pretty much anyone they're targeting to watch the movie, have either forgotten about...

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    Review: 'American Reunion' Is A Stale Slice Of 'Pie' That Coasts On Nostalgia & Cameos

    “American Reunion” begins with the franchise’s typical sexual misunderstanding played for casual sitcom laughs. Married couple Jim (Jason Biggs) and Michelle (Alyson Hannigan) are preparing for bedtime when she excuses herself to take a late night bath. Without saying a word, Jim watches her leave b...

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    Review: 'ATM' Is An Impossibly Implausible, Hilariously Bad B-Movie

    Cheap, slapped-together run-of-the-mill B-movie thrillers are a dime a dozen. And their egregiousness is often not worthy of outrage or scorn because frequently the films are made on the cheap with a knowing eye towards making a buck with direct-to-DVD sales or foreign markets that don’t care about ...

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